Grand Hotel Edit

A baron, broke.

A doctor. Doctor, I'm ill.

A hundred doors leading to one hall.

A large room on the front, and with a bar.

A Louisiana Flip.

A Louisiana Flip. Louisiana Flip, please.

A man in the textile industry must know Manchester.

A month before this, your old father in law...

A number one. I'm in the textile trade, and I know.

A scandal with that woman would mean ruin for me.

A short life, baron, and a gay one. That's very true in my case.

About 5:00.

Adolphus.

After all, if I don't work tomorrow... Well, good night.

After this, no more ballets for me. Jazz. Just jazz.

Ah, we have company.

All of...

All right, all right.

All right, I can tell it to the maids, but I can't answer for downstairs.

All right.

All right.

All right. We'll dance. Hm?

All the best people stay here.

Am I so strange to you?

Am I your manager? Have we contracts? Have we obligations?

And a man like Preysing has to kill him.

And alone?

And he laughed, poor devil.

And how do you live? What kind of person are you?

And names are like that.

And now?

And now...

And then in the war, to kill and hide.

And then we'll go to South America. It will be divine.

And what do you do now?

And what else?

And when you leave, someone occupies your room...

And who would trouble about a Grusinskaya...

And you said, "That's the young lady who was my secretary in Manchester."

And you were with your wife. How would you like that?

Are you all right, Miss Flaemmchen?

Are you all right?

Are you coming to the theater? I shall dance tonight. How I shall dance!

Are you joking? Under those circumstances...

Are you really?

Art studies, you know?

As you remember it, when you approached us...

Baccarat.

BARMAN: Louisiana Flip, sir? Louisiana Flip?

Baron von Geigern has left? When? How long ago?

Baron von Geigern's chauffeur calling?

Baron, are you out? Have you finished playing?

Baron, if all that money...

Baron, you're incorrigible.

BARON: Adolphus, I have something very serious to discuss with you.

BARON: Four thousand marks. DEALER: Four thousand?

BARON: Ha, ha. Of course, Kringelein. Why not?

BARON: How is he, doctor?

BARON: It does, as a matter of fact. I hadn't thought of that.

BARON: Kringelein! And the courage to live it.

BARON: She said, "On the other side of the fence."

BARON: Sorry.

BARON: Too high?

BARON: What happened to your dance?

BARON: Yes, I was in the war.

BARON: You go ahead, old man. I'll be there if I'm up for it.

Baron! Baron, please.

Baron! Speak to me!

Baron.

Baron. Dead, just like that.

Be my guests. Don't go. I beg your pardon.

Be quiet. Good morning, madam.

Be ready to leave on the night train for Amsterdam.

Beautiful morning. Yes, very well.

Before I can be discharged, I'll be dead!

Before I get through, I'm laying before you here...

Believe me, Mr. Kringelein, a man who is not with a woman...

Believe me, you have not.

BELLBOY: Baron von Geigern, please.

BELLBOY: Madam Grusinskaya's car is to be brought.

BELLBOY: Telegram. I beg your pardon.

BELLBOY: This way, Mr. Kringelein.

Besides, she's rather pretty.

Better take charge of this dog. It belonged to the baron.

But don't you think for one moment that I'm such a fool...

But he must answer. Ring, ring, ring.

But I always thought little stenographers made little pennies.

But I can send you back to Friedersdorf.

But I want to be alone.

But it's very kind of you to take an interest.

But last night, at last, I managed to come into your room.

But madam must sleep now. The train will soon go.

But now I know that it does.

But since then, the Preysing Company has fallen on evil days.

But supposing I saw you and yelled:

But that's the first time in 30 years that...

But there's tomorrow.

But what you are proposing is falsification of the evidence.

But why am I telling you all this?

But why one meal a day?

Call Baron von Geigern's room, please.

Can I help?

Can you imagine 100 girls in a ballet school...

Can't you understand that? That's why I wanted your pearls.

Certainly, madam.

CHAUFFEUR: Got a minute? BARON: I told you not to come here.

CHAUFFEUR: Is he in? CLERK: The baron?

CHAUFFEUR: Time's getting short.

Chéri, it's you.

Chloroform on a handkerchief.

CLERK: A nice room, inexpensive. I didn't ask for a cheap room.

