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Home > C.H.U.D. (1984)
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C.H.U.D. (1984)

C.H.U.D. (1984)

C.H.U.D. (1984) is a cult classic horror film that takes audiences on a thrilling journey into the sewers of New York City. Directed by Douglas Cheek, this suspenseful flick explores the terrifying existence of Cannibalistic Humanoid Underground Dwellers, hence the acronym C.H.U.D.

The movie introduces us to a diverse and talented cast, including John Heard as George Cooper, Daniel Stern as A.J. Shepherd, and Christopher Curry as Captain Bosch. John Heard's portrayal of George Cooper, a diligent photographer investigating the disappearance of the city's homeless population, is both convincing and relatable. Daniel Stern effortlessly brings humor to the film as A.J. Shepherd, a homeless soup kitchen operator who joins George on his mission. Christopher Curry, as Captain Bosch, delivers a compelling performance as a determined police captain trying to solve the mystery behind the C.H.U.D. encounters.

Set in the gritty streets of New York City, C.H.U.D. explores the dark and dangerous underworld that exists beneath the city's surface. As George and A.J. delve deeper into their investigation, they uncover a secret government cover-up that resulted in the creation of these mutated creatures. Shadows and suspense create an eerie atmosphere, leaving viewers on the edge of their seats throughout the movie.

The horror elements in C.H.U.D. are enhanced by the remarkable sound design. The echoes of footsteps in the desolate tunnels, the grotesque noises emitted by the C.H.U.D., and the piercing screams of their victims all contribute to an immersive experience. Sound designer Alan Howarth skillfully crafted an auditory landscape that amplifies the film's unsettling atmosphere, heightening the terror for viewers.

If you're intrigued by the bone-chilling sounds of C.H.U.D., you're in luck! You can now play and download these sounds to transport yourself to the haunting world of the film. Immerse yourself in the echoes of the sewer tunnels, the growls of the C.H.U.D., and the screams of their victims with just a few clicks.

C.H.U.D.'s impact on the horror genre cannot be understated. It has become a beloved favorite among horror enthusiasts, praised for its unique take on a classic monster tale. The film's success led to various sequels, including C.H.U.D. II: Bud the C.H.U.D. (1989), which expanded the universe and introduced new horrifying creatures.

Not only did C.H.U.D. captivate audiences with its thrilling narrative and terrifying creatures, but it also shed light on important social issues. The film highlighted the struggles faced by the homeless population in New York City and drew attention to their often-overlooked existence. By intertwining these themes with horror, C.H.U.D. offered a thought-provoking and socially conscious viewing experience.

So, if you're ready to embark on a journey into the depths of horror, explore the world of C.H.U.D. (1984) and uncover the terrifying secret lurking beneath the streets of New York City. Brace yourself for pulse-pounding suspense, bone-chilling creatures, and a haunting soundscape that will leave you breathless.

Don't wait! Play and download the sounds of C.H.U.D. now and experience a terrifying adventure like never before. Enter the world of the C.H.U.D. and let your imagination run wild in the dark and eerie tunnels beneath the city streets.

