# description
Keep Decision Before Dawn (1951) On Your Home Screen

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???? [ Orchestra: Slow March ] [ Footsteps Approaching, Marching To Rhythm ] [ Marching Continues, Louder ]

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???? [ Orchestra: Slow March ] [ Footsteps Approaching, Marching To Rhythm ] [ Marching Continues, Louder ]

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Play ???? [ Orchestra: Slow March ] [ Footsteps Approaching, Marching To Rhythm ] [ Marching Continues, Louder ]

# shortcuts[].name
STOP RIGHT HERE. YES, SIR. I'M SORRY, SIR. I KEEP TELLIN' 'EM BACK AT HEADQUARTERS, I GOT NO SENSE OF DIRECTION, BUT THEY JUST WON'T LISTEN TO ME. A SOLDIER'S NOT MUCH GOOD IF HE CAN'T FIND HIS WAY BACK TO HIS OWN OUTFIT. IT'S LIKE NOT BEIN' ABLE TO FIND YOUR WAY HOME. MY HOME? MY HOME'S IN BOISE. FOR CRYIN' OUT-- WE'VE COME 20 MILES OUT OF THE WAY. NOW WE'LL PROBABLY HAVE TO FIGHT OUR WAY THROUGH A WHOLE KRAUT-- [ Branch Cracks ].

# shortcuts[].short_name
STOP RIGHT HERE. YES, SIR. I'M SORRY, SIR. I KEEP TELLIN' 'EM BACK AT HEADQUARTERS, I GOT NO SENSE OF DIRECTION, BUT THEY JUST WON'T LISTEN TO ME. A SOLDIER'S NOT MUCH GOOD IF HE CAN'T FIND HIS WAY BACK TO HIS OWN OUTFIT. IT'S LIKE NOT BEIN' ABLE TO FIND YOUR WAY HOME. MY HOME? MY HOME'S IN BOISE. FOR CRYIN' OUT-- WE'VE COME 20 MILES OUT OF THE WAY. NOW WE'LL PROBABLY HAVE TO FIGHT OUR WAY THROUGH A WHOLE KRAUT-- [ Branch Cracks ].

# shortcuts[].description
Play STOP RIGHT HERE. YES, SIR. I'M SORRY, SIR. I KEEP TELLIN' 'EM BACK AT HEADQUARTERS, I GOT NO SENSE OF DIRECTION, BUT THEY JUST WON'T LISTEN TO ME. A SOLDIER'S NOT MUCH GOOD IF HE CAN'T FIND HIS WAY BACK TO HIS OWN OUTFIT. IT'S LIKE NOT BEIN' ABLE TO FIND YOUR WAY HOME. MY HOME? MY HOME'S IN BOISE. FOR CRYIN' OUT-- WE'VE COME 20 MILES OUT OF THE WAY. NOW WE'LL PROBABLY HAVE TO FIGHT OUR WAY THROUGH A WHOLE KRAUT-- [ Branch Cracks ].

# shortcuts[].name
COME ON. GET OUTTA THERE! GIVE IT UP, YOU RATS. COME ON! MOVE IT ON! KEEP YOUR HANDS UP. OVER THIS WAY. MOVE! COME ON. GET THE LEAD OUT. MOVE OVER THERE. THAT'S CLOSE ENOUGH. RIGHT THERE. YOU FRISK 'EM. I'LL KEEP 'EM COVERED. HEY, YOU. I SAID, KEEP YOUR HANDS UP. THAT'S WHAT I MEANT. COME ON!

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COME ON. GET OUTTA THERE! GIVE IT UP, YOU RATS. COME ON! MOVE IT ON! KEEP YOUR HANDS UP. OVER THIS WAY. MOVE! COME ON. GET THE LEAD OUT. MOVE OVER THERE. THAT'S CLOSE ENOUGH. RIGHT THERE. YOU FRISK 'EM. I'LL KEEP 'EM COVERED. HEY, YOU. I SAID, KEEP YOUR HANDS UP. THAT'S WHAT I MEANT. COME ON!