CLERK: Baron.

CLERK: If you wait one moment, sir... I can't wait.

CLERK: Kindly wait one moment, sir.

CLERK: Madam Grusinskaya's car is not to be brought.

CLERK: The baron is not here, madam.

CLERK: These rooms are not taken.

CLERK: We've taken care of all that, Mr. Preysing.

CLERK: Will Mr. Kringelein kindly sign here? I have signed once.

CLERK: Will you kindly register? Certainly.

CLERK: Yes, Dr. Zinnowitz.

CLERK: Your bill. You're not beginning that again?

CLERK: Your forwarding address?

Come along now, children. No fighting. Save that for the office.

Come along, madam. Come along, the train will be going.

Come along.

Come and fetch me, chéri.

Come back in five minutes. I'll call you. Five minutes.

Come in.

Come on, gentlemen. Please drink! Drink.

Come on, now. Drink, gentlemen. Please drink some champagne.

Come on, waiter. Come on, please.

Come on, you're killing them tonight. Go ahead, old man.

Come on.

Come on.

Come on. Drink to life...

Come, darling.

Darling. Oh, Pimenov.

Deal me two cards.

DEALER: Four thousand marks.

DEALER: Want a card? BARON: Please.

DEALER: Want a card? BARON: Please.

Did you come here just for these?

Did you ever see a stenographer with a decent frock on?

Did you write me that letter or not?

Die.

Do be sensible.

Do you know each other? Mr. Kringelein, Mr. Preysing.

Do you think that she's pretty?

Do you think you'd have as good a time with me...

DOCTOR: It will be over in a minute. Over?

DOCTOR: Letters for me? CLERK: No, doctor.

DOCTOR: What is it? My pocketbook.

Does the world belong to you, Mr. Preysing?

Don't be alarmed, madam.

Don't do anything foolish.

Don't even mention Manchester to the Saxonia crowd. Be clever.

Don't misunderstand me, Miss Flaemm.

Don't you understand?

Don't you?

DOORMAN: Friedrichstrasse Station.

DRIVER: Grand Hotel.

DRUNK: I'm sorry.

Eat, sleep, loaf around...

Even our big boss, Preysing, is staying here.

Every day is precious. Every hour...

Every hour costs money. I must find it!

Every minute costs 2 marks 90.

Everyone says, "Come back." They won't get out of their rooms.

Everything is cold and finished.

Exactly what I want. That's very kind. I'll pay for it now.

Excuse me, I'm busy.

Excuse me, old man.

Excuse me, please. I am glad you're here.

Excuse me. Won't you join me in my room?

Finished.

FLAEMM: All right. Here we go.

FLAEMM: Come on. MANAGER: Goodbye, Your Excellency.

FLAEMM: Goodbye! BELLBOY: Your hat, sir.

FLAEMM: Goodbye. I'm coming.

FLAEMM: Take your time.

Flaemm.

Flaemmchen.

Flix.

For instance, we'll take mop rags.

For just a minute, then.

For the first time in my life, I'm happy.

For the first time in my life, I've gambled and I've danced.

Forty eight.

Forty four, forty six pounds.

Forty.

Gambling! I'd love that!

Gentlemen, I see the conference has already begun.

Gentlemen, please don't go. Please don't go yet.

GERSTENKORN: Tell us about Manchester. Just a second.

GERSTENKORN: We did not approach you. Gentlemen.

GERSTENKORN: We did not approach you. I'm sorry, you did! You approached us.

GERSTENKORN: What? Manchester?

GERSTENKORN: You've been talking all day. You're hoarse now.

Get out.

Get out. Leave her to me.

Give me some money. Where's the money? Hurry. We'll miss that train.

Go on, Suzette.

Go on.

Go quickly. The baron. Do you hear me?

Good day.

Good evening, Mr. Preysing. You're staying here too?

Good evening. Will you send this to Madam Grusinskaya?

Good morning. Good morning.

Good night, Kringelein.

Good night, Pimenov.

Good night, Preysing.

Good night, Preysing. You're a sly one.

Good night.

Good night.

Good night. We'll see you next week and settle all the details.

Good night...

Good. All right. You keep the show going.

Goodbye, funny one. Don't forget tomorrow. 5:00.

Got your bags now? Come along. Here you are.

