# description
Keep The Limping Man (1953) On Your Home Screen

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Do you know what happened to my magazine I had here? Uh, I think the man behind borrowed it.

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Do you know what happened to my magazine I had here? Uh, I think the man behind borrowed it.

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Play Do you know what happened to my magazine I had here? Uh, I think the man behind borrowed it.

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"I waited six years on this plane.  Six years." "The whole world has changed in  that time." "And I hope that love and  a woman ... haven't." "In one hour, we'll be in London." "I one hour, I'll know."

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"I waited six years on this plane.  Six years." "The whole world has changed in  that time." "And I hope that love and  a woman ... haven't." "In one hour, we'll be in London." "I one hour, I'll know."

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Play "I waited six years on this plane.  Six years." "The whole world has changed in  that time." "And I hope that love and  a woman ... haven't." "In one hour, we'll be in London." "I one hour, I'll know."

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You didn't hear the murdered man mentioned by name? Nope. What was his name? I don't know. He had a passport didn't he? Identification? Yes. None of it checks. It was all expert forgery. We found a letter on him addressed to a "Kendal Brown". So temporarily we call him "Kendal Brown".

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You didn't hear the murdered man mentioned by name? Nope. What was his name? I don't know. He had a passport didn't he? Identification? Yes. None of it checks. It was all expert forgery. We found a letter on him addressed to a "Kendal Brown". So temporarily we call him "Kendal Brown".

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Play You didn't hear the murdered man mentioned by name? Nope. What was his name? I don't know. He had a passport didn't he? Identification? Yes. None of it checks. It was all expert forgery. We found a letter on him addressed to a "Kendal Brown". So temporarily we call him "Kendal Brown".

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Well, I don't think there's much we can do here. This Kendall Brown seems to be too anonymous to be natural. What do you think of this, sir? ─ Hmm? "Helene Castle." "All my love forever. Helene." Do you think that's a clue to follow up, sir? A pretty flimsy one. I'd say very flimsy sir.

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Well, I don't think there's much we can do here. This Kendall Brown seems to be too anonymous to be natural. What do you think of this, sir? ─ Hmm? "Helene Castle." "All my love forever. Helene." Do you think that's a clue to follow up, sir? A pretty flimsy one. I'd say very flimsy sir.

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Play Well, I don't think there's much we can do here. This Kendall Brown seems to be too anonymous to be natural. What do you think of this, sir? ─ Hmm? "Helene Castle." "All my love forever. Helene." Do you think that's a clue to follow up, sir? A pretty flimsy one. I'd say very flimsy sir.

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Inspector. Look at this. What? Isn't that the car in the photograph? He hasn't come back yet ... the police are in his room now. They asked about you. The police? Would you like to have a word with them? No. Come on Cameron, quick. ─ Right.

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Inspector. Look at this. What? Isn't that the car in the photograph? He hasn't come back yet ... the police are in his room now. They asked about you. The police? Would you like to have a word with them? No. Come on Cameron, quick. ─ Right.

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Play Inspector. Look at this. What? Isn't that the car in the photograph? He hasn't come back yet ... the police are in his room now. They asked about you. The police? Would you like to have a word with them? No. Come on Cameron, quick. ─ Right.

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Take your places for a feast of magic from the mystic East. First a feat you've seen no living man do and only one surviving wizard can do. That one, I hardly need to add, is me. And here's a chest with not a thing inside. I show it thus. And close it thus. A magic pass. Hey presto! And what do we see? Me!

# shortcuts[].short_name
Take your places for a feast of magic from the mystic East. First a feat you've seen no living man do and only one surviving wizard can do. That one, I hardly need to add, is me. And here's a chest with not a thing inside. I show it thus. And close it thus. A magic pass. Hey presto! And what do we see? Me!

# shortcuts[].description
Play Take your places for a feast of magic from the mystic East. First a feat you've seen no living man do and only one surviving wizard can do. That one, I hardly need to add, is me. And here's a chest with not a thing inside. I show it thus. And close it thus. A magic pass. Hey presto! And what do we see? Me!

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Sorry to keep you waiting. Quite alright. We enjoyed watching your act. Oh good. This is my partner Harper LeStrade. ─ How do you do. These gentlemen are from Scotland Yard. Scotland Yard? Why, is anything wrong? ─ I don't know. No. We just want to talk to Miss Castle. I'll see you later. My dressing room is this way. Won't you come along? Thank you.

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Sorry to keep you waiting. Quite alright. We enjoyed watching your act. Oh good. This is my partner Harper LeStrade. ─ How do you do. These gentlemen are from Scotland Yard. Scotland Yard? Why, is anything wrong? ─ I don't know. No. We just want to talk to Miss Castle. I'll see you later. My dressing room is this way. Won't you come along? Thank you.

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Play Sorry to keep you waiting. Quite alright. We enjoyed watching your act. Oh good. This is my partner Harper LeStrade. ─ How do you do. These gentlemen are from Scotland Yard. Scotland Yard? Why, is anything wrong? ─ I don't know. No. We just want to talk to Miss Castle. I'll see you later. My dressing room is this way. Won't you come along? Thank you.

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What next sir? Well, you can do what you like. You're young. I'm going to bed. What about Pauline French, sir? ─ She'll keep until tomorrow. Did you find her alright, sir? ─ Yes, thank you. Goodnight gentlemen. ─ Goodnight.

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What next sir? Well, you can do what you like. You're young. I'm going to bed. What about Pauline French, sir? ─ She'll keep until tomorrow. Did you find her alright, sir? ─ Yes, thank you. Goodnight gentlemen. ─ Goodnight.

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Play What next sir? Well, you can do what you like. You're young. I'm going to bed. What about Pauline French, sir? ─ She'll keep until tomorrow. Did you find her alright, sir? ─ Yes, thank you. Goodnight gentlemen. ─ Goodnight.

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I'll see you later. My dressing room is this way Won't you come along. Thank you. So sorry. I suppose you want to ask me about Ken I've read the papers. You knew him then I'm his wife. But don't let that worry you. Ken and I have been separated for so long that we are almost on speaking terms again.

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I'll see you later. My dressing room is this way Won't you come along. Thank you. So sorry. I suppose you want to ask me about Ken I've read the papers. You knew him then I'm his wife. But don't let that worry you. Ken and I have been separated for so long that we are almost on speaking terms again.

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Play I'll see you later. My dressing room is this way Won't you come along. Thank you. So sorry. I suppose you want to ask me about Ken I've read the papers. You knew him then I'm his wife. But don't let that worry you. Ken and I have been separated for so long that we are almost on speaking terms again.

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Frank. I have to see someone inside for a minute. Okay. ─ Come inside Mr. Prior. Come in and have a quick one. No need to wait out there.

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Frank. I have to see someone inside for a minute. Okay. ─ Come inside Mr. Prior. Come in and have a quick one. No need to wait out there.

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Play Frank. I have to see someone inside for a minute. Okay. ─ Come inside Mr. Prior. Come in and have a quick one. No need to wait out there.