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Home > The Jazz Singer (1980)
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The Jazz Singer (1980)

The Jazz Singer (1980)

The Jazz Singer is a movie released in 1980 that holds a special place in film history. Starring Neil Diamond, the film tells a heartfelt and inspiring story about the struggles and triumphs of a young Jewish man who dreams of becoming a jazz singer.

The cast of The Jazz Singer is led by the multi-talented Neil Diamond, who not only delivers a captivating performance but also contributes his musical talents to the film. Diamond plays the role of Yussel Rabinovich, a cantor's son who defies his religious upbringing to chase his passion for jazz music. Throughout the movie, Diamond's character battles conflicting loyalties between his traditional Jewish family and his desire to pursue his dreams.

Joining Neil Diamond in the cast is the legendary actor Laurence Olivier, who plays Yussel's father, Cantor Rabinovich. Olivier delivers a powerful performance as a traditionalist cantor who struggles to understand his son's aspirations. This clash of generations and cultures forms the core conflict of the film, creating emotional and dramatic moments that resonated strongly with audiences.

The soundtrack of The Jazz Singer features a collection of memorable songs performed by Neil Diamond. The most famous and enduring song from the film is "Love on the Rocks," which became a hit on the music charts and remains one of Diamond's signature tunes. Other notable tracks include "America" and "Hello Again," which further highlight Diamond's musical talent and contribute to the film's emotional depth.

With its blend of captivating storytelling and powerful musical performances, The Jazz Singer became an instant hit and received critical acclaim upon its release. The film, directed by Richard Fleischer, was a box office success and garnered three Golden Globe nominations, including one for Neil Diamond as Best Actor in a Motion Picture – Musical or Comedy.

The Jazz Singer holds a significant place in cinema history as the first feature-length motion picture with synchronized dialogue sequences. While it is a remake of the 1927 film of the same name, the 1980 version was adapted to reflect the cultural changes and challenges of a new era. This modern interpretation showcases the universal themes of following one's dreams, family bonds, and the struggle to reconcile tradition with personal aspirations.

If you are intrigued by the story of The Jazz Singer or eager to relive the breathtaking musical moments, you can play and download the sounds here. Discover the heartfelt performances of Neil Diamond and immerse yourself in the emotional journey of a young man torn between his passion for jazz and his family's expectations. The soundtrack of The Jazz Singer transcends time and remains a cherished piece of musical history.

In conclusion, The Jazz Singer (1980) is a film that combines captivating storytelling with stellar musical performances to create an inspiring and emotional experience. Led by the talents of Neil Diamond and Laurence Olivier, the cast delivers powerful performances that resonate with audiences. If you appreciate beautiful melodies and heartfelt storytelling, you can enjoy and download the sounds of this remarkable film and be transported back to a time of dreams and perseverance.

A DAY OF ATONEMENT.
A DIVORCE?
A FINE, NEW, YOUNG SINGING TALENT,
A HUSBAND'S PLACE IS WITH HER WIFE.
A JOB, FOR ONE THING.
A WIFE'S PLACE IS WITH HER HUSBAND.
A YEAR AGO.
ABOUT YOU OR THE HOLD YOU ALL SEEM TO HAVE ON HIM,
ACAPULCO?
ACAPULCO? WE'RE GOING TO CATALINA FOR THE DAY.
AH, REAL NICE.
AH, YEAH, YEAH, YEAH, YEAH, YEAH, YEAH, YEAH.
AH.
AHEM.
AHH!
AHH.
ALL I GET IS AN ANSWERING MACHINE.
ALL NIGHT, YOU WERE WONDERFUL.
ALL RIGHT, LOOK, YOU HAVE IT.
ALL RIGHT, OK. EASY. POP, JUST TAKE IT EASY.
ALL RIGHT, POP. COME ON, NOT NOW.
ALL RIGHT, POP. I'M SORRY.
ALL RIGHT, THREE.
ALL RIGHT!
ALL RIGHT! YOU'RE ON!
ALL RIGHT.
ALL RIGHT.
ALL RIGHT.
ALL RIGHT. BYE, NOW.
ALL RIGHT. I'M SITTING. TELL ME.
ALL RIGHT. LOOK, LET ME CALL YOU BACK ON THIS, OK?
ALL RIGHT. ONE NUMBER, SCALE.
ALL RIGHT. TOGETHER.
ALL RIGHT. WELL, WILL YOU HAVE HIM CALL ME
ALL THOSE PEOPLE SAYING, "SHH!"
ALMOST.
AND 3, 4.
AND DID SOMETHING FOR US.
AND HAPPY YOM KIPPUR.
AND HAVE A GOOD TIME IN ACAPULCO.
AND HE WAILS JUST LIKE A CANNON.
AND I PROMISE YOU, I WILL GET EDDIE GIBBS TO BE THERE.
AND I'M SORRY FOR YOU, FOR BOTH OF US.
AND IF YOU DON'T KNOW WHERE YOU COME FROM,
AND IT IS.
AND JUST IN TIME FOR ZANY'S AUTUMN SPECIAL FROM NEW YORK.
AND MAYBE WE NEVER DID, BUT IT'S OVER.
AND SOMEONE WHO CARES.
AND START CUTTING TOMORROW.
AND TAKE THOSE FOUR CLOWNS WITH YOU.