Grand Hotel.

Grand Hotel.

Grand Hotel. Always the same.

Grenade in my face.

Grow orchids?

Gru, come, come. We'll lose the train.

Gru, you're positively radiant.

GRUSINSKAYA: Morning. SUZETTE: Good morning.

GRUSINSKAYA: Western Theater, please.

GRUSINSKAYA: What time is it, Suzette? It's 3:00 in the morning.

Grusinskaya.

Ha, ha. I understand you perfectly, Mr. Preysing.

Ha, ha. No, doctor.

Hadn't you better go now?

Have caviar, if you like, but it tastes like herring to me.

Have you any connections with Manchester?

Have you found her? No, she isn't here. Yes, I know...

Have you got the skeleton key?

Have you said anything about Manchester?

Have you seen it?

Haven't I got any right to live?

Haven't I just shown you here...

Haven't I told you not talk to me with a cigarette in your mouth?

He always seems to be waiting for something, but it never happens.

He can have my room. It doesn't matter where I stay.

He is at the end of the corridor. Tall. He walks like a soldier.

He looks so peaceful.

He must be an awful nice fellow.

He tried to raise money all day.

He tried to rob me. He's a thief.

He was friendly to me as no man ever was.

He'd eat his young.

He's a gentleman.

HEAD BELLBOY: Halt! Front!

Hello, Kringelein.

Hello, miss.

Hello, Papa, is that you? Yeah.

Hello, Pimenov.

Hello, Pimenov. Good morning.

Hello, porter?

Hello! There's been a murder here.

Hello?

Hello.

Hello. Fifth floor. Good evening.

Hello. Hello?

Hello. Hospital? I'll deal with you on lunch hour.

Hello. Hurry up.

Hello. Is that you, Mama?

Hello. Mr. Pimenov?

Hello. Yes, head porter.

Her master's voice. Goodbye, Mr. Kringelein. Thank you.

Here you are. I must speak with you.

Here, Miss Flaemm.

Here! So you're breaking off the negotiations.

Here. I want that pocketbook.

Here. Take it. You thief, you.

Here's your pocketbook, you silly old thing.

Hey, wait a minute!

His secretary. Hmph.

Hm?

Hm?

Hmm? I thought that too.

Hmm. It's quite all right.

HOFFMAN: Grand Hotel!

Hotel thief.

Housekeeper speaking. No, she isn't here.

HOUSEKEEPER: Western Theater? SUZETTE: Have you seen madam?

How are the children?

How do you know there will be one in Paris?

How is it going?

How quiet it is tonight.

How tired you are.

How's my wife? Is she in pain? Isn't the child coming soon?

Huh?

Hurry, Suzette. A bright dress. It's a sunny morning.

Hurry!

Hurry. Yeah.

I always said I'd leave off when the time came.

I always say that nothing should be left hanging over.

I am Felix Benvenuto Frihern von Geigern.

I beg your pardon, please.

I beg your pardon. It makes all the difference in the world.

I came here from a great distance to live at the Grand Hotel.

I came to Berlin to see a great specialist about that old trouble of mine, you know?

I came to live here for two weeks, maybe three. Heaven only knows.

I came too far.

I can give you a very good position in Friedersdorf.

I can have a bath anytime that I like.

I can pay for a room the same as Mr. Preysing.

I can pay whatever you want. I'm tired and ill. I can't wait.

I can understand that, after this...

I can't see anything.

I can't! I'll lose my job. It's like being in jail.

I can't.

I carried diphtheria bacilli in the wound till 1920.

I could go to England with you and all that, but...

I could have left by the window, unnoticed, but I risked being discovered.

I could take care of you, Miss Flaemmchen, if you'd let me.

I couldn't go on. I couldn't.

I couldn't go through with it.

I couldn't help knowing what you were about to do just now.

I couldn't think of not accepting the invitation to dance.

I did not ask your advice.

I didn't know what I was doing. Now I don't care.

I don't believe it. He was a real gentleman.

I don't care.

I don't even know your name.

I don't know much about women.

I don't know the man or what he wants. I never saw him before.

I don't know. He's a dear old duck. I feel rather sorry for him, don't you?

I don't know. I'd have to figure it up.

I don't like your tone.

I don't need advice, thanks very much. I need money!