# shortcuts[].description
Play COME ON. GET OUTTA THERE! GIVE IT UP, YOU RATS. COME ON! MOVE IT ON! KEEP YOUR HANDS UP. OVER THIS WAY. MOVE! COME ON. GET THE LEAD OUT. MOVE OVER THERE. THAT'S CLOSE ENOUGH. RIGHT THERE. YOU FRISK 'EM. I'LL KEEP 'EM COVERED. HEY, YOU. I SAID, KEEP YOUR HANDS UP. THAT'S WHAT I MEANT. COME ON!

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- HERE. YOU LOOK LIKE YOU COULD USE A SHOT YOURSELF. - NO, THANK YOU. ALL RIGHT. CLIMB ABOARD.

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- HERE. YOU LOOK LIKE YOU COULD USE A SHOT YOURSELF. - NO, THANK YOU. ALL RIGHT. CLIMB ABOARD.

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Play - HERE. YOU LOOK LIKE YOU COULD USE A SHOT YOURSELF. - NO, THANK YOU. ALL RIGHT. CLIMB ABOARD.

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[ Lieutenant Narrating ] WELL, WE FINALLY MADE IT. STRANGE AS IT SEEMED TO ME THEN, THIS WAS THE HEADQUARTERS TO WHICH I WAS ASSIGNED. [ Beeping Horn ]. JUST A MOMENT, SIR. SISTER TERESA'S COMING. BONJOUR, MONSIEUR JEAN. HOW WAS THE HUNTING THIS MORNING? NO GOOD, SISTER BEATRICE. THERE WASN'T A CHICKEN ON THE ROAD.

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[ Lieutenant Narrating ] WELL, WE FINALLY MADE IT. STRANGE AS IT SEEMED TO ME THEN, THIS WAS THE HEADQUARTERS TO WHICH I WAS ASSIGNED. [ Beeping Horn ]. JUST A MOMENT, SIR. SISTER TERESA'S COMING. BONJOUR, MONSIEUR JEAN. HOW WAS THE HUNTING THIS MORNING? NO GOOD, SISTER BEATRICE. THERE WASN'T A CHICKEN ON THE ROAD.

# shortcuts[].description
Play [ Lieutenant Narrating ] WELL, WE FINALLY MADE IT. STRANGE AS IT SEEMED TO ME THEN, THIS WAS THE HEADQUARTERS TO WHICH I WAS ASSIGNED. [ Beeping Horn ]. JUST A MOMENT, SIR. SISTER TERESA'S COMING. BONJOUR, MONSIEUR JEAN. HOW WAS THE HUNTING THIS MORNING? NO GOOD, SISTER BEATRICE. THERE WASN'T A CHICKEN ON THE ROAD.

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???? [ Continues ] PAUL? PAUL, ARE YOU ASLEEP? NO. WHAT IS IT? DID YOU SEE THEIR FACES THIS MORNING OUT IN THE YARD? YES. FOR SOME OF THEM, NOTHING IS CHANGED-- EVEN NOW. RICHTER, THE AMIS WANT YOU FOR QUESTIONING. THE AMERICANS WANT ME NOW? YES. COME WITH ME.

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???? [ Continues ] PAUL? PAUL, ARE YOU ASLEEP? NO. WHAT IS IT? DID YOU SEE THEIR FACES THIS MORNING OUT IN THE YARD? YES. FOR SOME OF THEM, NOTHING IS CHANGED-- EVEN NOW. RICHTER, THE AMIS WANT YOU FOR QUESTIONING. THE AMERICANS WANT ME NOW? YES. COME WITH ME.

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Play ???? [ Continues ] PAUL? PAUL, ARE YOU ASLEEP? NO. WHAT IS IT? DID YOU SEE THEIR FACES THIS MORNING OUT IN THE YARD? YES. FOR SOME OF THEM, NOTHING IS CHANGED-- EVEN NOW. RICHTER, THE AMIS WANT YOU FOR QUESTIONING. THE AMERICANS WANT ME NOW? YES. COME WITH ME.