AND TAKE YOUR SHOT.
AND THAT'S WHAT WE'VE GOT TO GIVE HIM.
AND THE BOTTOM LINE IS,
AND THE TERRORISTS!
AND THERE'S ONLY ONE THING TO DO.
AND THEY, WHOEVER, THEY HAVE TO FIND OUT WHO'S DOING WHAT
AND WHERE AND TRY TO GET YOU THERE AHEAD OF EVERYBODY ELSE.
AND YOU DON'T HAVE TO DO NONE OF THE FANCY SHIT,
AND YOU WANT TO DRAG ME BACK TO ELRIDGE STREET.
AND YOU WROTE THE SONGS
AND, LIKE YOU SAID,
AND, UH, THE NAME'S RABINOVITCH.
Announcer: LADIES AND GENTLEMEN,
ANOTHER RABBIT BIT THE DUST.
ANY MEMBERS OF THE BAND THAT ARE *******
ANYWAY, ROSSINI PLAYED LENNOX SOME OF YOUR TAPE.
ANYWAY...
ARE THINGS OK, JESS?
ARE YOU ALL RIGHT?
ARE YOU CRAZY? COME ON!
ARE YOU DOING THIS ON PURPOSE? OR WHAT IS IT?
ARE YOU FALLING ASLEEP ON THIS THING?
ARE YOU KIDDING? HE WALKED OUT ON ZANY LAST YEAR.
ARE YOU SURE, RIVKA?
ARE YOU SURE?
ARE YOU SURE?
ARE YOU TELLING ME THAT IF I DON'T COME BACK
ARE YOU THE CANTOR THE LADY CALLED ABOUT?
ARE YOU TRYING TO MAKE ME LOOK BAD?
AREN'T WE GOING TO SAY HELLO FIRST?
AREN'T YOU CURIOUS ABOUT WHAT GOES ON OUT THERE?
AREN'T YOU GOING TO INVITE ME IN?
AS FAR AS HE'S CONCERNED, I'M DEAD.
ASK YOURSELF, WHY IN THE WAR,
ASSISTANT CANTOR, POP.
ASSISTANT CANTOR.
AT! AT!
AW, THANKS, EDDIE.
BARNEY CALLAHAN, I TELL YOU, YOU WERE
BE COOL. IT'S ALL RIGHT.
BE HAPPY, BE HAPPY.
BECAME A SOUND ENGINEER.
BECAUSE YOU DO THINK IT'S TERRIBLE.
BEFORE YOU FORGET EVERYTHING YOU WERE EVER BORN TO BE.
BEFORE YOU SAY ANYTHING, JUST LET ME FINISH WHAT I HAVE TO SAY. OK?
BEING A JEW?
BELENGOCAVELA?
BOOKS ALL THE VARIETY ACTS.
BOOM, BOOM, BOOM, BOOM!
BOOM, BOOM, BOOM!
BREAKFAST IS ON YOU.
BROTHER, AND YOU CAN BRING RIVEY.
BROTHER, BUT IF YOU DON'T GET
BUBBA, COME ON.
Bubba: SO HOW'S MY FAVORITE WHITE MAN?
BUBBA!
BUBBA'S GOING TO CALIFORNIA.
BUBBA'S NOT THERE.
BUT HE IS SINGING IT. YOU'LL MAKE IT.
BUT HE WANTS YOU THERE.
BUT I CAN'T DO IT ANYMORE.
BUT I CAN'T LIVE ON THAT.
BUT I DON'T WANT TO.
BUT I KNOW WHERE HE'S GOING.
BUT I'M GOING TO L.A. WITH YOU OR WITHOUT YOU.
BUT I'M GONNA HAVE TO GO.
BUT IF NOTHING ELSE, A LOT OF PEOPLE ARE GOING TO GET TO SEE ME.
BUT IT COULD LEAD TO SOMETHING.
BUT IT'S NOT WHERE I BELONG.
BUT IT'S TOO LATE FOR SOMETHING LIKE THAT.
BUT NOT NOW.
BUT ONE MUSICIAN CAN ALWAYS FIND ANOTHER ONE.
BUT PLEASE TELL ME THAT AIN'T NO WHITE MAN.
BUT THEY'LL MOVE IT.
BUT THIS IS A WHOLE NEW CAREER FOR ME.
BUT WE ARE ON OUR WAY NOW.
BUT, UH...
CAME IN AT 8 POUNDS, 10 OUNCES.
CAN I ASK THE BAND TO PLAY THE MAJOR SEVENTH CHORDS
CAN I DO IT?
CAN I HAVE SOMETHING WITH A LITTLE BIT MORE BOOM, BOOM, BOOM?
CAN YOU DO THAT, JESS?
CANTOR RABINOVITCH.
CANTOR RABINOVITCH.
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE www.ncicap.org
CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT
CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT
CATCH YOU DOWNSTAIRS, MAN.
CHARLIE PARKER RABINOVITCH.
CLAP ALONG WITH OR JOIN IN WITH. WHAT DO YOU THINK, HUH?
COME FROM A FAMILY OF CANTORS.
COME HERE A SECOND. I GOT TO TALK TO YOU.
COME ON ABOARD. HAVE A BEER?
COME ON IN.
COME ON, ENOUGH ALREADY. COME ON! ENOUGH!
