💬 Stagecoach (1966)

Stagecoach (1966)

On the stagecoach to Cheyenne, a mixed group of passengers must work together to survive the arduous journey and the Indian attacks.

Cast:
Dallas: Ann-Margret
Peacock: Red Buttons
Hatfield: Mike Connors
Ringo Kid: Alex Cord
Doc Josiah Boone: Bing Crosby
Henry Gatewood: Robert Cummings
Marshal Curly Wilcox: Van Heflin
Buck - Stagecoach Driver: Slim Pickens
Mrs. Lucy Mallory: Stefanie Powers
Luke Plummer: Keenan Wynn
Matt Plummer: Brad Weston
Lt. Blanchard: Joseph Hoover
Capt. Jim Mallory: John Gabriel
Mr. Haines: Oliver McGowan
Billy Pickett: David Humphreys Miller
Dancing Trooper: Bruce Mars
Drunken Sergeant: Brett Pearson
Mrs. Ellouise Gatewood: Muriel Davidson
Ike Plummer: Ned Wynn
Townsman: Herman Hack
Sergeant Major: Edwin Mills
Jerry - Bartender: Hal Lynch
U.S. Cavalrymen: The Westernaires
Clem: Robert Adler
Poker Player: Harry Carter
Cheyenne Wells Fargo Agent: Walker Edmiston
Eloise: Priscilla Morrill
Landlady: Ottola Nesmith
Waldo: Kam Tong
Susan - Saloon Girl: Barbara Wilkin

Written by: Joseph Landon, Dudley Nichols, Ernest Haycox

Director: Gordon Douglas

Production: 20th Century Fox

Release date: 15 Jun 1966

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Stagecoach (1966)
On the stagecoach to Cheyenne, a mixed group of passengers must work together to survive the arduous journey and the Indian attacks. Cast: Dallas: Ann-Margret Peacock: Red Buttons Hatfield: Mike Connors Ringo Kid: Alex Cord Doc Josiah Boone: Bing Crosby Henry Gatewood: Robert Cummings Marshal Curly Wilcox: Van Heflin Buck - Stagecoach Driver: Slim Pickens Mrs. Lucy Mallory: Stefanie Powers Luke Plummer: Keenan Wynn Matt Plummer: Brad Weston Lt. Blanchard: Joseph Hoover Capt. Jim Mallory: John Gabriel Mr. Haines: Oliver McGowan Billy Pickett: David Humphreys Miller Dancing Trooper: Bruce Mars Drunken Sergeant: Brett Pearson Mrs. Ellouise Gatewood: Muriel Davidson Ike Plummer: Ned Wynn Townsman: Herman Hack Sergeant Major: Edwin Mills Jerry - Bartender: Hal Lynch U.S. Cavalrymen: The Westernaires Clem: Robert Adler Poker Player: Harry Carter Cheyenne Wells Fargo Agent: Walker Edmiston Eloise: Priscilla Morrill Landlady: Ottola Nesmith Waldo: Kam Tong Susan - Saloon Girl: Barbara Wilkin Written by: Joseph Landon, Dudley Nichols, Ernest Haycox Director: Gordon Douglas Production: 20th Century Fox Release date: 15 Jun 1966
List of sound clips on this page:

All right, get on. Here you go! Hah! Get on now!
All right. - Oh... oh... - I'm with you. - Here we go. - Be careful, Doctor. You coming, Haywood? Gatewood. - Yeah, yeah. - Oh, oh, yes, indeed. - Come on. - We've all got to do our part to help. This stage has got to get through.
All we need at a time like this... A sick woman on our hands. I think I feel a little sick myself. Do you think it's her time, Doctor?
Buck. Oh, ma'am.
But I would try. You're the best thing that's ever come in my life. Oh, God, I don't... I don't want to lose you. You won't. Well, then forget about Luke Plummer. Make me more important.
By golly, it can't be much past midnight. Wonder where everybody's at. What did you expect, a brass band? I'll be damned, Buck, you got through. Got through? We just shot the hell out of Crazy Horse. and his whole dang war party. There must have been 500 of them. Well, 50, anyhow.
Column of twos. Ho! Close ranks.
Column of twos. Move out. Hey! Hah! Hah! Get up there! Come on now! Han!
Doctor, may I have the butter, please? Pass it. - Thank you. - Ma'am, if you're through... Thank you. Is there something else I could get you instead, Mrs. Mallory? - No, thank you, I'm just not very hungry. - Hmm. Uh, perhaps you'd like to step outside. for a breath of fresh air? Yes, please.
Forgot your hat. Dallas, honey.
Get down. Hold them, Buck! Hold them! All right, all right! Ringo? Ringo! Ringo! Are you all right?
Get outta there! Queenie, get on there, gal! Column of twos. Move out.
Go ahead and scream. That's what I'd do. Scream.
Go on. I just wish I could take you with me. Both of us on this horse, wouldn't neither of us make it. Neither would they if we took one of theirs. You'll be waiting in Santa Fe? A week won't be any longer. Now go on. Please. Ringo! Please!
Han! Han! Hold it now! Hey, Curly, Curly! Whoa, boys. Whoa, steady. Whoa, steady! Curly! Everybody out and take cover.
Here, Reverend, take this. Smite them hip and thigh.
Hey! You better come and get Curly. He's had a little accident. Turn me loose! Turn me loose! Get these off me. Turn him loose.
Hold them, Buck! Hold them! Pull them, back! Whoa, Queenie! Whoa, Harold! - Hold them, Buck! - Whoa, boy! Hold them.
Honey you may sleep with him but you sure don't know him.
How is he, Doc? Well, ask me. I'm hurting like hell. I'm $500 poorer. Why don't you get that buckboard over there. 'fore that chuckle headed sheriff gets back here? What are you waiting for? Go on, get the hell out of here, both of you.
How's it look, Kid? We can heave it out of the way, but it'll take all of us. We're gonna need you men to help out here, all of you! Here we go, Reverend. Once more into the breach. - Shoulders to the wheel. - Yeah. All right now. Don't worry about a thing. Just come along.
Hyah! Get along! Curly, over there, over there!
I got an important message for you, Marshal. That can wait. Just keep this on him. You folks go on inside. Ringo.
I guess that was it. I guess it was.
I think you better go in there with her, Dallas. - Me? - Yeah, she's awake. She's frightened. I think it's better that she's not left alone. Well, let her fancy man over there hold her hand. Or the reverend. I ain't nobody's nursemaid. She needs a woman. Not any woman. She don't want me, Doc. Come on now, quit tearing at yourself and do like the doc says. Come on.
I'll get the sugar. You ever been in Dry Fork? Oh, many times. Remember the Oriental saloon? Sure do. Well, I was one of the girls. I'd best get the sugar. Your coffee will get cold. Look, I'm trying to tell you, you have to sit here with me. And I'm trying to tell you... how obliged I'd be if you'd let me.
I'll take this before it gets cold. Did you see that? That, that convict stole my food. Uh, pass the bread. Mind if I sit here? Suit yourself. Thank you, ma'am.
I'll tell you what you're doing. Nothing! Shut up. You took a whipping in Dry Fork. Now you're crawling to Cheyenne for another one. Shut up! When are you gonna stand up and stop crawling? - Shut up! - Tell me...
Indians! Back of the army! Cover. Fire at will!
Indians! Over here!
Madam. Madam, if you should ever happen to... to run in... to Judge Ashbourne... Be so kind as to tell him what happened to his son. You leave out the rest, huh? Huh?
More? Five, six, eight, maybe more. It's hard to tell. Mrs. Mallory, don't go in there. My husband may be in there. And if they're all as bad as that, then I'm the only one who could recognize him. Please, ma'am. I must.
Move them, Buck. Come on, move them! Giddyap! Hey! Hah! Get out of there! Hyah! Curly. Let's have them back. Way to move. Get it out of there! Dig in there! Dig! Giddyap! Hah! Hah! Giddyap, boy!
