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Nothing Compares (2022)

Following the career of singer Sinéad O'Connor through her rise to fame and how her iconoclastic personality led to her exile from the pop mainstream.

Cast:
Self: Gay Byrne

Written by: Eleanor Emptage, Kathryn Ferguson, Michael Mallie

Director: Kathryn Ferguson

Production: Tara Films, Ard Mhacha Productions, Field of Vision

Release date: 30 Sep 2022

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Nothing Compares (2022)
Following the career of singer Sinéad O'Connor through her rise to fame and how her iconoclastic personality led to her exile from the pop mainstream. Cast: Self: Gay Byrne Written by: Eleanor Emptage, Kathryn Ferguson, Michael Mallie Director: Kathryn Ferguson Production: Tara Films, Ard Mhacha Productions, Field of Vision Release date: 30 Sep 2022
List of sound clips on this page:

After chatting with Sinéad on the steps of the church, After chatting with Sinéad on the steps of the church, I'd arranged to go up and see her at An Grianan.
And for me. And for me. Some scarlet ribbons. Some scarlet ribbons. Some scarlet ribbons. Scarlet ribbons. Scarlet ribbons. Scarlet ribbons. For my hair...
And I remember going into these suburban houses, And I remember going into these suburban houses, doing auditions for these various different bands.
And I won't forget it as long as I live, And I won't forget it as long as I live, because we were just stunned.
And she was physically. And she was physically. and verbally and psychologically, and verbally and psychologically, spiritually and emotionally abusive.
And the poor ancient ladies who were the Magdalene girls. And the poor ancient ladies who were the Magdalene girls. were lying in their beds calling out for nurses all night were lying in their beds calling out for nurses all night were lying in their beds calling out for nurses all night that never came, it was awful.
And. And. And. I'm just as guilty as you. I'm just as guilty as you. I'm just as guilty as you. [sombre music] [sombre music]
But then I come from a country where. But then I come from a country where. there used to be riots in the streets over plays.
Eventually I ended up meeting this dude called Colm Farrelly. Eventually I ended up meeting this dude called Colm Farrelly. Eventually I ended up meeting this dude called Colm Farrelly. who was putting together this band who was putting together this band Ton Ton Macoute, so I became the singer in that band.
Everybody in music has a story in terms of their upbringing. Everybody in music has a story in terms of their upbringing. or where they came from or what they went through.
Fachtna O'Ceallaigh had been Boomtown Rats' manager. Fachtna O'Ceallaigh had been Boomtown Rats' manager. Fachtna O'Ceallaigh had been Boomtown Rats' manager. and had run U2's label.
For five long years. For five long years. I thought you were my man. I thought you were my man. I thought you were my man. But I found out. But I found out. But I found out. I'm just a link In your chain. I'm just a link In your chain. I'm just a link In your chain. You got me Where you want me. You got me Where you want me. You got me Where you want me. I ain't nothin' But your fool. I ain't nothin' But your fool. You treated me mean. You treated me mean. Oh, you treated me cruel....
He said, "Well, why don't you come to London. He said, "Well, why don't you come to London. and do some demos?" and do some demos?"
He used to have the Dread Broadcasting Company. He used to have the Dread Broadcasting Company. and they had the open mics.
He was quite used to putting people into a position. He was quite used to putting people into a position. of being able to work for long periods.
Her musical tastes ranged from John Lennon. Her musical tastes ranged from John Lennon. Her musical tastes ranged from John Lennon. right through awful kind of HMS Pinafore, Light Opera, right through awful kind of HMS Pinafore, Light Opera, right through awful kind of HMS Pinafore, Light Opera, right through to, like, Porgy and Bess.
I did suffer through a lot because everybody felt. I did suffer through a lot because everybody felt. I did suffer through a lot because everybody felt. it was okay to kick the shit out of me.
I didn't mean to be strong. I wasn't thinking to myself I must be strong. I didn't know I was strong. I did suffer through a lot because everybody felt. it was okay to kick the shit out of me I regret that I was so sad because of it. I regret that I spent so many years. very lonely and isolated really
I had a job at the Bad Ass Cafe on Crown Alley, I had a job at the Bad Ass Cafe on Crown Alley, and we used to rehearse right across the road from it.
I regret that I spent so many years. I regret that I spent so many years. very lonely and isolated, really.
I spent my entire childhood being beaten up. I spent my entire childhood being beaten up. I spent my entire childhood being beaten up. because of the social conditions because of the social conditions under which my mother grew up under which my mother grew up and under which her mother grew up and under which her mother grew up and under which her mother and her mother grew up.