COME ON, JESS, BE COOL.
COME ON, LET'S TALK.
COME ON, MAN.
COME ON, POP.
COME ON, SAY HELLO TO MY FRIENDS.
COME ON.
COME ON.
COME ON. MY LIFE IS HERE.
COME ON. WE TOOK OUR SHOT AT IT.
COME ON. WE'LL HAVE A GOOD TIME.
COME ON. WE'RE GONNA SING, WE'RE GONNA SING.
CONGRATULATIONS.
COUNT IT DOWN.
COUNT IT DOWN.
DAMN IT! YOU OWE HIM!
DID HE ASK YOU TO COME HERE AND TELL ME THAT?
DID YOU GET YOUR TICKETS?
DID YOU HEAR THEM? WAS THAT AUDIENCE GREAT TONIGHT?
DO IT FOR YOUR PARENTS THIS TIME, OK?
DO WE HAVE TIME TO TRY FOR SOME MORE PIANO?
DO YOU THINK YOU COULD...
DO YOU UNDERSTAND? IT'S TOO SLOW.
DOES FINDING YOUR OWN WAY, INCLUDE LEAVING YOUR WIFE?
DOES HE HAVE TO?
DOES THAT MEAN WE'RE FIRED?
DON'T DO THAT TO HIM, PLEASE.
DON'T LAY BACK ON THOSE LYRICS.
DON'T LAY IT ALL OUT ON THEM JUST BECAUSE YOU CAN'T HANDLE IT.
DON'T LET ALL MY YEARS IN SHOW BUSINESS THROW YOU.
DON'T LOSE YOUR SENSE OF HUMOR.
DON'T SPOIL IT FOR HIM.
DON'T TALK TO ME ABOUT MY FATHER.
DON'T TELL ME. I CAN'T HANDLE IT.
DON'T WORRY. HE'LL CALL.
DON'T WORRY. I'LL KEEP IN TOUCH.
DON'T YOU SEE?
EDDIE TOLD ME YOU WERE SIGNING A BIG RECORD DEAL THIS MORNING.
ENJOYING THE SUNSHINE.
EVER SINCE I WAS A KID. YOU KNOW, THE SONGS...
EVERYTHING YOU EVER WANTED.
FASTER. DA DA DA DA, ALL RIGHT?
FIRST TV SHOT AND YOU GUYS ARE GOING TO MAKE ME LOOK LIKE AN IDIOT.
FIVE GENERATIONS.
FOR A COUPLE OF WEEKS...
FOR FIVE GENERATIONS, A CANTOR RABINOVITCH HAS BEEN SINGING
FOR GOD.
FOR ME.
FOR MR. PLATINUM HIMSELF. CAN YOU GET TO THAT?
FOR SAYING A PRAYER A CERTAIN WAY.
FOR YOU?
FOR ZANY GRAY'S ONE NIGHTER.
FORGET IT!
FROM CITY TO CITY, SAYING WOW?
FROM THE TOP.
FUNNY THING HAPPENED ON THE WAY FROM SHUL.
GARDEN OF EDEN MOTEL.
GET YOUR PROGRAMS.
GETTING YOUR TAN TOGETHER?
GIVE MY LOVE TO EVERYBODY, OK?
GLAD TO MEET YOU, JESS.
GO AHEAD.
GO GET 'EM, CANTOR.
GO ON. GO TELL HIM.
GO OUT AND PLAY WITH YOUR FRIENDS.
GO TO SLEEP.
GO, GO!
GOD DOESN'T PAY SO GOOD, POP.
GOD DOESN'T PAY SO GOOD?
GOD GAVE YOU YOUR VOICE FOR HIS USE, NOT YOURS!
GOOD BYE, POP.
GOOD BYE, YUSSEL.
GOOD BYE.
GOOD MORNING.
GOOD NIGHT, EDDIE.
GOOD NIGHT, POP.GOOD NIGHT.
GOOD? HE'S TERRIFIC!
GOOD.
GOOD.
GOOD.
GOT US SOME BACK UP WORK.
GREAT JOB.
GREAT.
HA HA HA HA!
HA HA HA! EVERY DAY, JESS, EVERY DAY, BROTHER.
HA HA. JESS.
HARRY TRUMAN WAS A WONDERFUL MAN.
HAVE A LITTLE FAITH, CANTOR.
HAVE A PARTY!
HAVEN'T SEEN YOU IN A WHILE.
HE ASKED YOU TO GO TO HIM.
HE HAS A LOT OF PULL AT THE VENICE BLUES CLUB.
HE HATED ME.
HE SAID THERE WAS NO JESSE RABINOVITCH,
HE SAID YOU WOULDN'T PICK US UP.
HE SAYS HE'S GOING TO CALL ME AT 7:00.
HE SEEMS LIKE A NICE FELLA.
HE SETTLED FOR A PIZZA.
HE THINKS YOU'RE MAD. WHAT'S GOING ON HERE?
HE TOOK A HIKE. WHO REMEMBERS HIM?
HE WANTED TO BE A CONCERT PIANIST WHEN HE WAS YOUNG.
HE WANTS TO TALK A RECORD DEAL.
HE WAS REALLY GOOD, TOO.
HE WON'T ANSWER MY LETTERS.
HE WON'T TAKE MY CALLS.