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[ German P.W. ] SERGEANT PAUL RICHTER, YOU ARE FACING A COURT MARTIAL OF THE WEHRMACHT. YOU ARE ACCUSED OF TREASON AGAINST YOUR FUÜÜHRER AND YOUR FATHERLAND. HAVE YOU ANYTHING TO SAY IN YOUR DEFENSE? WHAT ARE YOU DOING HERE? EAVESDROPPING, EH? GET IT OVER WITH. QUICK!

# shortcuts[].short_name
[ German P.W. ] SERGEANT PAUL RICHTER, YOU ARE FACING A COURT MARTIAL OF THE WEHRMACHT. YOU ARE ACCUSED OF TREASON AGAINST YOUR FUÜÜHRER AND YOUR FATHERLAND. HAVE YOU ANYTHING TO SAY IN YOUR DEFENSE? WHAT ARE YOU DOING HERE? EAVESDROPPING, EH? GET IT OVER WITH. QUICK!

# shortcuts[].description
Play [ German P.W. ] SERGEANT PAUL RICHTER, YOU ARE FACING A COURT MARTIAL OF THE WEHRMACHT. YOU ARE ACCUSED OF TREASON AGAINST YOUR FUÜÜHRER AND YOUR FATHERLAND. HAVE YOU ANYTHING TO SAY IN YOUR DEFENSE? WHAT ARE YOU DOING HERE? EAVESDROPPING, EH? GET IT OVER WITH. QUICK!

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COME IN. OFFICER MESSENGER, SIR, WITH A DISPATCH. YES? COLONEL DEVLIN? THAT'S RIGHT. THIS IS FROM COLONEL WILLIAMSON, SIR. TOP SECRET. ???? [ Pipe Organ: Sacred ] COME ON. HURRY IT UP. BRINGIN' YOU GUYS TOGETHER IS GETTING TOUGHER EVERY DAY. [ Man ] WHAT'S IT ALL ABOUT, ANYWAY? [ Gevers ] SHH. QUIET.

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COME IN. OFFICER MESSENGER, SIR, WITH A DISPATCH. YES? COLONEL DEVLIN? THAT'S RIGHT. THIS IS FROM COLONEL WILLIAMSON, SIR. TOP SECRET. ???? [ Pipe Organ: Sacred ] COME ON. HURRY IT UP. BRINGIN' YOU GUYS TOGETHER IS GETTING TOUGHER EVERY DAY. [ Man ] WHAT'S IT ALL ABOUT, ANYWAY? [ Gevers ] SHH. QUIET.

# shortcuts[].description
Play COME IN. OFFICER MESSENGER, SIR, WITH A DISPATCH. YES? COLONEL DEVLIN? THAT'S RIGHT. THIS IS FROM COLONEL WILLIAMSON, SIR. TOP SECRET. ???? [ Pipe Organ: Sacred ] COME ON. HURRY IT UP. BRINGIN' YOU GUYS TOGETHER IS GETTING TOUGHER EVERY DAY. [ Man ] WHAT'S IT ALL ABOUT, ANYWAY? [ Gevers ] SHH. QUIET.

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I DON'T KNOW. SOMETIMES I'D RATHER GO THAN STAY BEHIND. DON'T KID YOURSELF, BROTHER.

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I DON'T KNOW. SOMETIMES I'D RATHER GO THAN STAY BEHIND. DON'T KID YOURSELF, BROTHER.

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Play I DON'T KNOW. SOMETIMES I'D RATHER GO THAN STAY BEHIND. DON'T KID YOURSELF, BROTHER.

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THE PILOT WANTS YOU TO KNOW YOU MAY BE A MILE OR TWO OFF THE PINPOINT. COME ON. STAND BY! TARGET! [ Bell Ringing ]

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THE PILOT WANTS YOU TO KNOW YOU MAY BE A MILE OR TWO OFF THE PINPOINT. COME ON. STAND BY! TARGET! [ Bell Ringing ]

# shortcuts[].description
Play THE PILOT WANTS YOU TO KNOW YOU MAY BE A MILE OR TWO OFF THE PINPOINT. COME ON. STAND BY! TARGET! [ Bell Ringing ]