I think she really knew what she wanted to do, I think she really knew what she wanted to do, but I don't quite know if she knew but I don't quite know if she knew what path it would take her on.
I think... I went to see some friends, I think... I went to see some friends, I think... I went to see some friends, and when I got back to her flat, and when I got back to her flat, she wouldn't open the door.
I went into care when I was 14, I went into care when I was 14, I went into care when I was 14, into care home for want of a better description.
I'd a terrible. I'd a terrible. I'd a terrible. Broken heart. Broken heart. Broken heart. Broken heart. I'd a terrible. I'd a terrible. I'd a terrible. Broken heart...
I'm just as guilty as you. I'm just as guilty as you. I'm just as guilty as you. I'm just as ashamed as you. I'm just as ashamed as you. I'm just as ashamed as you.
It makes a big difference if you can go in. It makes a big difference if you can go in. and rehearse for a long time.
It was a mortal sin, for example, It was a mortal sin, for example, to go to a dance in some diocese, to go to a dance in some diocese, that didn't end at midnight.
It was jumping octaves. It was jumping octaves. and going from whisper to scream in half a second.
Like I remember like yesterday I was lying on my pillow. Like I remember like yesterday I was lying on my pillow. and my dad would sing the song to me and my dad would sing the song to me and I was like, "Oh, my God." and I was like, "Oh, my God." The angels came in the window.
Love to everyone. You're back in tune to The Rankin' Miss P, Love to everyone. You're back in tune to The Rankin' Miss P, Love to everyone. You're back in tune to The Rankin' Miss P, on DBC, the Dread Broadcasting Corporation, on DBC, the Dread Broadcasting Corporation, on DBC, the Dread Broadcasting Corporation, 103.8 every Friday.
My father is the type of man that didn't want. My father is the type of man that didn't want. anyone talking about what happened, anyone talking about what happened, and that's what was wrong with me.
My father was into cello, My father was into cello, My father was into cello, which I used to find just too sad, given our circumstances.
My mother had this fantastic record collection. My mother had this fantastic record collection. My mother had this fantastic record collection. which she would spread out on the dining room table which she would spread out on the dining room table every morning like a deck of cards.
My mother was a beast. and I was able to soothe her with my voice I was able to use my voice to make the devil fall asleep.
My parents separated when I was quite young, My parents separated when I was quite young, and my mother was a very violent woman, and my mother was a very violent woman, not a healthy woman mentally at all.
Nigel Grainge and Chris Hill came over to Dublin. Nigel Grainge and Chris Hill came over to Dublin. to see us, Ton Ton Macoute.
Oh, oh, Jerusalem. Oh, oh, Jerusalem. Oh, oh, Jerusalem. Oh, oh, Jerusalem. [roars] [roars]
One love. One love. One love. Ageless and ever. Ageless and ever. Ageless and ever. Evergreen. Evergreen. Evergreen. [Jeannette] The emotion of the song [Jeannette] The emotion of the song almost brought people to tears.
Others had come from insecure family settings. Others had come from insecure family settings. and they needed somewhere where there was structure and they needed somewhere where there was structure and safety for a few years.
Picked her up, did two hours of vocals with her, Picked her up, did two hours of vocals with her, and then had her back before the nuns noticed she was missing. [laughs] and then had her back before the nuns noticed she was missing. [laughs] and then had her back before the nuns noticed she was missing. [laughs] [Sinéad] So the first song that I wrote, [Sinéad] So the first song that I wrote, which became their first single, was called "Take My Hand." which became...
Ran down And the lady said it. Ran down And the lady said it. Got torn down And the priest just said it. Got torn down And the priest just said it. Got burned down, ooh. Got burned down, ooh. Got burned down, ooh. They give me five years Ooh, five years. They give me five years Ooh, five years. They give me five years Ooh, five years. It's my turn. It's my turn. Oh, oh, Jerusalem. Oh, oh, Jerusalem. Oh, oh, Jerusalem. Oh, oh, Jerusalem.
She sent me to sleep in the hospice part of the laundry. She sent me to sleep in the hospice part of the laundry. as punishment a couple of times, as punishment a couple of times, to remind me that if I didn't behave myself, to remind me that if I didn't behave myself, I was going to end up like these women.
She'd already found her voice, She'd already found her voice, but she wanted to find the sort of musical clothing but she wanted to find the sort of musical clothing but she wanted to find the sort of musical clothing that she wanted to wrap around that amazing voice.