HE'LL GET YOU THE JOB.
HE'S A FINE MAN.
HE'S A GREAT AGENT.
HE'S COMING HOME?
HE'S EVEN GOT MAMA'S SMILE.
HE'S GOOD.
HE'S JUST GETTING READY, RIGHT?
HE'S LIABLE TO PUNCH YOU OUT.
HE'S TERRIFIC. UM...
HE'S WHITE!
HE'S WITH ALL THE RECORDS.
HEE HEE HEE.
HELLO AGAIN.
HELLO, RABBI. HOW ARE YOU?
HELLO?
HELLO?
HELLO?
HERE AT MOLLY'S PLACE WHEN HE GETS IN?
HEY, BENNY. HOW'S THE KNISH BUSINESS, HUH?
HEY, BLOOD, PLASMA, WHATEVER YOU WANT ME TO CALL YOU,
HEY, BRO, WHERE YOU BEEN?
HEY, COME ON. WILL YA?
HEY, DON'T TELL ME TO COOL IT, MAN.
HEY, HERE HE IS, FOLKS!
HEY, HEY, YOU GOT YOURSELF A JOB, BOY.
HEY, HOW YOU GUYS DOING?
HEY, I'M ONLY GOING TO BE HERE FOR TWO WEEKS.
HEY, I'M THE GUY OUT FRONT THERE.
HEY, MAN. I'M MOVING MY BLACK ASS AS FAST AS I CAN. YOU KNOW?
HEY, MAN. SORRY, JESS.
HEY, RABINOVITCH!
HEY, RELAX A LITTLE BIT.
HEY, ROBIN.
HEY, SQUASH THAT, SQUASH THAT.
HEY, WAIT A MINUTE. THIS IS A BLACK CLUB.
HEY, WHAT'S HAPPENING, JESS?
HEY, YOU KNOW, I'M GOING TO TRY.
HEY.
HEY. THERE'S TIMMY.
HI, GORGEOUS. I GOT TO GET DRESSED FOR THE PARTY.
HI, POP.
HI. HI. HI!GREAT SHOW!
HI. I KNOW. HE TOLD ME.
HI. I'M JESS ROBIN.
HI. I'M JESSE ROBIN. I WROTE THIS SONG THAT YOU'RE DOING.
HI. I'M RIVKA RABINOVITCH.
HIS ALBUM WENT GOLD.
HIS PARENTS WON'T BAR MITZVAH HIM UNTIL YOU COME HOME.
HO HO. GOOD.
HOLD IT, HOLD IT, HOLD IT, HOLD IT, HOLD IT, HOLD IT.
HOLD IT, HOLD IT, HOLD IT.
HOLD IT!
HOLD IT!
HOLD ON.
HONEY, EVERYTHING WE'VE EVER WANTED.
HONEY, FORGET IT.
HONEY, I'M OPENING FOR ZANY GRAY.
HONEY, PLEASE! STAY OUT OF IT, OK?
HONEY, WE'VE BEEN KNOCKING OURSELVES OUT FOR THIS.
HONEY, WHAT HAPPENED?
HONEY, YOU STILL DON'T UNDERSTAND.
HONEY? HMM?
HOW ABOUT PLAYING ME A TUNE?
HOW ABOUT SOME TEA?
HOW ARE YOU? OK. HANG ON JUST FOR A SECOND.
HOW CAN HE LEAVE ALL THIS?
HOW CAN I GO AND...
HOW CAN YOU GO?
HOW DID YOU FIND ME HERE?
HOW DO YOU DO?
HOW DO YOU KNOW WHERE YOU'RE GOING?
HOW MANY TIMES...
HOW YOU DOING?
HOW'S L.A.?
HUH?
HUH? HUH?
HYEM RABINOVITCH.
I I TOLD YOU THREE...
I AM GOING TO L.A.
I AM.
I BELIEVE YOU GOT US BOOKED IN THE WRONG HOTEL.
I CAN EXPLAIN THIS, POP.
I CAN TELL YOU.
I CAN'T BOOK SOMEONE FROM A TAPE!
I CAN'T DO IT ANYMORE.
I CAN'T FORGET IT, JESS.
I CAN'T GO BACK NOW. I'M JUST BEGINNING.
I CAN'T WAIT TO THANK HER.
I COULD'VE BEEN.
I COULDN'T BELIEVE IT. I'M SO HAPPY YOU WERE HERE TO SEE IT.
I DO KNOW I HAVE TO DO IT MY OWN WAY.
I DON'T BELIEVE IT.
I DON'T GIVE A MONKEY'S WHAT YOU CAN HEAR, ALL RIGHT?
I DON'T HAVE ALL DAY FOR THIS.
I DON'T KNOW.
I DON'T KNOW. I GUESS I CAME OUT HERE
I DON'T KNOW. I THINK SHE'S GONE.
I DON'T KNOW. IT'S ONLY ONE NIGHT,
I DON'T NEED ANY OF THIS.
I DON'T NEED HIM. I DON'T NEED YOU.
I DON'T REALLY WANT ANY SYMPATHY.
I DON'T WANT TO HEAR ABOUT IT.
I DON'T WANT YOU GOING TO ACAPULCO WITH HIM.
I DON'T.
I FINALLY FOUND OUT WHERE I BELONG.
