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The Bourne Supremacy (2004) The Bourne Supremacy is a thrilling action-packed movie that was released in 2004. Directed by

The Bourne Supremacy (2004) Soundboard

The Bourne Supremacy is a thrilling action-packed movie that was released in 2004. Directed by Paul Greengrass, this film is a sequel to The Bourne Identity (2002) and is based on the novel of the same name by Robert Ludlum. With breathtaking stunts, intense chase sequences, and a gripping storyline, The Bourne Supremacy takes audiences on a rollercoaster ride of suspense and adrenaline.

The movie features an impressive cast that brings the characters to life with their incredible performances. Matt Damon shines in the lead role, reprising his character as Jason Bourne, a highly trained former CIA assassin suffering from amnesia. Damon effortlessly captures Bourne's enigmatic nature, physical prowess, and determination to unravel the truth about his past.

Joan Allen delivers a powerful performance as Pamela Landy, a CIA operative who becomes entangled in Bourne's quest for answers. Allen portrays Landy's inner conflict and moral compass with finesse, creating a multi-dimensional and compelling character.

Brian Cox adds depth to the film as Ward Abbott, the former Deputy Director of the CIA. Cox's portrayal of the complex character demonstrates his ability to bring gravitas and authenticity to the screen.

Franka Potente reprises her role as Marie Kreutz, Bourne's love interest from the previous film. Although her involvement in The Bourne Supremacy is limited, Potente's performance adds emotional weight to the story and reinforces the connection between Bourne and Kreutz.

The film also introduces several new characters, played brilliantly by the talented supporting cast. Julia Stiles joins the ensemble as Nicky Parsons, a CIA operative who helps Bourne navigate through the treacherous world he finds himself in. Stiles brings intelligence and vulnerability to her character, making her an important part of the Bourne series.

The Bourne Supremacy boasts incredible action sequences that keep viewers at the edge of their seats. From thrilling car chases through crowded streets to intense hand-to-hand combat scenes, the film never lets up in its relentless pursuit of excitement. Director Paul Greengrass's use of handheld cameras and rapid editing creates a visually dynamic experience, enhancing the sense of urgency and immersion.

John Powell's exhilarating score complements the film perfectly, heightening the tension and adding energy to the action sequences. The music contributes to the overall atmosphere, drawing audiences deeper into the dangerous world of espionage and betrayal.

If you want to relive the heart-pounding moments and explosive action of The Bourne Supremacy, you can play and download the sounds from the film. Immerse yourself in the gripping chase scenes, the adrenaline rush of the fight sequences, and the emotional depths of the characters' journeys. The sounds will transport you back to the year 2004 when this thrilling installment of the Bourne series captured audiences' imaginations.

So, buckle up and get ready for a high-octane adventure as you dive into The Bourne Supremacy. Witness Jason Bourne's relentless pursuit of truth and justice as he navigates through a treacherous landscape of conspiracy, deception, and danger. This film is an electrifying installment in the Bourne series that fans and action enthusiasts won't want to miss.

Experience the excitement and intensity of The Bourne Supremacy by playing and downloading the sounds here. Get ready for the heart-pounding thrill ride of a lifetime.

