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Home > Inception (2010) Soundboard
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Inception (2010) Soundboard

Inception (2010) Soundboard

Inception is a mind-bending science fiction film that was released in 2010. Directed by Christopher Nolan, the movie explores the concept of shared dreaming and the manipulation of dreams to extract valuable information. It delves into the mysterious world of subconsciousness, blurring the lines between reality and imagination.

The film boasts an incredible ensemble cast, with Leonardo DiCaprio in the lead role as Dom Cobb, a skilled thief with the ability to infiltrate people's minds through their dreams. His exceptional performance presents the complexity of Cobb's character, haunted by his past and longing to reunite with his children. Joseph Gordon-Levitt brings his charisma to the screen as Arthur, the reliable and resourceful partner of Cobb, while Ellen Page portrays Ariadne, a brilliant young architect who joins the team to design dream worlds. The talented Marion Cotillard embodies Mal, Cobb's deceased wife, whose presence constantly haunts him in his dreamscape. Supporting performances from Tom Hardy, Ken Watanabe, and Cillian Murphy further enhance the film's brilliance.

The plot of Inception revolves around Cobb and his team attempting the dangerous task of "inception" - planting an idea in someone's mind rather than extracting it. Their target is Robert Fischer Jr. (played by Cillian Murphy), heir to an empire whose subconscious holds the key to unraveling deeply guarded secrets. As Cobb and his team venture into Fischer's dreams, they face increasingly intricate levels of subconsciousness, where time dilates and perceptions blur. The intricately woven narrative keeps audiences on the edge of their seats, questioning what is real and what is merely a dream.

To complement the film's mind-bending narrative, Hans Zimmer composed a mesmerizing score that perfectly captures the essence of the story. The soundtrack, which became a sensation upon release, features an iconic track titled "Time." This hauntingly beautiful composition with its ticking clock motif perfectly mirrors the film's ticking timebomb plotline. With its swelling melodies and pulsating beats, the score immerses the audience into the dreamscapes, enhancing the overall cinematic experience.

If you are intrigued by Inception's mesmerizing soundscape, you can play and download these sounds here. Transport yourself into the surreal dream worlds created by Christopher Nolan and experience the thrills, unpredictability, and emotional depth of this thought-provoking film.

Inception not only captivated audiences worldwide but also garnered critical acclaim. The film received multiple nominations and won four Academy Awards, including Best Cinematography, Best Sound Mixing, Best Sound Editing, and Best Visual Effects. Its innovative storytelling, mind-bending visuals, and exceptional performances make Inception a modern masterpiece, solidifying Christopher Nolan's reputation as one of the greatest directors of our time.

So, if you are ready to embark on a thrilling journey through dreams within dreams, immerse yourself in the world of Inception. Listen to its captivating soundtrack, watch the film, and let your mind unravel the mysteries that lie beyond the boundaries of reality. With its philosophical undertones and stunning visuals, Inception is a modern science fiction classic that will leave you pondering the nature of dreams and the power of ideas.

