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Home > The Bee Gees: How Can...
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The Bee Gees: How Can You Mend a Broken

The Bee Gees: How Can You Mend a Broken

The Bee Gees: How Can You Mend a Broken Heart is a captivating documentary film that explores the remarkable journey of one of the most influential bands in music history. Directed by acclaimed filmmaker Frank Marshall, this film takes audiences on an emotional rollercoaster, delving into the lives and music of the legendary Bee Gees. Released in 2020, the film pays homage to the iconic trio and their timeless hit song "How Can You Mend a Broken Heart."

The Bee Gees: How Can You Mend a Broken Heart features an extensive cast of important figures in the music industry, including the surviving band member, Barry Gibb. Born in 1946, Barry Gibb was the co-founder and lead singer of the Bee Gees. Alongside him were his younger brothers, Maurice Gibb (1949-2003), who played bass and keyboard, and Robin Gibb (1949-2012), who contributed vocals. Together, these three talented siblings formed the heart and soul of the Bee Gees.

The documentary offers a deep insight into the band's rise to fame, exploring their humble beginnings in Australia and their subsequent move to the United Kingdom. Through interviews with family members, friends, and industry insiders, viewers gain a comprehensive understanding of the Bee Gees' musical prowess and the impact they made on popular culture.

The film delves into the Bee Gees' exploration of various genres, from their rock and roll roots to their groundbreaking contributions to the disco era. As the Bee Gees adopted a new sound, they faced skepticism from critics and fans alike. However, with hits such as "Stayin' Alive" and "Night Fever," they quickly became synonymous with the disco movement of the late 1970s.

Marshall's masterful direction ensures that the audience experiences the Bee Gees' highs and lows, including their triumphs and personal tragedies. The loss of Maurice Gibb in 2003 profoundly affected the remaining members but did not diminish their resolve. The documentary showcases Barry Gibb's resilience and determination to continue making music after the passing of his beloved brothers. His commitment to their legacy shines through as he candidly shares his experiences and emotions with viewers.

The Bee Gees: How Can You Mend a Broken Heart explores the chemistry between the brothers, their undeniable talents, and their impact on the music industry. Through archival footage and interviews, audiences witness the profound influence the Bee Gees had on fellow musicians, producers, and fans. The film showcases their vast discography, which includes more than a dozen studio albums and countless hit singles.

If you're captivated by the Bee Gees' music and want to experience their sounds, you're in luck. You can play and download their timeless hits such as "How Can You Mend a Broken Heart" and many others right here. Immerse yourself in the captivating melodies, iconic harmonies, and thought-provoking lyrics that have made the Bee Gees an enduring force in the music world.

The Bee Gees: How Can You Mend a Broken Heart not only pays tribute to one of the greatest musical acts of all time but also serves as a reminder of the power of perseverance, resilience, and the enduring impact of influential artists. This riveting documentary will leave you humming their melodies, reflecting on their triumphs, and cherishing the timeless music created by the incomparable Bee Gees.