ABOTT: So you read a couple of files on Jason Bourne and that makes you an expert?
ABOTT: Time for what?
ABOTT: You killed Marie,
And I was there.
And they were partial prints that trace Back to Treadstone
Berlin.
BOURNE: All right, you keep going to the shack
BOURNE: All right. That's twice now I've seen the same guy.
BOURNE: Get some rest, Pam. You look tired
BOURNE: Here, take the wheel. You're gonna drive.
BOURNE: No.
BOURNE: Then what do you want with me?
BOURNE: Use your teeth
BOURNE: When was I here in Berlin?
Bourne? Its Bourne.
But we're hooked into Langley now.
By blaming Conklin and Bourne?
Call me as soon as he's here.
Came out of nowhere
Collateral damage.
Come on, guys. We ran this guy's life with total control for all those years.
Come on. Let's go.
Conklin had these guys wound so tight, they were Bound to snap.
CONKLIN: Training is over. Training is over.
Conklin's boss. He shut down Treadstone.
CRONIN: Why the hell would he go to Moscow?
Find out what kind of local assets we have in place there.
Got it
Hang on.
He let her go? Yeah.
He's being interrogated by a field officer out of the Consulate.
He's on the tram.
Hello.
How far?
How?
Hub, this is Survey One. Mobile One is in motion
I don't know who that is.
I don't owe you anything
I mean, if we're cutting the crap.
I'm convinced that Bourne knows something.
I'm sorry.
It's how every story ends
Its done.
Jason Bourne's passport just popped up on the grid in Naples.
Just head to the bridge.
Langley pulled an image out of Naples. It's uploading right now.
Last week in Berlin, he assassinated two men,
MAN: Copy that. It's affirmative.
MAN: Get the second quadrant, please, and pull it all the way up.
MAN: Okay, Delta, let's go. Get on it.
MARIE: But, Jason, let's stay calm.
MARIE: Hey. BOURNE: Get in.
MARTIN: Two men dead.
MoBile One is entering the Building.
Never heard of it.
NICKY: Conklin. Stuff on Conklin.
No one's disputing that, Ward.
No, no, no, forget it
Okay, let's go public.
On the power lines, and one of them failed.
One a highly experienced field officer.
PAMELA: I recognize this room from a photo.
PAMELA: I was hoping you had some time for me.
PAMELA: I'm getting on a plane to Berlin in 45 minutes
PAMELA: Okay. Let's take a look at the timeline. What's Bourne's objective?
PAMELA: What the hell's Treadstone?
Please. Please, I swear.
Send them in to follow. Tell them to keep their distance.
She said she'd call you when she's done.
She's not here. She's gone.
Survey One, come in.
That picture
That she didn't kill herself
That was an old war shelter.
That's your real name
Then let's cut the crap.
There were two charges that were supposed to go off simultaneously.
There's always an objective. Always a target.
There's no way we can cover her out there.
They were killed by Jason Bourne.
They'd be chasing a ghost for 10 years.
They're going through Abbott's records
This is real. It could be anybody.
This is still a clandestine agency, no?
This is... This is Italy. They don't exactly lock down.
Throwing it at him and asking him to keep it dark.
Training is over.
We got what we needed. It's all tied off
We should be a step ahead of him
We're professionals.
What are you thinking?
What do you have, Danny?
What's the nature of your visit to Naples?
Why don't you come in, and we'll talk about it?
WOMAN: Platform P.
WOMAN: What do you see, Teddy?
WOMAN: Whoa, whoa. Hold on. He's just entered frame.
Yes. Conklin reported to him.
You always will be.
You have a car out front?
You have to let go.
You killed her.
You were Born 4 15 7 1 in Nixa, Missouri
You're gonna answer me honestly,
You're gonna play ball one way or the other.
Your father was supposed to be alone
Zoom in on the tram.
Health, meaning what? Their mental health.
(BEEPING)
(CAR ALARMS BLARING)
(CELL PHONE BEEPING)
(CELL PHONE RINGING)
(DIALING)
(DOOR HISSING)
(ENGINE STARTING)
(EXHALES) It's just bits and pieces.
(GLASS SHATTERING)
(GRUNTING)
(GRUNTING)
(GRUNTING)
(KNOCKING AT DOOR)
(PHONE RINGING)
(PHONE RINGING)
(PHONE RINGING)
(PHONE RINGING)
(SHOUTING IN GERMAN)
(SPEAKING IN RUSSIAN)
(SPEAKING IN RUSSIAN)
(TIRES SCREECHING)
(TIRES SQUEALING)
(TRAIN WHISTLE BLOWING)
(WOMAN WHIMPERING)
(WOMAN WHIMPERING)
♪♪ And closed my world ♪♪
♪♪ Extreme places I had gone ♪♪
♪♪ Extreme worlds alone ♪♪
♪♪ I broke everything new again ♪♪
♪♪ I had to close down everything ♪♪
♪♪ It fell apart ♪♪
♪♪ Oh, baby ♪♪
♪♪ Oh, baby ♪♪
♪♪ Dirty basements, dirty noise ♪♪
♪♪ Extreme places I didn't know ♪♪
♪♪ I would stand in line for this ♪♪
♪♪ Like it always does ♪♪
♪♪ Like it always does ♪♪
♪♪ Oh, baby ♪♪
♪♪ Then it fell apart ♪♪
♪♪ Then it fell apart ♪♪
♪♪ Too much can make me blind ♪♪