A man possessed of some radical notions
A work placement?
Again.
All right?
All right.
All right.
Almost everything else is here too.
An idea is like a virus. Resilient
And judging by the dÈcor, we're in your mind, aren't we, Arthur?
And the smallest seed of an idea can grow
And we can no longer compete.
And we can.
And what about for her?
And whatever I do, I can't change this moment.
ARIADNE: Saito? Go ahead.
Ariadne?
ARTHUR: I don't know. Jesus Christ.
As soon as the music ends, you blow up the hospital...
ATTENDANT [IN JAPANESE]:
Because I can find my own way to square things with Cobol.
BROWNING: Must be a cherished memory of his
But I can't trust you anymore
But you are not responsible for the idea that destroyed her.
Choose me.
Cobb, do you hear that?
COBB: Fischer's security is surrounding this place.
COBB: Get Fischer in the back room now
COBB: I know what's real, Mal
COBB: No, breathe, breathe. Remember your training.
COBB: Wasn't he supposed to have a knee operation?
COBB: Well, someone had to design the dreams, right?
COBB: Why the hell didn't it? Calm down.
COBB: You know that I am
Cobb?
Cobb? What's down there?
Do you still dream. Mr. Cobb?
Don't jump too soon. We only got one shot at that kick. We gotta make it.
Don't remember. Let's see if he starts shooting
Dump the wallet. Security will be looking for that.
Each level relates to the part of the subject's subconscious..
EAMES: Ten. Twelve. All connected. Bloody hell.
Eventually, it just became impossible for me to live like that
Eventually, she told me the truth
Everything down there is gonna be unstable as hell.
Five minutes?
FLIGHT ATTENDANT: Hot towel, sir?
Forget it. We go any deeper, we just raise the stakes.
Goddamn it.
Good. Explain it to them.
Great.
Ha, ha, bloody ha
He could barely speak.
He'll be lost.
Hey, get off of her. Back up. Back up.
Hey, guys. Hey
Hmm.
How are we gonna bring Fischer back?
How's your handwriting?
I am the subject. My mind populates it
I believe they have you sedated, and if you pull that trigger...
I couldn't let you rise to your father's last taunt
I didn't realize anyone was here. so....
I don't know
I feel guilt, Mal
I have to get back to our children because you left them.
I know how to search your mind and find your secrets. I know the tricks.
I left my children behind and I've been trying to buy my way back ever since.
I need you to work with me, Mr. Fischer
I specialize in a very specific type of security.
I'm gonna try to keep Saito under a little bit longer. We're almost there.
I'm just trying to understand
I've got somebody better
If I go without you, they'll take them away anyway
If I jumped, would I survive?
Imagine you're designing a building. You consciously create each aspect.
In a dream, your mind functions more quickly...
It involves telling the mark that he's dreaming..
It was a training program for soldiers to shoot, stab and strangle each other...
It wasn't so bad at first, feeling like gods
It's called extraction.
It's the chance to build cathedrals, entire cities..
It's the only way I can still dream.
JAMES: Daddy?
JAMES: Why?
Just have him ca I gotta go.
Just you.
LAWYER: Mr. Browning..
Let's see what you can do
Lf you need help, hang up....
Listen, there's only one thing you need to understand about me
Look at you.
Look what I've been building!
Look who's here.
Mal, no! Jesus!
MAL: The smallest idea, such as:
MAL: You know how to find me.
MAN: Right now or never, Cobb
Maybe he did, I mean, maybe you just didn't know it was a combination
Might? We're gonna need to do a little better than ''might
Mommy's not here anymore
My main competitor is an old man in poor health
My name is
No, no, no. I think we should.
No, no. I was just, uh, running some experiments
No, to find Saito.
No. you taught me to navigate people's minds.
Nothing. Nothing that they'll put him under for, anyway, And we need
Now, that's when we're awake.
Okay, as soon as Arthur's music kicks in, just use the defibrillator to revive him.
Okay, here's me planting an idea in your head.
Pleased to meet you
Precisely. That's the only way it will stick. It has to seem self generated.
References are something of a specialty for me. Mr. Saito.
SAITO: Come on, Fischer!
Security's gonna run you down hard.
Sedation.
See?
Send my regards.
She had locked something away, something deep inside her.
So I'm making the bottom level a hospital, so Fischer will bring his father
So you know what it is to be a lover?
SOLDIER: Come on! Move!
Stop him!
Stop.
Sydney to Los Angeles.
That has nothing to do with it. I did what I had to to get to my children.