A bag lady tried to steal a gun.
A C.H.U.D. Alright?
A Cannibalistic Humanoid Underground Dweller.
A young girl saw something.
A.J.
A.J. Shepherd.
About 100 yards down that tunnel to the right,
About the EPA probe.
About three weeks ago, the Environmental Protection Agency encountered,
Ah ha, Who? Important people?
All by yourself?
All of 'em?
All right, Bosch. What're you gonna tell 'em?
All right, Derek, you made your point.
All right, I'll take it.
All right, Vickie, do you remember me, George Cooper?
All right. What we got here?
All the undergrounders are looking for weapons now, man.
All these people are dead because of you, Wilson.
All you want 'em to do is clean up their mess, before anybody finds out what's really, going on down there.
Alright, Captain.
Alright, men. Fan out and form a solid line across the tunnel.
Alright, you do that.
Alright.
Alright. Let's go.
An alarming number of disappearances in my precinct.
An award winning pictorial essay on derelicts who hang out in the sewers.
And Our baby.
And a six year old kid who thinks she saw a monster.
And as to any connection with the underground, preposterous.
And close the door.
And find out where we're going. Come on in, dear.
And he took me down where these people used to live, underground.
And I can't find the people that I got to take pictures of. They're
And I, and I believe that these murders,
And I'd like to have someone come check it out.
And left my things in the basement? My, my jewelry?
And Mr. A.J.
And put out an A P B on Flora Bosch.
And read all about his involvement in the N R C cover up.
And tell him if he's not there, he can pick up the afternoon papers
And that's the only thing that's
And that's where we found this Geiger counter.
And the place is crawling, but the officials won't talk.
And the sewer mains. Forget about subway grating.
And what are we shooting, a centerfold?
And what are you wearing in this perfume ad?
And you are dead!
And you dump it right here under the streets of our city.
And you, sir, are a liar!
Anything else?
Are somehow connected to the probe that's going on underneath the streets of this city at this very moment.
Are you crazy, Bosch?
Are you crazy? Nothing could possibly survive in
Are you crazy? You'll blow up the whole city!
Are you interested in an alternative?
Are you kidding? I accused the goddamn Commissioner of a cover up.
Are you leaving little breadcrumbs behind so we can find our way out of here?
Are you saying that a gas explosion caused the wreck of this diner?
Are you the one who found it? Where is it?
Are you upset because I'm posing nude?
Art. Art, I'm sorry to wake you, I'm sorry to wake you.
As you all know,
Be a nice place for a kid, growing up.
Because he reported 12 people missing.
Because today I'm gonna shoot Lauren.
Beep.
Before any cars come, nothing's coming, remember that?
Beg your pardon?
Bosch!
Bosch.
But I can't waste any more time on this.
But I got undergrounders here, people who live underground.
But I'm sending a team armed with flame throwers right down there with them.
But let me tell you what happened.
But so far there has been no official confirmation as to exactly what happened here.
But they sure were insistent on knowing who I was, who I talked to, where I'd been.
But this thing went as high as it could go.
But you guys wouldn't be interested.
But you said you'd be here two hours ago. Was that a joke? Please tell me.
Bye.
C.H.U.D.
Can't you see he's wounded?
Cannibalistic Humanoid Underground Dweller.
Check this out.
Chief O'Brien, Captain Bosch, and uh
Come on, Bosch, you've got men out all over the city. Who's gonna get hurt?
Come on, Come on! Come on!
Come on, don't make me do this, I've been up all night.
Come on, let's forget about this and stay here.
Come on!
Come on.
Come on.
Come on. Come on, let's go.
Come on. Get up! Get up! He's trying to kill us.
Contamination hazard urban disposal?
Contamination Hazard Urban Disposal.
Cooper, you son of a bitch! I'm in jail! I only get one phone call.
Cooper! Cooper back!
Creatures?
Crosby and Spring.
Damn it.
Did you get it?
Didn't somebody get a court order restraining you from doing it?
Didn't you know that?
Divert some of the gas mains back into those tunnels.
Do you go to movies together? Is she your steady date?
Do you have anything else?
Do you know what that means?
Do you know which box my jewelry case is in?
Do you remember that story that leaked out about us wanting to, uh,
Do you want me to have a kid?
Do you?
Does that help you any?
Don't be scared. Where are you goin', man?
Don't hurt him.
Don't take any chances. First sign of trouble, get the hell outta there.
Don't tell me the N R C doesn't know about that.
Don't you hurt him.
Dr. Bremner called this afternoon, it's official.
Dr. Bremner wanted to know if I was interested in, umm,
Easy, Bosch. Easy.
Everything looks clear. We're movin' out.
Fishy, fishy.
For one thing, I have reason to believe, that a number of these people have been murdered.
Forget it, Bosch. I lost him.
Forget this!
Frankly, I can't decide whether to talk to him or tail him.
From the police department, no less.
Gas could drive those things up here.
Gentlemen, may I present Mr. Wilson of the Nuclear Regulatory Commission,
Gentlemen.
George and Lauren aren't in right now, but if you want to, leave a message when you hear the beep.
George Cooper, prominent fashion photographer. Nobody knows me.
George Cooper, suddenly just chucks it all, and drops out of sight.
George Cooper. I don't know him, but I've seen him around.
George, I can't afford to miss this deadline. It's not just the money, it's my credibility.
George, look out!
George, this is Derek. I am having a nervous breakdown.
George, this is really important so I'm asking you as a personal favor,
George, you wanna blow this job for me?
Get him out of there.
Get out.
Get those flame throwers working.
Get up.
Go ahead, go scream your fool head off.
Go on.
Go on.
Go on. Go on!
God, you don't have a clue, do you, Sherlock?
God!
God!
God.
God. Get up!
Goddammit!
Goddammit.
Gog and Magog.
Gone. Prints of Victor's leg are gone.
Good to see you. You'll have to put on one of these suits before we go in.
Granted, that doesn't necessarily implicate you, sir.
Great, great!
Great.
Guns and knives. I told you to be careful.
Have a nice day.
Have you found the bag lady yet? Have you found her brother?
Have you seen enough? Is this enough for you?
Hays, get on the stolen car ring.
He is a madman.
He needs it. He says he needs it, he needs it.
He said, Tell Bosch, he's got the Reverend on the video, in the N R C control room.
He shot an article on the people down there. I have a copy of it right here.
He's gonna help us.
Hello, Murphy? This is George Cooper.
Hello?
Help!
Help!
Help! No!
Here you go.
Here you go.
Here, hold this.
Here, take this bag.
Here's a close up of it.
Here's a picture of a bite, taken out of his leg.
Hey, all right! Come on.
Hey, Bosch, can't get enough, huh?
Hey, Bosch! What's happening?
Hey, Bosch! Who are you callin'?
Hey, Captain, this is Sanderson.
Hey, I put in a call, a missing persons complaint. I get a police captain coming down here twice, in one day.
Hey, Jackson, they finally let you off the desk, huh?
Hey, let me show you some of the stuff I found.
Hey, look, Val, man. You gotta get outta here. Get out of here, man. It's dangerous.
Hey, thank you. Come on.
Hey, that's breaking and entering.
Hey, this is your friend from the magazine, isn't it?
Hey, Val!
Hey, Val!
Hey! Mayday! Mayday! Look, hey, we're trapped down here.
Hey! What the hell's going on here?
Hey. Whoa.
Hi, are you the people who are subletting Morton's studio?
Hi, Derek, it's good to hear your voice.
Hi, you've reached the new residence of ah, George Cooper and Lauren Daniels.
Holy
Holy shit, man! Holy shit! This is Look at this!
Holy shit!
Holy shit.
Home?
Honey, have you been in my dark room, have you been in here?
Honey, I want to go into this phone booth and, We'll have to wake Uncle Art.
How are you gonna cover up killing a cop, huh?
How do I know you didn't give us anything?
How do you know that?
How do you know there aren't more of those things down there?
How does this tie in with the people that are missing?
Huh? You like?
I always know when that probe's going on. My customers start gettin' jumpy.
I am upset because these people are using your body and draping it with the carcass of some helpless,