# name
Hearts of Darkness: A Filmmaker's Apocalypse (1991)

# short_name
Hearts of Darkness: A Filmmaker's Apocalypse (1991)

# description
Keep Hearts of Darkness: A Filmmaker's Apocalypse (1991) On Your Home Screen

# shortcuts[].name
My film is not a movie. RANSLATING IN FRENCH. My film is not about Vietnam. RANSLATING IN FRENCH. lt is Vietnam lt's what it was really like It was crazy MAN CON lNUES TRANSLA lNG lN FRENCH. And the way we made it was very much. like the way the Americans were in Vietnam We were in the jungle. There were too many of us. MAN TRANSLA lNG lN FRENCH. We had access to too much money. too much equipment and little by little we went insane

# shortcuts[].short_name
My film is not a movie. RANSLATING IN FRENCH. My film is not about Vietnam. RANSLATING IN FRENCH. lt is Vietnam lt's what it was really like It was crazy MAN CON lNUES TRANSLA lNG lN FRENCH. And the way we made it was very much. like the way the Americans were in Vietnam We were in the jungle. There were too many of us. MAN TRANSLA lNG lN FRENCH. We had access to too much money. too much equipment and little by little we went insane

# shortcuts[].description
Play My film is not a movie. RANSLATING IN FRENCH. My film is not about Vietnam. RANSLATING IN FRENCH. lt is Vietnam lt's what it was really like It was crazy MAN CON lNUES TRANSLA lNG lN FRENCH. And the way we made it was very much. like the way the Americans were in Vietnam We were in the jungle. There were too many of us. MAN TRANSLA lNG lN FRENCH. We had access to too much money. too much equipment and little by little we went insane

# shortcuts[].name
COPPOLA This movie I'm making is not in the tradition. of the great Max Oph ls or David Lean even This movie was made in the tradition of Irwin Allen. l made the most vulgar entertaining exciting action full sensoramic give them a new thrill every five minutes have it everything sex iolence humor because I want people to come and see it ut the questions that l kept facing or running into into the stupid script about four guys going up to kill a guy But that was the story. But the questions...

# shortcuts[].short_name
COPPOLA This movie I'm making is not in the tradition. of the great Max Oph ls or David Lean even This movie was made in the tradition of Irwin Allen. l made the most vulgar entertaining exciting action full sensoramic give them a new thrill every five minutes have it everything sex iolence humor because I want people to come and see it ut the questions that l kept facing or running into into the stupid script about four guys going up to kill a guy But that was the story. But the questions...

# shortcuts[].description
Play COPPOLA This movie I'm making is not in the tradition. of the great Max Oph ls or David Lean even This movie was made in the tradition of Irwin Allen. l made the most vulgar entertaining exciting action full sensoramic give them a new thrill every five minutes have it everything sex iolence humor because I want people to come and see it ut the questions that l kept facing or running into into the stupid script about four guys going up to kill a guy But that was the story. But the questions...

# shortcuts[].name
ELEANOR The film Francis is making. is a metaphor for a journey into self He has made that journey and is still making it. It's scary to watch someone you love go into the center of himself. and confront his fears fear of failure fear of death fear of going insane You have to fail a little die a little go insane a little. to come out the other side The process is not over for Francis.

# shortcuts[].short_name
ELEANOR The film Francis is making. is a metaphor for a journey into self He has made that journey and is still making it. It's scary to watch someone you love go into the center of himself. and confront his fears fear of failure fear of death fear of going insane You have to fail a little die a little go insane a little. to come out the other side The process is not over for Francis.

# shortcuts[].description
Play ELEANOR The film Francis is making. is a metaphor for a journey into self He has made that journey and is still making it. It's scary to watch someone you love go into the center of himself. and confront his fears fear of failure fear of death fear of going insane You have to fail a little die a little go insane a little. to come out the other side The process is not over for Francis.

