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Home > Billy Elliot (2000) Soundboard
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Billy Elliot (2000) Soundboard

Billy Elliot (2000) Soundboard

Billy Elliot is a heartwarming and inspiring movie released in the year 2000. Directed by Stephen Daldry and written by Lee Hall, it tells the story of a young boy named Billy who discovers his passion for ballet, much to the dismay of his traditional working-class family in a coal mining town in Northern England.

The main character of Billy is played by Jamie Bell, who delivers a remarkable performance as a talented and determined young dancer. This breakthrough role launched Bell's successful acting career, earning him critical acclaim and numerous awards.

Supporting Bell in the cast is Julie Walters, who portrays Billy's dance teacher, Mrs. Wilkinson. Walters brings her characteristic wit and depth to the role, providing guidance, encouragement, and a much-needed outlet for Billy's talent. Gary Lewis plays Billy's father, a tough and stoic coal miner struggling to accept his son's non-conventional career choice. Lewis's portrayal of a conflicted and skeptical father adds an additional layer of emotional depth to the film.

The film also features a fantastic soundtrack composed by the renowned English musician and songwriter, Stephen Warbeck. The music captures the spirit and energy of the story, blending emotional orchestral pieces with upbeat and lively tunes that reflect Billy's journey of self-discovery. From the powerful "Royal Ballet School" to the moving "Once We Were Kings," the soundtrack plays an integral role in enhancing the overall experience of the film.

Billy Elliot is a tale of determination, resilience, and breaking free from societal expectations. It explores the themes of family dynamics, the pursuit of dreams, and the power of self-expression. Through Billy's struggle to follow his passion for ballet, the film challenges gender stereotypes and highlights the transformative nature of art in one's life.

If you are intrigued by the story and would like to immerse yourself in the world of Billy Elliot, you can easily play and download the sounds associated with this cinematic masterpiece. Whether it's the uplifting melodies that accompany Billy's dance sequences or the poignant compositions that capture the emotional core of the film, the soundtrack is readily available to enhance your listening experience.

In conclusion, Billy Elliot is a captivating movie that has touched the hearts of millions of viewers around the world. Its brilliant cast, powerful soundtrack, and poignant storyline all contribute to its enduring appeal. If you haven't yet experienced the magic of Billy Elliot, now is the perfect time to dive into this extraordinary film and let its inspiring message resonate with you.

A tutu
Ahhh!
ALL: Scab! Scab!
Am I fuck. It's a right load of old bollocks.
And a one, two, three, pas de bourrée.
And anyway, what do you know about it?
And hold.
And one, and two, and three,
And then one night,
And up
And you are?
And, you! Fucking ballet!
Are you not?
Arms are in fifth.
Audition?
Billy, do you not fancy us, like?
BILLY: I'll see you, Debbie
Billy! Billy!
Bottoms in.
Dad, you can't go back! Not now!
DEBBIE: He's been made redundant.
Do they now? What boys do ballet?
Do you think she'll mind?
Don't.
Down, and one.
Especially when I remember her all of a sudden.
Exactly.
Extend
First, arabesque.
FOREMAN: Right. Okay, you lot. Over here. All aboard the skylark. Look lively.
Fuck off!
Fuck you.
GARY: We're fucked anyway.
GEORGE: Right, lads. Listen up here.
Give these to Mrs Wilkinson and her dance class when you've finished.
Give us your hand.
Go back to sleep.
Go! Go, Billy!
Good bye, Billy.
Good luck with the strike.
He dances all the time. Every night after school.
He doesn't need to know.
He dresses up in your mom's clothes?
He is out on strike, isn't he?
He never knows how much is there.
He's not doing any more fucking ballet,
Head down.
Hello?
Here. It was a toss up between a new punch bag or you.
Hold it.
Hold it.
How did it go?
Hurry up, Dad, man. We'll be late.
I don't know. I haven't even got in yet
I don't see what's wrong with it.
I think we better go inside.
I think you'd look wicked.
I'd look a right dickhead.
I'll take it.
I'm sorry
It will have been a long time,
It would mean an awful lot of hard work.
It's Billy. Billy Elliot
It's me.
It's not his fault, Miss.
It's okay. He's gonna be okay.
JACKIE: Billy Elliot. We've come for an audition.
JACKIE: I'll take it
JACKIE: That's okay, Son. We're all scared.
JACKIE: What's going on?
JACKIE: Your 50 pence is on the fridge.
Just was.
KIDS: Yes.
Lift, and lengthen that foot.
Lift. Feel the music. Feel it.
Listen, have you noticed anything weird about our Billy lately?
Listen, Son,
London.
MAN 3: Away. Leave it. Go on. Leave it.
MAN ON TV: In a speech to Tory MPs yesterday,
MAN: Jackie, have you not heard, man?
MAN: Keep away from there, son
MICHAEL: Billy! Billy!
Might not be a problem. Come on. Keep going.
Miss.
MRS WILKINSON: Go!
MRS WILKINSON: Let's do it again.
MRS WILKINSON: Tom.
Naught.
No, Miss!
Nobody around here, but plenty of men do.
Oh, God.
Oh!
Open, and lift your chest. Right. Let's do it again
Ow
Perfectly normal?
Post!
Powerful! Proud!
Prepare!
Put it down
Right into the centre, girls, please.
Scab! Scab! Scab! Scab! Scab! Scab..
See you, then.
Send him round to my house. I'll sharp knock some sense into him.
Shit.
Shoulders down, long neck.
Shut it, Billy. She's dead
Six, seven, eight.
Something useful.
Sort of feels good.
Sounds crap.
TEACHER: Copy down that diagram. You only have five minutes left
They are, though. They're mental.
This is the one thing that will allow her to become a real woman once more.
Tony, do you ever think about death?
TONY: Get inside!
Tony!
Up you get.
We're finished, Son.
We've let out your room.
Well, there's no mines in London
Well, you know, after everything.
What does your dad say?
What have I told you about drinking out of the bottle?
What qualifications have you got?
What, Mom?
What're you doing, man? Hit him!
What's a plié?
When I forgot that she was dead and that.
Whose dress is that?
Why don't you come tomorrow?
Will you stop being an old fucking woman?
Yeah
Yes, of course. Come to the bar, please, Billy
You can say it to the class.
You do it again.
You know nothing about me, you sanctimonious little shit!
You know perfectly well what's wrong with it.
You're no good to us in jail.
You're not concentrating
You're not going until you do it properly.
Your family's weird.
(WHISPERS) Sorry, mate. It's all right, Tony.
Have you heard anything yet? Not yet.
Prepare. Prepare.
What are you talking about? The boxing, man.
(BELL DINGS)
(BELL RINGS)
(BOTH ARGUING)
(BRAKES HISS)
(BRAKES SCREECHING)
(CAPTIVATING CLASSICAL MUSIC PLAYING)
(CHILDREN CHATTERING)
(CROWD CHEERING)
(GROANS)
(HAMMERING)
(HUMMING)
(INAUDIBLE)
(INAUDIBLE)
(INDISTINCT)
(JACKIE SOBS)
(MUSIC STOPS)
(PANTING)
(RHYTHMIC BALLET MUSIC PLAYING)
(SIGHS)
(SIGHS)
(SPITS)
(TONY SHOUTING)
(YELPS)

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