I GOT A LITTLE EXTRA TIME.
I GOT AN OFFER FOR A JOB IN LOS ANGELES.
I GOT ANOTHER COUPLE OF BAGS IN THE CAR.
I GOT FIRED TODAY.
I GOT MY OWN CONGREGATION NOW AND THEY LOVE MY MUSIC.
I GOT TO DO THIS ON ZANY'S SHOW TOMORROW NIGHT,
I GOT TO FEEL...
I GOT TO FEEL...
I GOT TO GO. HONEY, I WANT YOU TO COME WITH ME.
I GOT TO SEE HIM IN FRONT OF AN AUDIENCE.
I GUESS HE DIED THINKING,
I GUESS IT'S FOR THE BEST.
I GUESS SO.
I GUESS THAT I ALWAYS LIKED BEING MARRIED TO A CANTOR.
I GUESS YOUR OLD MAN'S WATCHING YOU LIKE A HAWK, HUH?
I HATE HIM!
I HAVE AN EXTRA ROOM.
I HAVE BEEN SNEAKING AROUND AND DOING THESE KIND OF SHOWS
I HAVE EVERYTHING NOW, JESS.
I HAVE MY LIFE. MY FEELINGS.
I HAVE SO MUCH TO DO HERE.
I HAVE TO EXPRESS THEM. I HAVE MY MUSIC.
I HAVE TO FIND SOMEONE WHO CAN HANDLE ME,
I HAVE TOTAL CONFIDENCE IN BUBBA.
I HAVE WHAT I WANT.
I HAVE...
I HEARD.
I JUST CAN'T FORGET THAT IT WAS ME WHO OPENED THE DOOR THAT DAY.
I JUST CUT MY FIRST ALBUM.
I JUST DID.
I JUST DON'T WANT TO GO THROUGH LIFE THINKING...
I JUST OFFERED YOU MY BODY.
I JUST SPOKE WITH BUBBA IN L.A.
I JUST THOUGHT I'D TAKE A LITTLE VACATION.
I JUST WANTED TO BE ABLE TO SAY SOMETHING IN ******* TO YOU.
I JUST WANTED TO TELL YOU THAT...
I KEEP TELLING YOU, MAN.
I KNEW IT THE MOMENT I HEARD YOU IN THAT RECORDING STUDIO.
I KNOW HOW TO GET YOU TO STAY.
I KNOW VERY LITTLE ABOUT WHERE HE COMES FROM,
I KNOW WHAT I HAVE TO DO.
I KNOW WHAT YOU BELIEVE.
I KNOW WHERE I'M GOING NOW.
I KNOW WHO I AM.
I KNOW YOU MEAN WELL,
I KNOW YOUR FATHER.
I LOVE HIM!
I LOVE IT!
I LOVE THE PIANO.
I MEAN, EVERY TIME WE TALK,
I MEAN, HE'LL LISTEN TO YOU.
I MEAN, HE'LL TAKE ADVICE FROM ANYONE IN HIS VISA.
I MEAN, I WAS EXPECTING SOMEONE A LITTLE MORE RELIGIOUS LOOKING.
I MEAN, I'M GUARANTEED ONE NIGHT OF WORK,
I MEAN, MAYBE YOU CAN BREAK AWAY FROM IT,
I MEAN, MOLLY'S BEEN GREAT.
I MISS YOU.
I NEED A JOB.
I NEVER LIKED YOU SNEAKING AROUND BEHIND HIS BACK.
I OFFERED HIM MY BODY ONCE.
I OWE YA!
I PROMISE. I GOT TO TRY THIS. YOU KNOW?
I REALLY AM A CANTOR.
I SEE YOU HAVEN'T FORGOTTEN EVERYTHING.
I SEE.
I SHOULD. I'VE BEEN KNOCKED THROUGH THEM ENOUGH TIMES.
I SHOULD'VE TAKEN YOU OUT OF THAT APARTMENT YEARS AGO.
I SING IN THE SYNAGOGUE, POP, FOR WHAT?!
I SWEAR I TRIED TO LIVE UP TO IT,
I THINK POP IS ASLEEP.
I THOUGHT THAT TONIGHT,
I THOUGHT THAT WAS THE WHOLE IDEA OF BEING BAR MITZVAHED.
I THOUGHT Y'ALL GOT MUGGED OR SOMETHING.
I TRIED TO LIVE UP TO IT, POP.
I UNDERSTAND. YOU HAVE NO SON, SO YOU HAVE NO GRANDSON.
I USE IT WHENEVER I...
I WANT IT FASTER, ALL RIGHT?
I WANT MORE BOOM, BOOM, BOOM!
I WANT MORE BOOM, BOOM, BOOM!
I WILL.
I WISH POP WERE HERE TO SEE THIS, HUH?
I WOULD HAVE PICKED YOU UP.
I WOULDN'T TELL HIM NOW THOUGH.
I WOULDN'T.
I'D HAVE TO LET POP KNOW, CALL RIVKA.
I'LL BET YOUR COMMISSION PAID FOR THIS CAR.
I'LL EXPLAIN.
I'LL GIVE YOU MY BODY.
I'LL LET YOU GO HOME EARLY TODAY.
I'LL NEVER DO ANYTHING TO HURT HIM,
I'LL PLAY YOU ONE OF YOUR SONGS.