# shortcuts[].name
COPPOLA My greatest fear is to make a really shitty. embarrassing pompous film on an important subject and I am doing it I confront it I acknowledge. I will tell you right straight. from the most sincere depths of my heart the film will not be good

# shortcuts[].short_name
COPPOLA My greatest fear is to make a really shitty. embarrassing pompous film on an important subject and I am doing it I confront it I acknowledge. I will tell you right straight. from the most sincere depths of my heart the film will not be good

# shortcuts[].description
Play COPPOLA My greatest fear is to make a really shitty. embarrassing pompous film on an important subject and I am doing it I confront it I acknowledge. I will tell you right straight. from the most sincere depths of my heart the film will not be good

# shortcuts[].name
This film is a $20 million disaster. Why won't anyone believe me? I am thinking of shooting myself!

# shortcuts[].short_name
This film is a $20 million disaster. Why won't anyone believe me? I am thinking of shooting myself!

# shortcuts[].description
Play This film is a $20 million disaster. Why won't anyone believe me? I am thinking of shooting myself!

# shortcuts[].name
Good evening This is Orson Welles inviting you to listen now. to The Heart of Darkness by Joseph Conrad Imagine the feelings of a skipper of a fine frigate. A civilized man at the very end of the world. He'd land in a swamp march through the woods. and in some inland post feel the savagery the utter savagery that stirs in the forests and the jungles in the hearts of wild men

# shortcuts[].short_name
Good evening This is Orson Welles inviting you to listen now. to The Heart of Darkness by Joseph Conrad Imagine the feelings of a skipper of a fine frigate. A civilized man at the very end of the world. He'd land in a swamp march through the woods. and in some inland post feel the savagery the utter savagery that stirs in the forests and the jungles in the hearts of wild men

# shortcuts[].description
Play Good evening This is Orson Welles inviting you to listen now. to The Heart of Darkness by Joseph Conrad Imagine the feelings of a skipper of a fine frigate. A civilized man at the very end of the world. He'd land in a swamp march through the woods. and in some inland post feel the savagery the utter savagery that stirs in the forests and the jungles in the hearts of wild men

# shortcuts[].name
Studio executives are not noted for their social courage.

# shortcuts[].short_name
Studio executives are not noted for their social courage.

# shortcuts[].description
Play Studio executives are not noted for their social courage.

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Today, I shot some footage of the construction. at the main set, Kurtz's compound. It is supposed to be a decaying Cambodian temple. at the end of the river where the character of Willard will confront Kurtz. Dean Tavoularis, the production designer, is orchestrating the construction of the temple out of dried adobe blocks, each weighing 300 pounds.

# shortcuts[].short_name
Today, I shot some footage of the construction. at the main set, Kurtz's compound. It is supposed to be a decaying Cambodian temple. at the end of the river where the character of Willard will confront Kurtz. Dean Tavoularis, the production designer, is orchestrating the construction of the temple out of dried adobe blocks, each weighing 300 pounds.

# shortcuts[].description
Play Today, I shot some footage of the construction. at the main set, Kurtz's compound. It is supposed to be a decaying Cambodian temple. at the end of the river where the character of Willard will confront Kurtz. Dean Tavoularis, the production designer, is orchestrating the construction of the temple out of dried adobe blocks, each weighing 300 pounds.

# shortcuts[].name
There were 600 people working on this thing. In Hollywood, if you want another person, it's a big deal. With their salary, it's thousands of dollars. So, for a dollar a day or three dollars a day, I hope we weren't taking advantage of people, but that's what they were paid. So, you could get not one person. You could get 1 0 or 20 or 1 00.

# shortcuts[].short_name
There were 600 people working on this thing. In Hollywood, if you want another person, it's a big deal. With their salary, it's thousands of dollars. So, for a dollar a day or three dollars a day, I hope we weren't taking advantage of people, but that's what they were paid. So, you could get not one person. You could get 1 0 or 20 or 1 00.

# shortcuts[].description
Play There were 600 people working on this thing. In Hollywood, if you want another person, it's a big deal. With their salary, it's thousands of dollars. So, for a dollar a day or three dollars a day, I hope we weren't taking advantage of people, but that's what they were paid. So, you could get not one person. You could get 1 0 or 20 or 1 00.