So divorce, contraception, So divorce, contraception, So divorce, contraception, and anything that didn't agree entirely and anything that didn't agree entirely with a very narrow view of the Catholic church, with a very narrow view of the Catholic church, it was simply not allowed.
So the reason I got into music group was therapy, So the reason I got into music group was therapy, which is why it was such a shock for me which is why it was such a shock for me to become a pop star, it's not what I wanted.
So we went back up the next night and she sang it to us, So we went back up the next night and she sang it to us, So we went back up the next night and she sang it to us, and it was spectacular.
Some had come from other children's homes, Some had come from other children's homes, have been in care all their lives.
Take my hand. Take my hand. Take my hand. [tense music] [tense music]
That was a contract with the holy spirit I made, That was a contract with the holy spirit I made, That was a contract with the holy spirit I made, and I believed it all, and I was trying to live it.
That was all that was ever on telly, That was all that was ever on telly, was these just high class musicals, you know.
The cause of my own abuse was the church's effect. The cause of my own abuse was the church's effect. The cause of my own abuse was the church's effect. on this country, which had produced my mother.
The place was called "An Grianan," which means "The Sunrise.". The place was called "An Grianan," which means "The Sunrise.". [Jeannette] An Grianan was a residential training centre [Jeannette] An Grianan was a residential training centre [Jeannette] An Grianan was a residential training centre run by a religious order, by sisters.
There was no therapy when I was growing up. So the reason I got into music group was therapy. which is why it was such a shock for me to become a pop star it's not what I wanted I just wanted to scream.
There's something they need to get off their chest, There's something they need to get off their chest, There's something they need to get off their chest, and perhaps we all need a bit of love and affection and perhaps we all need a bit of love and affection that we didn't get anywhere else but we get by making music.
These people convinced my father that they could help me. These people convinced my father that they could help me. These people convinced my father that they could help me. with whatever behavioural issues I had with whatever behavioural issues I had as a result of what had happened to me growing up.
These women, who through no fault of their own, These women, who through no fault of their own, These women, who through no fault of their own, had just been put in by the courts and by men.
They had to pay the price. They had to pay the price. and were locked away for their whole lives.
They wanted me to grow the hair long. and wear short skirts and high heels makeup and the whole works write songs that wouldn't challenge anything But then I come from a country where. there used to be riots in the streets over plays That's what art is for.
They're all, they're all looking at you, Sinéad, They're all, they're all looking at you, Sinéad, out there in television land.
Very often the cases were they had been raped. Very often the cases were they had been raped. by maybe the local priest, the doctor, the father, by maybe the local priest, the doctor, the father, by maybe the local priest, the doctor, the father, or some pillar of society.
We did a lot of driving around London, you know, We did a lot of driving around London, you know, We did a lot of driving around London, you know, with the stereo on, just having a great time actually, with the stereo on, just having a great time actually, just being kids, to be honest.
We had to book a couple of hours on a Wednesday afternoon. We had to book a couple of hours on a Wednesday afternoon. because Sinéad got a half day from school on a Wednesday.
When I'm 11 my brother comes home with Slow Train Coming. which completely changes my life and makes me want to be a musician and makes me want to be an artist and makes me know what kind of artist I want to be because of the song Gotta Serve Somebody And I was obsessed with Bob Dylan from then on.
Why were my grandparents so miserable. Why were my grandparents so miserable. that they couldn't have a kiss that they couldn't have a kiss without feeling like they were going to burn in hell?
You got to look through the letter box, I've done something and you're going to kill me.". I looked through the letterbox and there she was. I looked through the letterbox and there she was. with a completely shaved head.
You often hear artists saying. that they're channelling something I think actually you're channelling yourself. Your subconscious is talking to you. I just had these songs inside me. that had to come out