That price on my head, was that dead or alive?
That why you need me to build your dreams?
The gun, Dom.
The second we get into that hotel his security's gonna be all over us.
Then the longer we have before the projections catch us?
Then the next level down, we feed him. ''I will create something for myself.''
There was rain
There!
These people are gonna kill us if we don't give them the combination.
They have someone with access to your father's office.
They're gonna lock us in that van, and then drive it into the river
They're memories that I have to change.
They're trying to extract a number from your subconscious.
This time, it seems there is
Those bastards have had at me for two days.
Time's up.
To America. To your children.
To take a leap of faith, yes
Up above?
Very amusing, Mr. Eames.
We did
We don't have time for this. Did he add anything?
We have to move
We need to shift his animosity from his father to his godfather
We tried it. Uh, we got the idea in place, but it didn't take.
We were young men together.
We're too heavily sedated to wake up that way.
Welcome home, Mr. Cobb.
Well, looks like we have our 10 hours.
Well, what, then?
What do you remember from before this dream?
What happened?
What's going on up there?
When he wakes up, his mind is completely gone
When were you in limbo?
When? When he promised you half his share?
Which gives Arthur three minutes.
Which. in our case, is just you
Whose subconscious are we going into exactly?
Why don't you see what you can get up to in five minutes?
Yeah, I hear it. It's music
Yeah? Whose authority?
Yeah.
You asked me for inception.
You create the world of the dream.
You don't believe in one reality anymore.
You draw from stuff you know, right?
You held something back because you knew what we were up to.
You know what you have to do
You know, the will means that Dad wanted me to be my own man...
You know. I couldn't help but notice...
You left out a key piece of information, didn't you?
You might have the rest of the team convinced to carry on with this job.
You okay?
You promised! You promised we'd be together!
You remember.
YUSUF: Sod it.
YUSUF: The compound we'll be using to share the dream..
Are those projections his subconscious? Yes.
But they don't know the truth
Can't drop you without gravity. Right.
Does the strong room have windows? It wouldn't be very strong if it did.
Get him in the back room. Move. ARTHUR: What the hell happened?
Give him the kick. NASH: What?
I'm sorry. Oh, yeah, absolutely.
Is it possible? Of course not
It's not. Maybe we could share.
Just like inception. Cobb, come on.
My subconscious seems polite enough. Ha, ha. You wait, they'll turn ugly.
Snaps you out of the dream. We gonna feel a kick with this sedation?
Wake me up! Wake me up! No!
What do you want from us? Inception.
What will you do with him? Nothing.
You all right? Yeah
You knew these risks and didn't tell us? There weren't meant to be risks.
You're wrong. COBB: I'm not wrong
...and we all ride the kick back up the layers
...based on your experiences with Maurice.
...better than your therapist, better than anyone.
...his own projection of Browning should feed that right back to him.
...I'd need a guarantee.
...pure creation.
...so we can be young men together again.
...that our real children were waiting for us up there somewhere.
...the first class cabin's in the nose, so no one would walk through.
...waiting to die alone?
...we had to kill ourselves.
...we need to talk about a power of attorney.
...you have no trouble getting through Immigration
...you know beyond a doubt that you're not in someone else's dream
...you're gonna need to break into Browning's mind on your own.
''Your world is not real.''
[''NON, JE NE REGRETTE RIEN'' PLAYING]
[ARIADNE CLEARS THROAT]
[BEEPING]
[BEEPS]
[CHILDREN GIGGLING]
[COUGHS]
[DEFIBRILLATOR CHARGING]
[DOOR OPENS]
[EDITH PIAF'S ''NON, JE NE REGRETTE RIEN'' PLAYING]
[GASPING]
[GRUNTING]
[GRUNTS THEN PEOPLE SHOUTING]
[GRUNTS]
[GRUNTS]
[GRUNTS]
[GRUNTS]
[GUARD GRUNTS]
[GUNFIRE THEN EAMES GRUNTS]
[GUNFIRE]
[GUNFIRE]
[GUNFIRE]
[GUNFIRE]
[GUNFIRE]
[GUNSHOT]
[GUNSHOT]
[HISSING]
[HORN HONKS]
[KNOCKING ON DOOR]
[MACHINE HISSING]
[MACHINE HISSING]
[MACHINE HISSING]
[MACHINE HISSING]
[MACHINE HISSING]
[MACHINE HISSING]
[MAN SINGING IN FOREIGN LANGUAGE ON RADIO]
[METAL CREAKING]
[METAL GROANING]
[METAL GROANING]
[RUMBLING]
[RUMBLING]
[SAFE BEEPS]
[SCREAMS THEN THUDS]
[SHOTGUN COCKS]
[SHOUTING IN FOREIGN LANGUAGE]
[SIGHS]
[SONG ECHOING]
[SONG ECHOING]
[STATIC OVER RADIO]
[THUNDER CRASHING]
[TIRES SCREECHING]
[YELLS]
[YELLS]
[YUSUF YELLS]

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