I'LL SEE YOU LATER. BYE.
I'LL TELL TILLIE. YOU GO.
I'LL TELL YOU WHAT, I'LL CHEER YOU UP.
I'M A LITTLE SURPRISED MYSELF.
I'M A NERVOUS WRECK ABOUT THIS.
I'M ALL RIGHT. HOW YOU DOING?
I'M DANCING.
I'M GLAD IT'S OUT IN THE OPEN.
I'M GOING HOME.
I'M GOING TO GO TALK WITH HIM.
I'M GOING TO MAKE EVERYBODY HAPPY.
I'M GONNA GO HOME.
I'M GONNA HAVE TO PUT ON ANOTHER ACT.
I'M HERE. WHY CALL?
I'M NOT ASKING YOU TO.
I'M NOT GOING TO COVER FOR YOU.
I'M NOT GOING TO GO CRAWLING BACK TO MY FATHER.
I'M NOT YOUR PROBLEM, RIVKA.
I'M RESTING.
I'M SO PROUD OF YOU, JESS.
I'M SORRY I SAID IT. I DIDN'T MEAN IT. PLEASE.
I'M SORRY, JESS, YOU'RE GOING TO HAVE TO WAIT UNTIL THURSDAY REHEARSALS.
I'M SORRY, JESS. I REALLY AM.
I'M SORRY, POP.
I'M SORRY.
I'M STILL WORKING ON IT.
I'M WITH KEITH LENNOX PRODUCTIONS.
I'VE ALWAYS BEEN LIKE HIM.
I'VE BEEN CALLING YOU FOR THREE DAYS.
I'VE GOT THE WATER BOILING.
I'VE HAD IT.
I'VE NEVER SEEN YOUR FATHER SO HAPPY.
IF HE TRIES IT AS A BALLAD, IT'LL REALLY HELP HIM.
IF I DID IT AS A BALLAD.
IF I DIDN'T GO TO ACAPULCO WITH YOU?
IF I DON'T GET THAT CALL FROM BUBBA,
IF IT'S NOT SO TERRIBLE, WHY ALL THE SNEAKING AROUND?
IF YOU DO THIS THING,
IF YOU DON'T AT LEAST TRY,
IF YOU GO ALL THE WAY TO CALIFORNIA...
IF YOU GO BACK TOMORROW,
IF YOU WERE MARRIED A FEW MORE YEARS,
IF YOU WOULD SING IN HIS PLACE,
IF YOU'RE NOT GOING TO THINK OF ME, THINK OF HIM.
IN MODERATE TRADING AND UTILITIES WERE DOWN...
IN THE STREETS AND THEN CAME THE BULLETS AND THE BOMB
IN THE SYNAGOGUE.
IN THE, UH, IN THE BRIDGE AND TAKE IT REAL EASY?
IN YOUR OWN WORDS, YUSSEL, WHAT'S SO TERRIBLE?
IS FIND SOMEBODY TO HANDLE YOU.
IS SCHMUCK A ******* WORD?
IS SOMETHING WRONG?
IS THAT ME?
IS THIS THE ONE?
ISN'T IT TIME?
ISN'T THAT LONG ENOUGH?
IT AIN'T. YEAH.
IT GOES BACK TO OUR PARENTS, TO OUR LIFE.
IT HAPPENS TO PEOPLE EVERYDAY, POP.
IT MAKES THEM FEEL THINGS, IT MAKES THEM HAPPY.
IT MIGHT TAKE A LITTLE WHILE, BUT YOU'LL MAKE IT.
IT SOUNDS WONDERFUL
IT TOOK A WHILE, MAN.
IT WAS A SPUR OF THE MOMENT.
IT'S A NO PALAZZOS, NO GONDOLAS?
IT'S A NAME, POP. IT'S A PROFESSIONAL NAME.
IT'S A PRETTY TOUGH GIG, MAN.
IT'S A QUARTER TO 8:00.
IT'S ALL HERE.
IT'S BEEN OVER A YEAR, POP.
IT'S GETTING LATE.
IT'S GOT TO MAKE SENSE.
IT'S ME YOUR FATHER WAS LOOKING AT WHEN HE TORE HIS CLOTHES.
IT'S MOLLY DID THIS AND MOLLY DID THAT.
IT'S NOT BACK THERE. IT'S HERE.
IT'S NOT SERIOUS. BUT THE DOCTORS WOULDN'T LET HIM SING TONIGHT.
IT'S NOT THE TICKETS.
IT'S NOT TOUGH ENOUGH...
IT'S NOT WHAT I WANT.
IT'S OK, RABBI. IT'S OK.
IT'S PARADISE.
IT'S PERFECT.
IT'S THE FIRST TIME IN FIVE GENERATIONS
IT'S TWO WEEKS. I HAVE TO GO OUT THERE FOR TWO WEEKS.
IT'S VERY EXCITING TODAY.
IT'S WHERE WE BELONG. IT'S WHAT WE ARE.
IT'S, UH, IT'S MORE COMPLICATED THAN THAT, MOLLY.
JESS RABINOVITCH.
JESS ROBIN!
JESS ROBIN.
JESS TELLS ME YOU'VE BEEN A GREAT HELP TO HIM.
JESS WILL BE SURPRISED.