Young woman With a drink in her hand. Young woman With a drink in her hand. Young woman With a drink in her hand. She liked to listen To rock and roll. She liked to listen To rock and roll. She liked to listen To rock and roll. She liked to listen To rock and roll. She moves with the music. She moves with the music. She moves with the music. 'Cause it never gets old 'Cause it never gets old 'Cause it never gets old [Clodagh] Sinéad and I met when we were [Clodagh] Sinéad...
-[videotape squeals] -[boos and cheers continue] -[videotape squeals] -[boos and cheers continue] -[videotape squeals] -[boos and cheers continue]
...all the streets were dark ...all the streets were dark ...all the streets were dark When I'm 11, my brother comes home with " Slow Train Coming,". When I'm 11, my brother comes home with " Slow Train Coming,". which completely changes my life which completely changes my life and makes me want to be a musician, and makes me want to be a musician, and makes me want to be an artist, and makes me want to be an artist, and makes me know what kind of artist I want to be...
[audience boos and cheers] [audience boos and cheers] [audience boos and cheers]
[Jeannette] These women, [Jeannette] These women, we're now talking about the early '80s, we're now talking about the early '80s, some of them have been there from the 1920s.
[Jeannette] The first night, I was there [Jeannette] The first night, I was there doing music with the girls, doing music with the girls, I asked her, would she like to sing a song for us.
[John] She was really shy [John] She was really shy and she was living down in east London with her auntie.
[John] So we went into a rehearsal studio in Putney [John] So we went into a rehearsal studio in Putney and started to routine the songs and started to routine the songs and get used to the dynamics and arrangements.
[John] The first time I heard Sinéad's voice, [John] The first time I heard Sinéad's voice, it's just unbelievable.
[John] They were very, very personal [John] They were very, very personal [John] They were very, very personal and they were sort of cathartic, really.
[Mike] I worked with Sinéad from her arrival in London [Mike] I worked with Sinéad from her arrival in London through to the development of and the recording through to the development of and the recording of her first album, "Lion and the Cobra." of her first album, "Lion and the Cobra."
[Mike] In some respects, I think the band that we were, [Mike] In some respects, I think the band that we were, the band of musicians who were around her, the band of musicians who were around her, were something of a family for her.
[mysterious music] [mysterious music]
[reggae music] [reggae music] [reggae music] [reggae music] [Sinéad] I had a great time hanging out with Fachtna, [Sinéad] I had a great time hanging out with Fachtna, and Fachtna used to bring me to Portobello Road on Saturdays, and Fachtna used to bring me to Portobello Road on Saturdays, where he had his friend Lepkey, and Leroy.
[Sinéad] Bearing in mind I'm Irish [Sinéad] Bearing in mind I'm Irish and I've come from the theocracy, and these guys were coming along and these guys were coming along roaring about the Pope is the devil, roaring about the Pope is the devil, and fucking burn the Vatican and all this stuff, and fucking burn the Vatican and all this stuff, so that was like, "Oh, my God, I'm home." so that was like, "Oh, my God, I'm home." I couldn't believe it.
[Sinéad] I began studying scriptures [Sinéad] I began studying scriptures when I was very small, when I was very small, because I wanted to see what was in this book that they were using to oppress my people.
[Sinéad] I had loved the Catholic church, [Sinéad] I had loved the Catholic church, and I had grown up so religious, and I had grown up so religious, like stupidly religious.
[Sinéad] In the congregation was her brother, Paul Byrne, [Sinéad] In the congregation was her brother, Paul Byrne, [Sinéad] In the congregation was her brother, Paul Byrne, [Sinéad] In the congregation was her brother, Paul Byrne, and then he was forming this band called In Tua Nua.
[Sinéad] The whole of Ireland talks about these ladies, [Sinéad] The whole of Ireland talks about these ladies, [Sinéad] The whole of Ireland talks about these ladies, but I met them, I met them at their most vulnerable.
[Sinéad] They got a guitar teacher in [Sinéad] They got a guitar teacher in who was the loveliest woman alive, who I still know and I still talk to now and then.
[Sinéad] They wanted me to grow the hair long [Sinéad] They wanted me to grow the hair long [Sinéad] They wanted me to grow the hair long and wear short skirts and high heels, and wear short skirts and high heels, makeup and the whole works, makeup and the whole works, write songs that wouldn't challenge anything.
[tense music] [tense music] [tense music] About six months later, my mother unfortunately died, About six months later, my mother unfortunately died, very selfishly.
[tense music] [tense music] My mother was a beast, My mother was a beast, and I was able to soothe her with my voice, and I was able to soothe her with my voice, and I was able to soothe her with my voice, I was able to use my voice to make the devil fall asleep.

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