💬 The Long Night (1947)

The Long Night (1947)

Police surround the apartment of apparent murderer Joe Adams, who refuses to surrender although escape appears impossible. During the siege, Joe reflects on the circumstances that led him to this situation.

Cast:
Joe: Henry Fonda
Jo Ann: Barbara Bel Geddes
Maximilian: Vincent Price
Charlene: Ann Dvorak
Sheriff: Howard Freeman
Chief of Police: Moroni Olsen
Frank: Elisha Cook Jr.
Janitor's Wife: Queenie Smith
Bill: David Clarke
Policeman: Robert Robinson
Peggy: Melinda Byron
Freddie: Davis Roberts
Ticket Taker: Fred Aldrich
Mac - Bartender: Murray Alper
Nightclub Patron: Bobby Barber
Audience Member: Tex Brodus
Millie - Saloon Waitress: Gladys Blake
Bartender: Willie Bloom
Observer in Crowd: Max Wagner
Police Sergeant: Pat Flaherty
Man with Bike: Byron Foulger
Old Lady in Crowd: Mary Gordon
Lady with Birdcage: Ida Moore
Library Lecturer: Garry Owen
Cop: Richard Reeves
First Cop at Murder Scene: Dick Rich
Girl in the Theater: Shirley Jean Rickert
Hat Check Girl: Suzanne Ridgway
Mr. Hudson: Ray Teal
Tenant: Eleanore Vogel
State Policeman: Dick Wessel
Mr. Tully - the Janitor: Will Wright

Written by: John Wexley, Jacques Viot

Director: Anatole Litvak

Production: Select Productions (III)

Release date: 28 May 1947

Box Office: $1,000,000

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The Long Night (1947)
Police surround the apartment of apparent murderer Joe Adams, who refuses to surrender although escape appears impossible. During the siege, Joe reflects on the circumstances that led him to this situation. Cast: Joe: Henry Fonda Jo Ann: Barbara Bel Geddes Maximilian: Vincent Price Charlene: Ann Dvorak Sheriff: Howard Freeman Chief of Police: Moroni Olsen Frank: Elisha Cook Jr. Janitor's Wife: Queenie Smith Bill: David Clarke Policeman: Robert Robinson Peggy: Melinda Byron Freddie: Davis Roberts Ticket Taker: Fred Aldrich Mac - Bartender: Murray Alper Nightclub Patron: Bobby Barber Audience Member: Tex Brodus Millie - Saloon Waitress: Gladys Blake Bartender: Willie Bloom Observer in Crowd: Max Wagner Police Sergeant: Pat Flaherty Man with Bike: Byron Foulger Old Lady in Crowd: Mary Gordon Lady with Birdcage: Ida Moore Library Lecturer: Garry Owen Cop: Richard Reeves First Cop at Murder Scene: Dick Rich Girl in the Theater: Shirley Jean Rickert Hat Check Girl: Suzanne Ridgway Mr. Hudson: Ray Teal Tenant: Eleanore Vogel State Policeman: Dick Wessel Mr. Tully - the Janitor: Will Wright Written by: John Wexley, Jacques Viot Director: Anatole Litvak Production: Select Productions (III) Release date: 28 May 1947 Box Office: $1,000,000
List of sound clips on this page:

I think I've got an idea.
And though I dislike to use such a strong word, I feel it is my duty to interfere.
They said at the gate to follow the tracks to the executive dining room.
Quite a startling blow when you found out I was not her father, eh?
We ought to try to get him out without this three ring circus.
Love is many things.
Anyway, it would make time go faster hanging around this crummy room all these weeks.
Hold it, Joe, or he'll go on forever.
Don't be such a stranger.
How the whole thing was really nothing very important.
As a matter of fact, personally, I believe eavesdropping should be more widely practiced.
All these people. What do they want here. That's right. They want to know what it's all about.
Alright, you can put her down now. Hey, Chris. Bring that gun down with you and keep that door closed. He's okay. Let's get going you two.
But in a strange way I am honest. Even about my lying.
Candid camera. Six for a quarter. Sit still, Miss. Look at your friend here. Smile pretty now. Stop making faces, Joe.
Come out with your hands up. Okay, Sheriff. So I'm out. Now what? Explain, huh? How can I explain when I don't understand myself. No, Sheriff. You wouldn't understand and nobody else would. It's done. That's all there is to it.
Don't ask me how but the more you hear the less you know.
Everyone tells lies sometimes. You mean so much to me, Joe. Here. You can take it.
Good heavens Must I apologise for a superior imagination.
Hello, Sheriff. - Okay Sergeant, what's going on? - Well, like I told you on the phone... Where's the chief? He should be on his way, Sheriff. We just phoned him at the courthouse. He has that Grand Jury hearing. You know. Important. I know. I know how important he is, your chief of police. Let's go, Sergeant.
Hey, mister. Check your hat? I wager none of you has ever seen on any stage in any country in the world. As you see I have here simply a cape. Nothing extraordinary or nothing magical. Just my faithful old cape. Maestro, a change of tempo please. Ladies and gentlemen. You know, the art of producing something out of nothing. Has always been a most delicate one. But, ladies and gentlemen. To produce a base drum.
Higher. And move higher.
I feel all dizzy. The blood rushed to my head. I'm all on edge. Yes. You had me on the edge alright, didn't you.
I find it rather amusing... The naive conceptions simple men have concerning women. He's rotten and he gets a big kick out of making other people just as rotten. Are you sure you don't want to hear? So many fascinating details. Details, details, details. Leave me alone. Do you hear me? Leave me alone. Joe, listen to me please. They have that gas down there. They are starting now. Let me in. I can explain everything if you just listen. Shut up. I told you to shut up.
I kept my programme as a souvenir, Joe. It had the whole story. Even some of the lines from the love scenes in the play.
I never thought that first time. That morning. Maybe I had that old Indian sign on me. Or maybe it was bound to happen. Come on, Joe. It's getting late. Hi, Bill. Maybe it was like Bill always says: While there is life something is bound to happen. Maybe, right from the start I wanted something to happen. Okay, so it happened by the numbers. One thing into another.
I'm going down, Ed. How about you going up on the roof and taking a look? Okay. You go and get the boys.
Is she alright? Help me to see him. Help me to tell him. - Is she badly hurt? - No, she's okay. Let's try to get her to the lobby. You... you know I love him, don't you? Yes I do. Give us a hand here, will you. No, please. Please let me go. Let me go please. Joe. Joe.
Is your name Jo Ann? Yes. What is it? Do you know Joe Adams? Joe? Yes, of course. What is it? You'd better get dressed. No. I don't believe it. Please let me see him. Let me talk to him. Take it easy, Miss. You'll talk to him when we get him out. But you said before he won't come out. - What will you do to him? - He'll come out. If it has to be feet first. Joe.
It looks like they're pretty well set. I wouldn't want to be in his shoes. It's awful powerful stuff.
It's nice out tonight. Take a walk? Go for a walk? I'd like to, but not tonight. If you promise to be very quiet you can come inside for a minute.
It's not so easy to kill a man is it. After all I ought to know.
It's not so easy to kill a man, is it. After all, I ought to know.
Joe, listen. Sorry, Miss. We must get going. Please. Just one minute. Alright. Make it a fast one. They say you have a good chance. Because they know all about you. They all say you'll have a fair trial. It will take time but... - No matter how long it takes... - I know. Don't worry, Jo Ann. Alright, Joe. Go ahead. Let's go, Adams.
Joe. Joe. Joe, wait. Joe. Joe! Joe, where are you? I can't see him. Please. Why can't we see him? Joe! Oh, Joe.
Joe. The other one. He went up on the roof.
Later, we had dinner. Of all places, Joe. We are closing now, sir. "Passengers on TWA constellation to New York City." "With connections for Paris, Rome and Cairo." "Please report to ticket counter."
Look young man I know certain things almost psychically. And what I don't know I'm intelligent enough to guess. Okay So you're smart I'm dumb Well that ought to make you happy. Happy.
Oh. I'm sorry. This pin on my brooch. You always wear it, don't you. Yes. It means so much to me. - How come? - It's a real antique from Mexico. From the Aztecs. You know the story of Montezuma's daughter? No. Never met her. She had to be sacrificed just when she fell in love with... Here Joe. I want you to have it. Are you sure now? You're giving me your dreams. I want to. I don't want any more dreams. I want...
Once we shoot out that lock I think he'll come out peaceful. If he's still alive. Joe. Joe! You're trying to kill him. He's not a gangster too. He's a human being like everybody else. Like you. Please. I've got to see him.
Rest. No, ladies and gentlemen. No invisible wires. No hidden supports. No optical illusion.
Talking to yourself, huh? Well, they say that's a sure sign.
They can't hurt you, Joe. We won't let them. Clear the square. Come on now. That means everybody. Clear the square. Get all the boys that are standing around. Go on. I want action.
They were playing parts of Romeo and Juliet. He explained it was one of the great love stories put to music. You know, the famous play by Shakespeare.
They're just about asleep now. Hey. This is quite an improvement being invited in.
This is it I guess. Open up. - Leave me alone. - It's the law. You heard. Open up. I said leave me alone. Now look, buddy. We just want to talk to you. I don't want to talk to you or anybody. I want to be left alone. Understand? You'd better beat it, fellahs. Listen, are you coming out or not? Get out of here.
This is the Chief of Police speaking, Adams. I'll repeat that. This is Chief McManus, Adams. I want you to listen to me carefully. There's no sense in trying to shoot it out with us. You haven't got a chance. It's true you will be on a charge of murder. But you'll get a fair trial in court. So be sensible, Adams. And come on out. Law abiding and accept arrest. Otherwise you'll only get yourself killed. If that's what you want. Can you hear me, Adams? This time we're not fooling.
Very odd my friend. I thought men who do common manual work weren't so subject to nervous tensions.
Welcome home. Home sweet home. What difference does it make now. Difference? Yeah. A lot different tonight. Gosh. Who'd have thought of anything like this. I sure didn't.
What happened to you, Joe? Nothing, kid. Nothing.
You have sharp nails like a little animal. Maybe that's what I really like about you.
You have sharp nails like a little animal. Maybe that's what I really like about you. Don't you ever touch me again. And don't you ever come here again.
You know I always find it rather amusing. The naive conceptions you simple men have concerning women. But for lovely creatures they are so much more complicated thank heaven.
- Come down. We're starting the job. - Coming down. On the double.
- Let's have that gun. - It's up there. Right Adams. Keep moving. Let's get out of this stuff. Chris, go upstairs and give them a 'ceasefire'. Okay, Ted.

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