JESS, I MAY BE A SHIKSA, BUT I KNOW WHAT YOM KIPPUR MEANS.
JESS, I'M NOT ASKING YOU
JESS, IT'S ONLY BEEN TWO WEEKS.
JESS, IT'S PARADISE, MAN.
JESS, THAT'S BEAUTIFUL.
JESS, THIS IS TOMMY.
JESS, WELCOME TO CALIFORNIA.
JESS, WHAT ARE YOU TRYING TO SAY?
JESS, WHY DON'T YOU STAY?
JESS, YOU WERE GOING TO STAY TWO WEEKS.
Jess: ALL RIGHT. COME ON. LET'S DO IT.
JESSE, STOP IT, HUH?
******* HOLIDAY, EDDIE, YOM KIPPUR.
JUST A MOMENT, PLEASE.
JUST GO ASK HER TO DANCE, PLEASE, LEO?
JUST LET HIM WORK IT OUT FOR HIMSELF.
JUST LOOK AT HIM.
JUST PUT YOURSELF INTO IT, OK?
JUST SHUT IT, ALL RIGHT?
JUST SIT DOWN, OK? LET ME GET YOU SOME SCHNAPPS.
JUST SIT DOWN.
JUST TAKE CARE OF YOURSELF, OK, POP?
KEITH LENNOX WANTS TO RECORD LOVE ON THE ROCKS.
KEITH LENNOX?
Keith: OK, PAUL, NOW WE DO IT MY WAY.
LENNOX IS SINGING YOUR SONG ALL WRONG
LEO AND I HAVE BEEN REMEMBERING ALL SORT OF THINGS.
LEO, LOOK...
LEO, PLEASE! GO ASK TILLIE TO DANCE.
LEO, WHAT'S THE MATTER?
LEO, WHY DON'T YOU GO ASK TILLIE TO DANCE?
LEO.
LET'S GET IT AS FAST AS WE CAN GET.
LET'S GO GET PIZZA.
LET'S TAKE A RAIN CHECK, OK?
LET'S TRY ONE MORE TIME AND...
LIKE FOLLOWING A HUSBAND AROUND
LIKE WHAT?
LISTEN TO HIM.
LISTEN TO ME. IT'S GOING TO WORK OUT.
LISTEN, I GOT AN IDEA.
LISTEN, THEY NEED YOU OUT HERE FOR TWO WEEKS.
LISTEN. I LOVE MY FATHER.
LONG DISTANCE.
LOOK HERE, YOU SITTING DOWN?
LOOK IT HERE, MAN.
LOOK, HE'LL CALL AND HE'LL GET YOU THAT JOB.
LOOK, I BETTER GET BACK.
LOOK, I DON'T WANT TO KNOW ABOUT IT.
LOOK, I PROMISED RIVEY THAT I'D TAKE HER
LOOK, OUR TWO WEEKS ARE UP.
LOOK, RIVEY, I'VE GOT TO DO THIS.
LOOK, WE REALLY APPRECIATE YOU BAILING US OUT, CANTOR.
LOOK, WHY DON'T WE GO OUT AND GET SOME LUNCH AND...
LOOK, YOU'RE NOT MAD AT THEM.
LOOK. LOOK.
LOOK...WE'RE TOGETHER AGAIN.
LOUDER. LOUDER!
LOVE ON THE ROCKS BY JESS ROBIN.
MADE HIM A MILLIONAIRE.
MAMA'S SMILE...
MAN AND WIFE, THAT'S NO GOOD.
Man: ...THE CONTINUING LARGE SUPPLY OF CORPORATE...
Man: CUT. THANK YOU.
Man: IS THAT ALL YOU CAN PLAY, TURKEY?
Man: IT'LL BE A MINUTE, MR. ROBIN.
Man: ZANY GRAY PROGRAMS, $1.00. RIGHT HERE.
MAY LEAVE NOW OR IF YOU KNOW ANY ******* PEOPLE,
MAYBE I COULD'VE BEEN.
MAYBE THEY COME FROM GOD, TOO.
MAYBE YOU THE EXCEPTION, HUH?
ME LAYING BACK?
MOLLY, COME ON. YOU'VE BEEN TERRIFIC.
MOLLY, HOLD IT.
MOLLY, PLEASE, FORGET IT.
MOLLY, SAY HELLO TO MY FATHER.
MOLLY, WHAT I'VE WANT TO SAY TO YOU IS THAT...
MOLLY! YOU GOT ANY CHARLIE PARKER ALBUMS?
MOLLY. MOLLY BELL.
MORE BOOM, BOOM, BOOM!
MR. LENNOX.
MR. ROSSINI. WHAT?
MY DADDY TAUGHT ME THAT ONE.
MY FATHER DID THAT.
MY REAL NAME'S A LOT LONGER.
MY WIFE.
MY...SON.
NEITHER.
NEW YORK.
NEXT.
NICE TO MEET YOU.
NIGHT, FELLAS.
NIGHT.
NO KIDDING.
NO SADNESS, NO SADNESS. HUH?
NO SON.
NO, BUBBA.
NO, I'M JUST A CANTOR.
NO, JESS, I DON'T THINK SO. YOU'RE ON YOUR WAY NOW.
NO, MAN. WE GOT TO GO INTO THE STUDIOS
NO, NO, NO, NO, NO, NO, NO, NO, EVERYBODY!