I don't suppose you'd take some dictation from me sometime, would you?

I don't think I'll be able to join you fellows after all.

I don't think I've ever...

I fell in love last night.

I finished, I waited, I listened...

I gave her a tablet, a Veronal. She's sleeping now.

I had Amsterdam on the phone. They think you're scared.

I had no idea you were so beautiful.

I had to arrange about the trip.

I had to get some money tonight, somehow.

I hate them.

I have enough money.

I have luck, for the first time in my life! I have luck!

I have money. I have enough for both of us.

I have no idea of the letters that I write.

I have no time.

I have nothing to conceal. I could not live happily otherwise.

I have to go to rehearsals. Our train leaves early tomorrow morning.

I have, indeed.

I haven't a bit of character. None at all.

I haven't anything in the world but that pocketbook!

I haven't been asleep.

I haven't time. I'm busy now looking for a job.

I just want to be alone.

I kept thinking that you might come to me.

I know all about chloroform. I had it in the war.

I know him through and through.

I know I oughtn't to presume, but I'm so grateful to you.

I know people.

I know that you are here in the Grand Hotel, living like a lord.

I know these people. Here she is.

I know you.

I know. When a man's collar is an inch too big for him, I know he's ill.

I may speak to the baron anytime I see him?

I mean, when you're with your smart friends?

I met him yesterday.

I must find it!

I must get out of here.

I must go and dress now.

I must, old man. It's late.

I need it, thanks.

I never fail.

I often come here when you're at the theater.

I only have one meal a day, and I'd rather hate to spoil it.

I really belong in jail.

I see what you mean. Poor kid.

I see.

I see.

I served as a surgeon in the Great War...

I shall dance, and you'll be with me.

I shall die on the gallows.

I shall remember this, Mr. Kringelein.

I should say 1000 marks.

I suppose I can cancel the Vienna contract.

I suppose it's very important.

I think we should look over your books.

I think you'd better go away.

I think you'd better help me, Kringelein.

I think, Suzette...

I thought this evening we could go to the casino.

I thought you were more of a coquette...

I told you I'd get those pearls tonight, didn't I?

I understood you to say that you reported to our plant ill...

I understood you to say that you traveled and...

I want a full rehearsal, ballet, full orchestra...

I want a room, a big room.

I want to do anything.

I want to drink. I want to maybe go dancing.

I want to feel that you're there.

I want to get something out of life.

I want to tell my father in law about...

I want you to tear it up.

I wanted money desperately.

I wanted to pay for my last days with that money.

I was ambitious then.

I was at the clinic the whole night.

I was desperately in need of a certain big sum of money.

I was frantic.

I was in the hospital the whole night, walking up and down the corridor.

I was just thinking about the baron.

I was little, slim, but hard as a diamond.

I was so alone, and suddenly you were there.

I was threatened.

I went to Florence once too.

I will give you money, everything you want. You can go away. Please.

I will not denounce you.

I will wait 10 minutes for you.

I win again!

I win and drink, and drink and win.

I won't live long. Will you stay with me?

I wonder if I could remind the baron of his promise...

I wonder if the baron would take the trouble to come to my beautiful room?

I wonder if you'd like to see my bathroom?

I would rather wait for Justice Zinnowitz...

I'd be awfully glad to oblige. You've been very decent to me.

I'd give my soul to go, but I can't.

I'd like to take you in my arms and not let anything happen to you, ever.

I'd like two tickets to Paris.

I'd love to be in the movies.

I'd need clothes and shoes...

I'll admit that we were at one time anxious for this merger.

I'll attend to it.

I'll give you this money I won last night, 3400...

I'll have something sweet and cold, please.

I'll have you locked up. Here, you wait here.

I'll manage somehow. I'll get it. I have a whole day. I'll be on the train.

I'll recover again presently, in 10 or 20 years.

I'll see you later.

I'll show them what a baron you are. You are a thief!

I'll take a vacation, six weeks, eight weeks. I don't know.

I'm a married man and have grown up daughters bigger than you are.

I'm a prodigal son, the black sheep of a white flock.

I'm also a criminal and a hotel thief.

I'm always there when Grusinskaya dances.

I'm an honest businessman, a good husband and a father.

I'm as good as Mr. Preysing.

I'm at liberty to announce at this time that the deal between my firm...

