# description
Keep The Third Man (1949) On Your Home Screen

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Anna Schmidt: You know, you ought to get yourself a girl.

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Anna Schmidt: You know, you ought to get yourself a girl.

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Play Anna Schmidt: You know, you ought to get yourself a girl.

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Martins: Listen, Callahan! Calloway: Calloway. I'm English, not Irish.

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Martins: Listen, Callahan! Calloway: Calloway. I'm English, not Irish.

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Play Martins: Listen, Callahan! Calloway: Calloway. I'm English, not Irish.

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Opening narrator: I never knew the old Vienna before the war with its Strauss music, its glamour and easy charm. Constantinople suited me better. [Scenes of black market goods changing hands] Opening narrator: I really got to know it in the classic period of the black market. We'd run anything if people wanted it enough and had the money to pay. Of course a situation like that does tempt amateurs [Dead body seen floating in the river] Opening narrator: but, well, you know, they can't stay the...

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Opening narrator: I never knew the old Vienna before the war with its Strauss music, its glamour and easy charm. Constantinople suited me better. [Scenes of black market goods changing hands] Opening narrator: I really got to know it in the classic period of the black market. We'd run anything if people wanted it enough and had the money to pay. Of course a situation like that does tempt amateurs [Dead body seen floating in the river] Opening narrator: but, well, you know, they can't stay the...

# shortcuts[].description
Play Opening narrator: I never knew the old Vienna before the war with its Strauss music, its glamour and easy charm. Constantinople suited me better. [Scenes of black market goods changing hands] Opening narrator: I really got to know it in the classic period of the black market. We'd run anything if people wanted it enough and had the money to pay. Of course a situation like that does tempt amateurs [Dead body seen floating in the river] Opening narrator: but, well, you know, they can't stay the...

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Harry Lime: Nobody thinks in terms of human beings. Governments don't. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs - it's the same thing. They have their five year plans, so have I. Martins: You used to believe in God. Harry Lime: Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don't miss much here, poor devils.

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Harry Lime: Nobody thinks in terms of human beings. Governments don't. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs - it's the same thing. They have their five year plans, so have I. Martins: You used to believe in God. Harry Lime: Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don't miss much here, poor devils.

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Play Harry Lime: Nobody thinks in terms of human beings. Governments don't. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs - it's the same thing. They have their five year plans, so have I. Martins: You used to believe in God. Harry Lime: Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don't miss much here, poor devils.

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Martins: Have you ever seen any of your Victims? Harry Lime: You know, I never feel comfortable on these sort of things. Victims? Don't be melodramatic. Look down there. Tell me. Would you really feel any pity if one of those dots stopped moving forever? If I offered you twenty thousand pounds for every dot that stopped, would you really, old man, tell me to keep my money, or would you calculate how many dots you could afford to spare? Free of income tax, old man. Free of income tax - the...

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Martins: Have you ever seen any of your Victims? Harry Lime: You know, I never feel comfortable on these sort of things. Victims? Don't be melodramatic. Look down there. Tell me. Would you really feel any pity if one of those dots stopped moving forever? If I offered you twenty thousand pounds for every dot that stopped, would you really, old man, tell me to keep my money, or would you calculate how many dots you could afford to spare? Free of income tax, old man. Free of income tax - the...

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Play Martins: Have you ever seen any of your Victims? Harry Lime: You know, I never feel comfortable on these sort of things. Victims? Don't be melodramatic. Look down there. Tell me. Would you really feel any pity if one of those dots stopped moving forever? If I offered you twenty thousand pounds for every dot that stopped, would you really, old man, tell me to keep my money, or would you calculate how many dots you could afford to spare? Free of income tax, old man. Free of income tax - the...

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We do a little show each week Last week we had Hamlet. The week before we had something. The striptease sir Yes the Hindu dancers Thank you.

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We do a little show each week Last week we had Hamlet. The week before we had something. The striptease sir Yes the Hindu dancers Thank you.

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Play We do a little show each week Last week we had Hamlet. The week before we had something. The striptease sir Yes the Hindu dancers Thank you.

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Did you ever read The Lone Rider of Santa Fe No not that one. It's a story about a man who hunted down a sheriff who was victimizing his best friend. Seems exciting It is. I'm gunning just the same way for your Major Callaghan. Sounds anti British sir.

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Did you ever read The Lone Rider of Santa Fe No not that one. It's a story about a man who hunted down a sheriff who was victimizing his best friend. Seems exciting It is. I'm gunning just the same way for your Major Callaghan. Sounds anti British sir.

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Play Did you ever read The Lone Rider of Santa Fe No not that one. It's a story about a man who hunted down a sheriff who was victimizing his best friend. Seems exciting It is. I'm gunning just the same way for your Major Callaghan. Sounds anti British sir.

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Well, I've heard of him, of course,  but I didn't exactly know him. I was going to stay with him,  but he died Thursday. Goodness, that's awkward. That what you say to people after death?  "Goodness, that's awkward"? Mr Martins. Excuse me. Telephone. Who is it? - Baron Kurtz.  - Must be some mistake. Yes? I was a friend of Harry Lime. I'd very much like to meet you, Baron.  Come around. Austrians aren't allowed in your hotel. - Couldn't we meet at the Mozart Cafe?  - Where? - Just around...

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Well, I've heard of him, of course,  but I didn't exactly know him. I was going to stay with him,  but he died Thursday. Goodness, that's awkward. That what you say to people after death?  "Goodness, that's awkward"? Mr Martins. Excuse me. Telephone. Who is it? - Baron Kurtz.  - Must be some mistake. Yes? I was a friend of Harry Lime. I'd very much like to meet you, Baron.  Come around. Austrians aren't allowed in your hotel. - Couldn't we meet at the Mozart Cafe?  - Where? - Just around...

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Play Well, I've heard of him, of course,  but I didn't exactly know him. I was going to stay with him,  but he died Thursday. Goodness, that's awkward. That what you say to people after death?  "Goodness, that's awkward"? Mr Martins. Excuse me. Telephone. Who is it? - Baron Kurtz.  - Must be some mistake. Yes? I was a friend of Harry Lime. I'd very much like to meet you, Baron.  Come around. Austrians aren't allowed in your hotel. - Couldn't we meet at the Mozart Cafe?  - Where? - Just around...

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Didn't you hear Mr Crabbin offer me the hospitality of the H Q B M T.

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Didn't you hear Mr Crabbin offer me the hospitality of the H Q B M T.

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Play Didn't you hear Mr Crabbin offer me the hospitality of the H Q B M T.

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I don't know anything anymore except I want to be dead too. Some more tea.

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I don't know anything anymore except I want to be dead too. Some more tea.

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Play I don't know anything anymore except I want to be dead too. Some more tea.