# description
Keep Heavenly Creatures (1994) On Your Home Screen

# shortcuts[].name
[first lines] [Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill path to the tea house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate] Juliet Hulme: Mummy! Pauline...

# shortcuts[].short_name
[first lines] [Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill path to the tea house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate] Juliet Hulme: Mummy! Pauline...

# shortcuts[].description
Play [first lines] [Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill path to the tea house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate] Juliet Hulme: Mummy! Pauline...

# shortcuts[].name
Juliet Hulme: [Juliet has just arrived at her new school. For French class she has taken the name Antoinette] Excuse me, Miss Waller, you've made a mistake. "Je doutais qu'il vienne" is in fact the spoken subjunctive. Miss Waller: It is customary to stand when addressing a teacher, [pause] Miss Waller: Antoinette. Juliet Hulme: [stands] You should have written "vÃ®nt". Miss Waller: I must have copied it incorrectly from my notes. Juliet Hulme: [stands] You don't need to apologise, Miss...

# shortcuts[].short_name
Juliet Hulme: [Juliet has just arrived at her new school. For French class she has taken the name Antoinette] Excuse me, Miss Waller, you've made a mistake. "Je doutais qu'il vienne" is in fact the spoken subjunctive. Miss Waller: It is customary to stand when addressing a teacher, [pause] Miss Waller: Antoinette. Juliet Hulme: [stands] You should have written "vÃ®nt". Miss Waller: I must have copied it incorrectly from my notes. Juliet Hulme: [stands] You don't need to apologise, Miss...

# shortcuts[].description
Play Juliet Hulme: [Juliet has just arrived at her new school. For French class she has taken the name Antoinette] Excuse me, Miss Waller, you've made a mistake. "Je doutais qu'il vienne" is in fact the spoken subjunctive. Miss Waller: It is customary to stand when addressing a teacher, [pause] Miss Waller: Antoinette. Juliet Hulme: [stands] You should have written "vÃ®nt". Miss Waller: I must have copied it incorrectly from my notes. Juliet Hulme: [stands] You don't need to apologise, Miss...

# shortcuts[].name
[During a night rain storm, Dr. Hulme knocks on the Riepers' door] Dr. Henry Hulme: Mrs. Rieper, may I come in? Honorah Parker Rieper: Yes, of course. Dr. Henry Hulme: Thank you. [They sit in the parlor] Dr. Henry Hulme: Your daughter's an imaginative and spirited girl. Honorah Parker Rieper: Look, if she's spending too much time at your house, you only need to say. All those nights that she spends over, she assured us that you don't mind. Dr. Henry Hulme: It, it's rather more complicated...

# shortcuts[].short_name
[During a night rain storm, Dr. Hulme knocks on the Riepers' door] Dr. Henry Hulme: Mrs. Rieper, may I come in? Honorah Parker Rieper: Yes, of course. Dr. Henry Hulme: Thank you. [They sit in the parlor] Dr. Henry Hulme: Your daughter's an imaginative and spirited girl. Honorah Parker Rieper: Look, if she's spending too much time at your house, you only need to say. All those nights that she spends over, she assured us that you don't mind. Dr. Henry Hulme: It, it's rather more complicated...

# shortcuts[].description
Play [During a night rain storm, Dr. Hulme knocks on the Riepers' door] Dr. Henry Hulme: Mrs. Rieper, may I come in? Honorah Parker Rieper: Yes, of course. Dr. Henry Hulme: Thank you. [They sit in the parlor] Dr. Henry Hulme: Your daughter's an imaginative and spirited girl. Honorah Parker Rieper: Look, if she's spending too much time at your house, you only need to say. All those nights that she spends over, she assured us that you don't mind. Dr. Henry Hulme: It, it's rather more complicated...

# shortcuts[].name
All the best people have bad chests and bone diseases. It's all frightfully romantic.

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All the best people have bad chests and bone diseases. It's all frightfully romantic.

# shortcuts[].description
Play All the best people have bad chests and bone diseases. It's all frightfully romantic.

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[Laughter continues] Oh! Hi, Paul! [Giggles]. - Aah! - Oh! The evil Prince Runnymede is escaping! Aah! Get him, Paul!

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[Laughter continues] Oh! Hi, Paul! [Giggles]. - Aah! - Oh! The evil Prince Runnymede is escaping! Aah! Get him, Paul!

# shortcuts[].description
Play [Laughter continues] Oh! Hi, Paul! [Giggles]. - Aah! - Oh! The evil Prince Runnymede is escaping! Aah! Get him, Paul!

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(music) There's a light in her eyes (music) Both; (music) Though she may try to hide it (music). (music) She cannot deny there's a light in her eyes (music) (music) The charm of her smile so beguiles Don Diego (music) (music) That he rode a mile for the charm of her smile (music) [Both laughing]

# shortcuts[].short_name
(music) There's a light in her eyes (music) Both; (music) Though she may try to hide it (music). (music) She cannot deny there's a light in her eyes (music) (music) The charm of her smile so beguiles Don Diego (music) (music) That he rode a mile for the charm of her smile (music) [Both laughing]

# shortcuts[].description
Play (music) There's a light in her eyes (music) Both; (music) Though she may try to hide it (music). (music) She cannot deny there's a light in her eyes (music) (music) The charm of her smile so beguiles Don Diego (music) (music) That he rode a mile for the charm of her smile (music) [Both laughing]

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Oh I wish James Mason would do a religious picture. He'd be perfect as Jesus. Daddy says the Bible is a load of bunkum. But we're all going to Heaven. I'm not. I'm going to the Fourth World. It's sort of like Heaven only better. because there aren't any Christians

# shortcuts[].short_name
Oh I wish James Mason would do a religious picture. He'd be perfect as Jesus. Daddy says the Bible is a load of bunkum. But we're all going to Heaven. I'm not. I'm going to the Fourth World. It's sort of like Heaven only better. because there aren't any Christians

# shortcuts[].description
Play Oh I wish James Mason would do a religious picture. He'd be perfect as Jesus. Daddy says the Bible is a load of bunkum. But we're all going to Heaven. I'm not. I'm going to the Fourth World. It's sort of like Heaven only better. because there aren't any Christians

# shortcuts[].name
Daddy says the Bible is a load of bunkum. But we're all going to Heaven. I'm not. I'm going to the Fourth World. It's sort of like Heaven only better. because there aren't any Christians It's an absolute paradise of music art. and pure enjoyment

# shortcuts[].short_name
Daddy says the Bible is a load of bunkum. But we're all going to Heaven. I'm not. I'm going to the Fourth World. It's sort of like Heaven only better. because there aren't any Christians It's an absolute paradise of music art. and pure enjoyment

# shortcuts[].description
Play Daddy says the Bible is a load of bunkum. But we're all going to Heaven. I'm not. I'm going to the Fourth World. It's sort of like Heaven only better. because there aren't any Christians It's an absolute paradise of music art. and pure enjoyment