I'm at the hotel.

I'm expecting a stenographer.

I'm expecting a telegram any minute.

I'm going to die, and nobody can do anything to me anymore.

I'm going to die. You understand?

I'm going to live like a real woman...

I'm going to live. I'm going to have a good time while I can.

I'm going to tell him someday just exactly what I think of him.

I'm ill, Flaemmchen.

I'm longing for you.

I'm never going back to Friedersdorf. Never.

I'm not afraid, doc.

I'm not getting those pearls, neither are you.

I'm not going to wait.

I'm not going. You know I'm not going.

I'm so tired I can't hardly see out of my eyes.

I'm sorry, Miss Flaemm. Would you have something to drink?

I'm sorry. I can't, old man.

I'm staying here at the Grand Hotel. It's the most expensive hotel in Berlin.

I'm sure I don't know. Why don't you try it and find out?

I'm sure my beautiful room...

I'm Suzette, Madam Grusinskaya's maid. Madam will not dance today.

I'm the stenographer.

I'm used to making my deals on a solid basis.

I'm very glad he got it back. 14,000 marks.

I'm very tired. Do you mind if we stop?

I've been careful. I'm waiting my chance.

I've been following you. I've admired you.

I've been married for 28 years, you know. Come along, Zinnowitz.

I've been waiting in there for you.

I've been with him all day. We had a marvelous time.

I've got a nine! Ha ha ha!

I've got over 6800 marks right here.

I've had a very trying evening.

I've kept your books for you, and I know all about you.

I've laid the groundwork. I know the exact position of her room.

I've lost my pocketbook. 14,000 marks in that pocketbook.

I've made friends with her ballet master, Pimenov.

I've never seen anything in my life as beautiful as you are.

I've often wondered what would happen to that porter...

I've ordered some caviar and champagne.

I've ordered some champagne.

I've slaved in that man's factory for years and years.

If I could get into a game of some kind, I think I might win.

If I'm dirt, you're a lot dirtier...

If one of your employees was half as stupid in a small way...

If the deal with the Manchester Cotton Company does not go through...

If the house is empty again... I don't know.

If we could scare up some men to play.

If you do that you'll get nothing, except maybe the police after you.

If you find out you won't need me in the morning...

If you have something definite to say about Manchester, we might...

If you have the courage to live it, it's marvelous.

If you wait, I'll pay you back your 5,000...

If you're not back, it will be necessary to engage someone else.

Imperial court. The Grand Duke Sergei...

In the funny yellow room where they dance.

Is Baron von Geigern in?

Is Mr. Preysing in? I'm Dr. Zinnowitz.

Is that the clinic? This is Senf, the head porter, Grand Hotel.

Is the Baron really in financial straits?

Is your papa there? Good.

Isn't that a wonderful thing?

Isolated two years.

It can't be so hard to die.

It doesn't mean that at all.

It has hot and cold running water all day. Nighttime too.

It has real velvet upholstery.

It is time for the performance.

It must have mad music and... But I'll explain it to you later.

It tore my heart to see you in despair like that.

It was never so quiet in the Grand Hotel.

It will be divine. Divine, divine.

It's a matter of life and death.

It's a very bad time to be in such a crisis. Sorry.

It's all gone.

It's all the same thing, Kringelein. Come on, now, old man.

It's been so marvelous.

It's expensive and good.

It's just 9:30, madam.

It's just like it was. I haven't touched nothing.

It's late.

It's life. Life.

It's no use, old man. It's sweet of you...

It's pretty bad, and he says I haven't long to live.

It's so stimulating.

It's terribly expensive here, Heinrich. Oh, but it's wonderful.

It's very expensive, but that doesn't matter.

It's very important. I must go at once. I have some very big deals...

It's wonderful and sweet champagne!

It's wonderful.

It's you, baron. What are you doing in this room here?

Just to be alone in your room, to breathe the air you breathe.

Just to tell you that I'm happy.

Keep ringing. He must be asleep.

Keep white peacocks?

Killing? Who?

Kringelein, I'd adore it. I can't go anywhere.

Kringelein, you old robber, you're hopeless.

Kringelein. One of our agents.

Last night I didn't know you at all.

Later on, they found him dead.

Let me stay. Just for a little while.