No, thank you. I'd rather be over here.
No. Don't be afraid. That's good. That means it's started. More. - Doc, that's four. Now you're gonna bust. - More, more.
Nothing. It's a beautiful baby. Let me tell you something, my dear. Every new one, no matter whose, is the most wonderful.
Oh, I didn't realize and I should've. That's wonderful. Just wonderful. I have eight of my own, you know. Is this gonna be your first? Yes. That's why I'm so anxious to be with my husband.
Oh, I see. You'd prefer to wind up in Cheyenne. with some drunken, sweat stinking... No. I didn't mean that. I was just joking. Please, I didn't mean it. Forgive me. You have any idea what they'd do to me if they found out? Yeah. Kill you. Dallas?
Put out that cigar Why. You're annoying the lady. Oh I'm sorry ma'am. I'm so fond of the weed myself. I sometimes forget it's unpleasant to others. Excuse me. You're a gentleman you'd know better than to ever smoke in the presence of a lady. You know last week I took a bullet out of a fella. who'd been shot by a gentleman Bullet was in the back. What are you insinuating Easy mister.
Ringo! Ringo! - Get down. - I ain't going anywhere. You're damn right, you ain't.
Stand up like a man. and choose your own time.
Thank you. Dallas, this is what I call real luck. Ever since the stage pulled out of Dry Fork, I've been trying to find some way to get you alone for a minute. Mmm. Looks like we almost missed each other. I was coming in in just a minute to look for you. Sure.
That's it. That's it, boy. Ain't you even planning to say good bye before you're going?
Well, how is she? Did you make some coffee? Well, I... I found something on the stove here. Looks more like coal oil. That'll be even better. Some salt. S Salt? A lot of salt. Oh, get a lot of that.
Well, I'll be doggone. Well, Buck, you just picked yourself up another passenger! Looks like it.
What's going on here? Sure glad to see you, Marshal. - Why? - The Plummers. They took over the El Dorado. Been at it two solid days now. Drop it. Five minutes, Curly. You owe it to me. I said drop it, Kid.
What's the matter? Don't you know what those things are? I ain't even sure that the doc won't bring that baby in his little black bag. Do you have to make a circus out of this? Why you cheap, no good... - Now, watch it, Mr. Hatfield. - No, no, no, let him say it. Go ahead, tinhorn, say it. - What's going on here? - Just nerves, Marshal. Mr. Hatfield, I know it's hard, but you must try to calm yourself, sir.
What's the trouble, Marshal? No trouble. Just picking up another passenger.
Whoa. Whoa, girl. Easy there. I told you we couldn't cross this ridge after dark! I said it. But, oh, no, you always know everything! Shut up, Buck.
Whoo hoo! Horseshoe Bend! Horseshoe Bend, folks! Ah, yeah! La, la, la. La, la, la. No, not now. Giddyap! La, la, Ila, la, lat.
Why are you crying? Why?
Why... this coat of arms, it's Ashbourne Manor. I wouldn't know, Mrs. Mallory. I won the cup in a wager.
Would you care for some salt, Mrs. Mallory? No, thank you. Here you are, ma'am. Want to sit down?
Yahoo! - Drink! - Huh?
You can trust me, Mr. Plummer. Really you can. Oh, good. I'll give you some of the money right now. And then...
You did just fine, boy. He'll be walking on sticks for years.
You see my dear you and I are both victims. of a disease called social prejudice Makes no allowance for beauty wit or a previous service.
You, Reverend? Well, you see, brother, I have a wife and eight children. Bravo! Then you are a man. Lead on, Curly. Marshal, I believe you have room for one more. I'm offering my protection to this lady. Mr. Hatfield... If the need arises, I can shoot fairly straight. Yes, you've proven that too many times. Your servant, ma'am.
You're gonna see your daddy in hell real soon. You give him my best regards.
- Buck? - Yeah? You ever hear how Ringo came to shoot that man in the back? I was at the trial. Heard Luke Plummer say that's what the Kid done. Then it ain't true? Hell, Plummer wound up with all of Kid's family's land and cattle. I'd been on that jury, if it had been Luke Plummer that was standing trial. - Buck, get on out here! - Yeah, yeah!
- Doc, do me a favor. - Mm hmm. See if you can get Ringo to come back to the kitchen.
- Doctor... - Oh, soon, soon. Up we go. Mr. Gatewood, want to put your bag on top? Oh, no. I'll keep it with me right into Cheyenne. Thank you.
- Here. - Here, Kid. Hey, Hatfield. Man, this is better than Little Round Top at Gettysburg.
- Matthew? - Yes, Daddy? Patience, son. Bide your time. Uh... Oh, yes, Daddy.

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