# description
Keep The Josephine Baker Story (1991) On Your Home Screen

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There and then, I swore that if I grew up, I'd make sure little children didn't have to live scared. ever. Dancing must have come from running, and laughing from crying. - Here, take Chloe. - (CHICK SQUEALING) (WOMAN SINGING) By the time I was 14, I realized nobody hates a black girl who's cute and funny. (MAN SINGING)

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There and then, I swore that if I grew up, I'd make sure little children didn't have to live scared. ever. Dancing must have come from running, and laughing from crying. - Here, take Chloe. - (CHICK SQUEALING) (WOMAN SINGING) By the time I was 14, I realized nobody hates a black girl who's cute and funny. (MAN SINGING)

# shortcuts[].description
Play There and then, I swore that if I grew up, I'd make sure little children didn't have to live scared. ever. Dancing must have come from running, and laughing from crying. - Here, take Chloe. - (CHICK SQUEALING) (WOMAN SINGING) By the time I was 14, I realized nobody hates a black girl who's cute and funny. (MAN SINGING)

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(LAUGHS) - You like being a dancer, Josie? - (LAUGHS) - Best way I know how to keep warm. - You like making people laugh? Can't hardly stop them with the face I got. Well, how about I take you off the end of that line, give you your own comedy spot? You mean it? If little David could use his harp to make the angels cry, I meant to make them laugh till I had enough to eat. and enough clothes for at least two changes. (MEN SINGING)

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(LAUGHS) - You like being a dancer, Josie? - (LAUGHS) - Best way I know how to keep warm. - You like making people laugh? Can't hardly stop them with the face I got. Well, how about I take you off the end of that line, give you your own comedy spot? You mean it? If little David could use his harp to make the angels cry, I meant to make them laugh till I had enough to eat. and enough clothes for at least two changes. (MEN SINGING)

# shortcuts[].description
Play (LAUGHS) - You like being a dancer, Josie? - (LAUGHS) - Best way I know how to keep warm. - You like making people laugh? Can't hardly stop them with the face I got. Well, how about I take you off the end of that line, give you your own comedy spot? You mean it? If little David could use his harp to make the angels cry, I meant to make them laugh till I had enough to eat. and enough clothes for at least two changes. (MEN SINGING)

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Even when I got to Broadway, I was still in blackface dancing to all white audiences. So when I got an offer to go to Paris, huh, I didn't think twice.

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Even when I got to Broadway, I was still in blackface dancing to all white audiences. So when I got an offer to go to Paris, huh, I didn't think twice.

# shortcuts[].description
Play Even when I got to Broadway, I was still in blackface dancing to all white audiences. So when I got an offer to go to Paris, huh, I didn't think twice.

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- Take me, Josie. Can I come, too? - Follow her? Hmm. - Mama, don't! - That's where you can go, missy. Yeah, I'll send for you. When I get set, I'll send for all of you. New York, Paris, the moon. Go where you like. - Don't you bother us no more. - Josie, you promise? I promise. I'll send for you. I'll send for all of you. - I'll miss you. - I got news for you, girl. You ain't so much of a dancer anyways.

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- Take me, Josie. Can I come, too? - Follow her? Hmm. - Mama, don't! - That's where you can go, missy. Yeah, I'll send for you. When I get set, I'll send for all of you. New York, Paris, the moon. Go where you like. - Don't you bother us no more. - Josie, you promise? I promise. I'll send for you. I'll send for all of you. - I'll miss you. - I got news for you, girl. You ain't so much of a dancer anyways.

# shortcuts[].description
Play - Take me, Josie. Can I come, too? - Follow her? Hmm. - Mama, don't! - That's where you can go, missy. Yeah, I'll send for you. When I get set, I'll send for all of you. New York, Paris, the moon. Go where you like. - Don't you bother us no more. - Josie, you promise? I promise. I'll send for you. I'll send for all of you. - I'll miss you. - I got news for you, girl. You ain't so much of a dancer anyways.

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Y'all, come on. Come see our show. (CHEERING) (JAZZ MUSIC PLAYING) JOSEPHINE: Free in France. Still black, but free in France. We could stay in hotels and dance in the streets. The air made us drunk.

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Y'all, come on. Come see our show. (CHEERING) (JAZZ MUSIC PLAYING) JOSEPHINE: Free in France. Still black, but free in France. We could stay in hotels and dance in the streets. The air made us drunk.

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Play Y'all, come on. Come see our show. (CHEERING) (JAZZ MUSIC PLAYING) JOSEPHINE: Free in France. Still black, but free in France. We could stay in hotels and dance in the streets. The air made us drunk.

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The first time a white waiter served me and called me ma'am, I nearly died. I fell in love with Paris that day.

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The first time a white waiter served me and called me ma'am, I nearly died. I fell in love with Paris that day.

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Play The first time a white waiter served me and called me ma'am, I nearly died. I fell in love with Paris that day.

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Sidney Bechet with his soprano sax and his Louisiana smarts. was my daytime friend and my nighttime company.

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Sidney Bechet with his soprano sax and his Louisiana smarts. was my daytime friend and my nighttime company.

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Play Sidney Bechet with his soprano sax and his Louisiana smarts. was my daytime friend and my nighttime company.

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See, Josie, this here's a big party town. It's been that way since the war. Every week, they gotta have a new sensation, and this week, baby, it's black skin, and I like it. Ha, ha. Back home, we can't give it away.

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See, Josie, this here's a big party town. It's been that way since the war. Every week, they gotta have a new sensation, and this week, baby, it's black skin, and I like it. Ha, ha. Back home, we can't give it away.

# shortcuts[].description
Play See, Josie, this here's a big party town. It's been that way since the war. Every week, they gotta have a new sensation, and this week, baby, it's black skin, and I like it. Ha, ha. Back home, we can't give it away.

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JOSEPHINE: His eyes approved ofme. To him, I wasn't just a woman. or a colored woman. I was all women.

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JOSEPHINE: His eyes approved ofme. To him, I wasn't just a woman. or a colored woman. I was all women.

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Play JOSEPHINE: His eyes approved ofme. To him, I wasn't just a woman. or a colored woman. I was all women.

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Nobody had ever looked at me that way before. Never before.

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Nobody had ever looked at me that way before. Never before.

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Play Nobody had ever looked at me that way before. Never before.