Let the poor devil alone. Death's staring him in the face.

Let's go find her. We'll go get a drink.

Life.

LIFT OPERATOR: Here you are, sir.

Like that? I got 10 marks for it.

Listen, funny one, do you want to make a man happy?

Listen, Heinrich. I've taken all my savings, everything...

Listen, I'd love to. I'll join you a little later.

Listen, the burial fund and everything. I've got it right here.

Listen. I've got to talk very quickly.

Look here, I need money, or I can't stay at this hotel much longer.

Look here, I waited three days before I got a room at all.

Look here, Preysing...

Look. His eyes are still open.

Looking for my room. 164.

Lying there, with his eyes so open.

Madam Grusinskaya will not require her car.

Madam Grusinskaya will not want her car.

Madam Grusinskaya's car is not to be brought.

Madam Grusinskaya's car is to be brought.

Madam Grusinskaya's car is to be brought.

Madam Grusinskaya's car.

Madam has chosen a funny time for such a funny joke.

Madam is canceling the engagement?

Madam must have noticed how often he rides in the elevator with us.

Madam must not know. You understand? Madam must not know!

Madam! In negligée, an hour before the performance.

Madam.

MAID: Hello? No. There's no one here.

MAID: I'm going into 170 now, madam.

MAN 1: Forty four.

MAN 1: Forty two. MAN 2: Let's go to work, boys.

MAN 1: Gentlemen, please! Please! Gentlemen.

MAN 1: Here's your coat, sir. GERSTENKORN: Thank you. Thank you.

MAN 1: Thirty four!

MAN 1: We'll meet anyway. BARON: All right.

MAN 1: Why not? We'll wait. MAN 2: Come on.

MAN 1: You were superb tonight. What a success!

MAN 2: Here, let me help you. GERSTENKORN: Thank you.

MAN 2: Madam will return to Berlin soon?

MAN 2: Stop that!

MAN 2: What time is it? MAN 1: It must be 5.

MAN: Grusinskaya.

MAN: Madam Grusinskaya's car!

MAN: This letter filed in September would indicate you approached us.

MAN: You won't forget? PORTER: No, sir.

MANAGER: Is Your Excellency leaving? OTTO: A cab.

MANAGER: Sure, a cab. OTTO: My bill, and the lady's too.

Many, many thanks, Mr. Industrial Magnate Preysing...

May I say something, madam? You're so beautiful.

Maybe he did try to take your pocketbook...

Maybe not so strange now.

Me? Do I need to?

Meierheim is canceling the Vienna engagement.

Meierheim is mad. You are mad. We're all mad.

MEIERHEIM: We have a rehearsal in Vienna tomorrow.

Miss Flaemm is in your room?

Miss Flaemm, I've never danced in public.

Miss Flaemm, please don't leave me. Please, Miss Flaemm.

Miss Flaemmchen, I must speak to you. This is about a dictating job.

Miss. Flaemm.

Mm hm. A friend of mine took me to Switzerland last month.

Mm hm. I suppose so.

Mm hm. I've got a date.

Mon Dieu. The pearls, if they were to break...

Mop rags. Mop rags. Mop rags.

Mop. Mop.

Moreover..."

Mr. And Mrs. Hoffman.

Mr. Kringelein will be a good friend and not accept your invitation to dance.

Mr. Kringelein will take Room 176. It's one of our most expensive rooms.

Mr. Kringelein, care to take the bank? Mr. Kringelein, care to take the bank?

Mr. Kringelein, he robbed me. He struck me. He's dead.

Mr. Kringelein, how are you making out in the royal suite?

Mr. Kringelein, I must talk with you before the police come.

Mr. Kringelein, you are drunk.

Mr. Kringelein, you must look at my face, and not the floor.

Mr. Kringelein, you're drunk.

Mr. Kringelein!

Mr. Kringelein! Wake up!

Mr. Pimenov, the ballet master. Grusinskaya.

Mr. Pimenov. Madam Grusinskaya cannot be disturbed.

Mr. Preysing, I am not taking orders from you here.

Mr. Preysing.

Mr. Senf? Just a moment. Hospital.

Music all the time. It's wonderful.

Mutual advantages.

My existence is hanging by a thread.

My life hangs on that money, baron.

My mother called me Flix.