A different kind of memory.
A handful of R&B artists were using synthesizers,
A lot of people don't realize
A more important senior executive
A promotional gimmick.
A twilight doubleheader.
A very busy day coming into town.
About making a comeback.
About the breakup.
About the fact that, you know, they were still
About the note values."
About the song."
Ahmet Ertegun and Robert Stigwood
Ahmet Ertegun came to Miami.
Albhy was a hippie.
All next door to each other with swimming pools."
All right. Okay.
All that was a big influence on us.
All the emotions are still there.
All these musical ambitions came to the surface,
All this stuff is going down in Chicago,
All: ♪ And now it's all right, it's okay ♪
All: ♪ And the lights ♪
All: ♪ And the lights all went down ♪
All: ♪ But that won't stop my loving you ♪
All: ♪ Da da da da ♪
All: ♪ Doo doo doo, doo doo doo ♪
All: ♪ For you, it's goodbye ♪
All: ♪ Green fields ♪
All: ♪ Have you seen my wife, Mr. Jones? ♪
All: ♪ Hold on ♪
All: ♪ Hold on ♪
All: ♪ How a love so right ♪
All: ♪ How can you stop ♪
All: ♪ How can you stop ♪
All: ♪ How deep is your love? ♪
All: ♪ If this should end ♪
All: ♪ If this should end ♪
All: ♪ In my own time ♪
All: ♪ Is one place I have seen ♪
All: ♪ It's the one that forsakes ♪
All: ♪ My broken heart ♪
All: ♪ Now and then ♪
All: ♪ Ooh ♪
All: ♪ The day I left ♪
All: ♪ What you doing on your back? ♪
All: ♪ When a lonely heart breaks ♪
All: ♪ Yeah ♪ Come on.
All: ♪ You don't get me, I'm part of the union ♪
All: ♪ You don't know what it's like ♪
All: Disco sucks!
Also branded them as a disco group.
America was the ultimate dream.
American R&B kind of stuff,
An Oscar nominee for "Saturday Night Fever,"
And "To Love Somebody,"
And a happy New Year.
And a lot of straight people feeling threatened,
And Ahmet went, "No." [laughs]
And all my friends in Australia a very merry Christmas
And all started looking outwards
And all these things play out
And all three of us did things to each other
And Andy joined my mic,
And Andy was having problems too.
And Andy.
And Arif says to me,
And Arif was right in there with them.
And Arif was, you know, top of the heap for that.
And as we sat in everyone's office,
And at the same time,
And audition for us on piano.
And Barry said, "What did you think?"
And Barry wanted to sing it.
And Barry was playing his guitar.
And being on the radio as it was for ourselves.
And being on the radio,
And beyond anything else, that's all we cared about.
And Blue had them all.
And Blue Weaver and Alan Kendall,
And built it piece by piece from the ground up,
And composing I'd ever heard.
And created a two bar phrase.
And currently, it's the studio
And do one more with the Bee Gees.
And doing things for a while.
And don't rely so much
And each one of us was thinking that.
And even after we arrived in England.
And eventually, I started singing to it in my head.
And everybody chipped in.
And everybody's got an ego about it,
And for 18 months, they never did.
And getting these tracks together."
And given to your girlfriend.
And go private.
And guided him through and helped him with lyrics.
And have some fun.
And he could be very dark too.
And he had a combover, and it was all
And he had a great ear.
And he hates disco music.
And he is a disc jockey for station WLUP FM
And he kept looking up, and he stood back and he goes,
And he said, "'Night Fever.'
And he said, "I want my studio time back
And he said, "Just say you can play bass,"
And he said, "Well, the trick is,
And he said, "What do you mean?"
And he says, "I know. I know. I know what I have to do."
And he says, "I'll be on the next flight to Florida."
And he was always tagging along,
And he was doing drugs.
And he was one of my best friends.
And he went, "Yeah, of course."
And he would wear these really big, flashy ties,
And he'd go, "Shut up!
And he'd like to drink a little, as I did.
And he's been in the habit of taking tablets
And he's good at these kind of things."
And his personal life once we became famous.
And how we imagined it.
And how well that seemed to work.
And Huey said, "Hey, we haven't heard you play."
And Huey, the father.
And I got a phone call from Barbra.
And I got on really well with him.
And I just remember our jaws dropping.
And I knew Barry could sing in E flat.
And I knew I was gonna marry her.
And I really liked it."
And I said, "I am doing it to you."
And I said, "I'm gonna marry her."
And I said, "This is what we gotta do.
And I said, "Well, I just finished the mix.
And I said, "Well, I just got in,
And I saw Andy in front of me, I thought,
And I think everything we set out to do,
And I think it should actually
And I think it was, like, two weeks or something,
And I think Maurice was in the middle.
And I think that's what
And I think we came back together as men.
And I thought, "Blue."
And I thought, "Man, this would be so good
And I thought, "Yes.
And I wanna work with you."
And I was at that point in my career
And I was like, "The Bee Gees?"
And I was the morning news guy.
And I went into the sort of recovery period.
And I went, "Yes." [laughs]
And I would bump into him every now and then
And I'd like to wish all the kids
And I'd like to wish all you kids
And I'll be honest with you,
And I'm Barry Gibb of the Bee Gees.
And I'm in the control room.
And I'm like, "Who's this?"
And I'm thinking, "Jesus Christ, no."
And if you're lucky, you get little slices of it
And in my head, it sounded like,
And it didn't take him long, you know,
And it just kept getting bigger and bigger over time.
And it still probably would've been a little too soon
And it was a dump.
And it was a team.
And it was gone.
And it was like, "Oh, this is a new sound."
And it was Linda, and then Maurice came over
And it was the four of us together,
And it wasn't good music anymore.
And it would be a great song,
And it's not true.
And it's some of the best songs ever written.
And January the 1st, we left.
And let him know that I'm gonna be over."
And let's do it."
And lived next order to a fish and chips shop.
And make sort of these interesting sonic loops.
And Maurice would always know where to put that other melody
And Maurice,
And mixed with Barry's rhythm part,
And Moogs,
And Mum, of course.
And my brief was,
And not saying that they were has beens,
And now here I am partying with these guys.
And of course, Andy came here with them.
And of course, everybody knew the Bee Gees.
And once we came back together again,
And Paul McCartney was there with Jane Asher,
And people thought he was mad.
And ponds and fountains.
And pretend to sing with me,
And put it through a VOX amp and sound like Buddy Holly.
And put the pieces together
And Robert wouldn't hear of it, of course.
And Robin and Maurice started to collaborate
And Robin had this wonderful, tear jerking voice.
And Robin wanted to sing the song
And Robin would go, "Well, give Barry a call
And said, "I wanna produce you,"
And see if we can make a loop out of it."
And so I called him and I said, "Well, I can't play bass,"
And so it's my privilege to say,
And so that was fine for me. I was having a ball.
And so the greatest gift that you could give
And so there was nothing sleepy about America.
And start working there and get some records released.
And start writing.
And that affected all of us in its own way.
And that allowed me to open my club.
And that became the battle,
And that created that new determination
And that sometimes was the birth of a song.
And that spontaneity came out in the songs.
And that terrified me.