NO, NO, NO!
NO, NO.
NO, NOT THIS TIME, BROTHER.
NO, NOW, JESS! JESS, DON'T DO THAT.
NO, THANK YOU.
NO, THEY'RE DOING IT FOR REAL.
NO, WAIT.
NO, WAIT. MOLLY, MOLLY.
NO, WE AIN'T GOT NO JESS RABINOVITCH.
NO!
NO!
NO.
NO.
NO. HE HATES LOUD MUSIC.
NO. HE'S STAYING LONGER.
NO. NOT ME.
NO. YOU COME HOME, JESS.
NO. YOU OWE HIM!
NOBODY BUT YOU. OK?
NOBODY DIED. GOD FORBID.
NOBODY LISTENED TO HIM.
NOBODY SHOULD SING YOUR SONGS BUT YOU, JESS.
NOBODY TRIED TO HELP.
NOT AFTER TONIGHT ANYWAY, RIVEY.
NOT MUCH.
NOT ONLY...
NOT TO CHANGE! OUR PEOPLE WERE KILLED
NOTHING HAPPENS IN TWO WEEKS.
NOW FOR FOR A LONG TIME.
NOW, CLOSE THE DOOR BEHIND YOU.
NOW, OPEN THE DOOR. COME ON. OUT!
NOW, THAT'S ONE OF MY FAVORITE QUESTIONS, TOO.
NOW, WELCOME TO CALIFORNIA.
NOW, WHERE AM I GOING TO FIND SOMEONE LIKE THAT?
NOW, WHY DON'T YOU JUST PISS OFF
NOW, YOU LISTEN, AND YOU LISTEN GOOD.
OH, ALL RIGHT, TWO AND A HALF.
OH, COME ON, MAN. I DON'T BELIEVE IT. ARE YOU SERIOUS?
OH, DON'T TELL ME, MR. WONDERFUL IS BACK.
OH, HE SAID YES.
OH, HOW I'D LOVE TO DANCE WITH YOUR MOTHER.
OH, I DON'T KNOW.
OH, JESS, RELAX.
OH, MAN. WE GOT US A GIG IN L.A.
OH, MY GOSH. IT'S MY MIDDLE NAME.
OH, MY.
OH, NO! NO! JESS!
OH, NO.
OH, OK.
OH, PAPA, COME ON.
OH, PAPA. I DON'T KNOW.
OH, RIGHT. COME IN, COME IN.
OH, RIVEY, HONEY, IT'S TWO WEEKS.
OH, RIVEY. THAT EXPLAINS IT.
OH, SHE WAS SO FULL OF LIFE.
OH, THAT'S GREAT, POP. IT SOUND GREAT.
OH, THAT'S GREAT!
OH, THAT'S NOT BAD.
OH, WELL. I GUESS I BEEN OUT OF WORK LONG ENOUGH.
OH, YEAH, SOME TEA WOULD BE NICE.
OH, YEAH. I'M SURE IT'S A MISTAKE.
OH, YOU'RE REALLY CRAZY, YOU KNOW THAT?
OH! THANK YOU, EDDIE!
OH.
OH.
OH. DO I CALL YOU CANTOR OR FATHER OR...
OH. I'M MOLLY.
OH. YEAH.
OHH, OOH, OHH.
OHH!
OHH.
OHH. WHAT A NICE PLACE YOU GOT HERE, YUSSEL.
OK, CHARLIE.
OK, GUYS, YOU'VE BEEN BAILED OUT.
OK, I GOT TO RUN.
OK, POP.
OK.
OK.
OK.
OK.
OK.
OK. JESS, JUST BE COOL, HMM?
OK. YOU CAN HAVE THE CREDIT CARDS.
ONE SONG, EDDIE, THAT'S ALL I'M ASKING.
ONE SONG, TWO AND A HALF MINUTES.
ONLY A JESS ROBIN.
ONLY IF YOU CAN COME HOME WITHOUT ANY REGRETS.
ONLY THING, JESS, YOU GOT TO BE OUT HERE BY TOMORROW.
OOH, TERRIFIC. TELL ME.
OUR CRAZY AGENT FINALLY GOT UP OFF HIS ASS, MAN,
OVER TO THE LIBRARY BEFORE IT CLOSES.
OW YOU BEEN?
OY!
PAPA, COME ON, COME ON, PAPA.
PAPA, I GOT TO TALK TO YOU ABOUT SOMETHING.
PAPA, I GOT TO TALK TO YOU ABOUT SOMETHING.
PAPA, SOMEBODY WANTS TO RECORD MY MUSIC.
PAPA.
PAPA.
PAUL ROSSINI? WHO'S PAUL ROSSINI?
PAUL, THAT'S THE WAY THAT SONG SHOULD BE.
Paul: BUT WE'RE GOING TO
PEOPLE DON'T CHANGE.
PEOPLE YES, BUT NOT A BOY AND GIRL WHO GREW UP TOGETHER.
PIECE OF CAKE.
PLAY IT.
PLAY IT.
PLEASE FOR ONCE IN YOUR LIFE WOULD YOU LISTEN TO ME?
PLEASE FORGIVE ME, BUT...
PLEASE, YOU REALIZE WHAT THIS MEANS.
PLEASE!
PLEASE?

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