My, how you've changed. You look awfully nice.

No card. I think they are perhaps from the same young man.

No one knows anything about the person next to them.

No one will know that I was with her.

No sleep for two nights, here all day, and now this killing at the hotel.

No wonder she was running.

No, darn it, I'm not.

No, doctor. No messages.

No, I cannot do that, Dr. Zinnowitz.

No, I couldn't do that.

No, I've been awake, thinking.

No, I've got to find that.

No, it isn't nice to be told things like that.

No, Mr. Kringelein, please don't call...

No, not tired exactly.

No, nothing.

No, perhaps not.

No, thanks, old man. I'm keeping my head clear.

No? Oh!

No.

No.

No. Assistant bookkeeper, Room 23, Building C, third floor.

No. Flix.

No. She'll not be going to the theater.

No. That would spoil everything.

No. The deal is over. Good night, gentlemen.

No. Well, I mustn't let it interfere with my duty.

Nobody ever gives you anything for nothing.

Not even the Veronal can help me to sleep.

Not you, Miss Flaemm.

Nothing can happen to me anymore.

Nothing ever happens.

Now I'm a gambler...

Now we're going to begin at the beginning again.

Now, ahem, to go ahead with the merger.

Now, come, come. Business is business. Now, I'll sign in here.

Now, let's talk like adults.

Number 176, 170, 158, 166.

Of course. You'll see. Here.

Oh, chéri...

Oh, doctor.

Oh, excuse me. Yes, I know.

Oh, God.

Oh, I mean, who were the gentlemen you were talking to in the corridor?

Oh, Kringelein. Ha, ha.

Oh, Mr. Kringelein! Hear me, wake up!

Oh, no.

Oh, no. No. Uh uh.

Oh, oh.

Oh, thank you.

Oh, uh...

Oh!

Oh.

Oh. Oh, no. It's perfect.

Oh. Oh, well, uh, here. I want to do some dictating.

Oh. Yeah, yeah.

Oh...

Oh...

Ohh...

One can't get intimate just offhand.

One reason: There's a perfectly charming floor clerk outside who sees everything.

One she'd bought herself?

One to me. One to yourself.

OPERATOR 1: Grand Hotel. OPERATOR 2: The line is busy.

OPERATOR 1: Hello?

OPERATOR 1: I don't understand you. Murder?

OPERATOR 1: Yes. What is it? Is this a joke?

OPERATOR 2: Grand Hotel.

OPERATOR 2: They're drinking. OPERATOR 3: What?

OPERATOR 3: Grand Hotel, good morning.

OPERATOR 3: Who is this?

OPERATOR 4: Baron von Geigern's room does not answer.

OPERATOR 4: I can connect you with room service.

OPERATOR 5: Grand Hotel, good morning.

OPERATOR 6: 930, Dr. Otternschlag.

OPERATOR 7: Grand Hotel, 820.

OPERATOR 8: Grand Hotel, good morning. Who is calling Madam Grusinskaya?

OPERATOR 9: Mr. Preysing's calls to 162 for the day.

OPERATOR: Hello. Operator. Yes, operator.

Orchids again, madam!

OTTO: 14,000 marks were in that pocketbook.

OTTO: Baron, I win and drink, and drink and win!

OTTO: I feel a little strange, Baron.

OTTO: Look, doctor. I've won again!

OTTO: Please pay attention to me. I've no time.

OTTO: Please, Baron, do have a drink. A Louisiana Flip.

OTTO: Stay a while, baron.

OTTO: Waiter! Waiter! Please.

OTTO: What a scale, and what a fund.

Outside, please.

Packed to the ceiling. And such an audience:

Pain is gone already?

Pain. I have none, doctor.

Patience? Would you have patience?

Pearls are cold.

People come, people go. Nothing ever happens.

People coming, going.

Perhaps Miss Flaemm would join us.

Permit me to present Dr. Otternschlag.

Permit me. My name is Kringelein, from Friedersdorf.

Pimenov, come, let's go.

Pimenov, I have an idea, a ballet.

PIMENOV: Come along. What happened?

PIMENOV: Good evening. My key, 168.

PIMENOV: Meierheim.

PIMENOV: What is it, Gru? MEIERHEIM: Please come, madam.

Pimenov? What's happening? No, I haven't found her.