The Beatles: Get Back (2021) - Season 1 Edit

A bass and guitar all in one.

A bit like "Act Naturally" where you sort of

A bit like "Peggy Sue."

A few vicious phrases took place.

A fragile Leslie.

A fucked up Blüthner.

A guitar fell over, Paul. A guitar fell over.

A lead from the guitar to a foot pedal to the amp.

A little bit too quickly with them both coming in at the same time.

A little thing that goes something like this.

A lot of good things, but then, you know...

A lot of interesting news that we don't know half about,

A one, two.

A one, two.

A perfect acoustic place by the water, out of doors.

A real hard news nut, rehearsing a team of really hard, incredible newsmen.

A ruff!

A wop bop a loo ma. Ba lim bam boo.

A, B, C, D, E, F, G,

A... "Diana" chords in A.

About every aspect of the enterprise.

About sweet Loretta Martin, the first verse...

About the gap between us.

About the space between us?

About twenty past seven.

About when you went up in the helicopter with him.

Absolutely disrupts all the business in this area.

Achieve something every day.

Actually I'm just recovering from the day, you know?

Actually, musically, we can play better than we've ever been able to play.

Aeroplane. Or...

After all that, I came in too soon.

After the two times, the second time…

After two then. One, two.

After we got to "a wind love," I went berserk.

After, isn't it?

Again. No, cut.

Ah, this here's the story about Sweet Loretta Martin

Ah, well, any good music shop. There are a couple near here.

Ah.

Ah.

Aim for Wednesday.

Alex said he can build one.

All cameras, four!

All cameras, take one!

All day? Yeah.

All moody.

All of us just hold a chord of, like, A.

All of us just...

All right, Billy.

All right, boy. All right, John. I've gotta call order, John.

All right, Glynis. We're off again.

All right, well, I can't afford to mess around here, you know?

All right!

All right.

All right.

All right. If you had, "Don't let me down,"

All right. Way out. Exit.

All that money they've got?

All the girls come on then, dancing.

All the ones that are gonna be on the album.

All these songs we've got, we've gotta know perfectly.

All this that's ever been written is all there.

All those little melodic things, you know?

All we heard about that and the the the royalty from way back…

All we've got is us, and the documentary, where we happen to be singing.

Also leaving for the Midem Song Festival is John Rowles.

Also, the chords really are E.

Alternate everything now.

Always has been and always will be,

Am I gonna eat now? I'm going back.

An aim in life.

An ordinary passenger, he doesn't get kicked, does he?

And "Get Back."

And "Sgt. Pepper" on the organ. It's just...

And a little blues folk song.

And a packet of ciggys, Mal.

And a packet of ciggys, Mal.

And a permanent mic for me.

And all civilians. Fucking terrible.

And all, you know, "Love Me Dos" and "Please Please Me" the second half.

And allow ourselves to be embarrassed

And also he sees it's his great opportunity.

And also we've played

And also, remember, the original idea was a TV show

And also, that's why I like

And an anvil.

And as far as I can see, there's only two ways.

And at the end, the final bulletin is that The Beatles have broken up.

And Beatles John, George, Paul and Harold, at very least...

And became less reliant on each other for guidance and comradeship."

And Billy doing one in the middle of it.

And by talking about, we're not getting it.

And did Leicester, De Montfort Hall and we had the worst first night thing,

And did you see when they flew over, it looked like Hamburg. Just bombed out.

And every time we do it, and here we are again,

And from there, you know, like, there's no

And George will produce him.

And George's 8 track coming and EMI's gear should be here either today or tomorrow.

And get one for Billy too.

And get over the nervousness of an audience,

And gets somewhere and resolves itself,

And getting forcibly ejected,

And go and do it somewhere else, do it on a live show, do it on a stage.

And has sent them their telegrams and things.

And have it as a single, put it out next week.

And he just, sort of, sings very quiet as well.

And he knows He even knows what we're like, you know?

And he knows it's a take on the dub. And he does it great.

And he sort of had a couple groups together.

And he'd just let them go and do it again. But they did it the next time.

And he's you know, and he's

And he's a very good man, very experienced.

And he's gonna, uh, make an LP of it, of everybody that was on…

And here with The Beatles was Brian Epstein, their famous manager.

And his thing You know The Stones' Circus we did?

And his voice Just like Tennyson on that whole thing.

And how to get it.

And I can give you some more fennel, maybe?

And I can just feel meself getting me fingers getting loose a bit.

And I don't I haven't really even listened to them.

And I don't see it being here on a stage with tubular scaffolding around it.

And I don't think he really believed any of that, you know?

And I give it to my music scribe and he has to take it down.

And I have been for, like, a couple of years.

And I know it's hopeless.

And I know it's right, and you know it's right.

And I never get any support, or anything.

And I want a decision!

And I wouldn't have made it anyway.

And I'd like to sort of do a... ...for the finish.

And I'll talk to John Kosh on Monday.

And I'm doing, uh...

And if I remember I'll bring 'em in.

And if I were there, I'd be staring at them.

And if it was that length, it would be okay.

And if we suddenly add a Lowrey organ...

And if you were really yourself, you wouldn't be any of who we are now.

And is Alex going to plug all that up?

And it changes to someone else.

And it says, "But it wasn't the first time they've traded a few punches."

And it was fitting "I Me Mine."

And it was there that, really, it all started.

And it'll be great. Soon as we got them off...

And it's a great opening. It's like, "The cast for this evening is..." And then

And it's got to be the best.

And it's got to be the best.

And it's just not you, you know?

And it's just...

And it's like...

And Jo Jo McCartney.

And jumping on his hands.

And just check through every song,

And just here. Hold on. Hold on, everybody.

And just sort of think, "Oh, not another fucking album."

And just start playing them right through.

And know them all and have learnt them.

And let him have a listen, take 'em home at night.

And let's give it him just for this!

And like George said, get a program of where we're gonna do 'em,

And like, the three of you just sort of sit there, like...

And Linda remembered that thing you said the other night

And looking at that view, didn't you ever really feel like going out in it?

And no one can do it

And normally we overdub it.

And now it's changed to being a movie.

And now we'd like to do "Hark, the Angels Come."

And now your hosts for this evening, The Rolling Stones.

And now, our hosts for this evening, The Bony Rolls.

And now, your host for this evening, The Rolling Stones.

And now, your host this evening, Rolling Stones.

And now, your hosts for this evening, The Bottles.

And now, your hosts for this evening, The Rolling Stones.

And on the "all I need, all I want, everything has got to be," he can go...

And one day he walked off the stage.

And Pattie,

And PM was on his way.

And putting it in this week.

And really sort of take off for the end of it.

And said that he didn't think that you needed an 8 track console.

And she gets up and walks.

And so he's, like, playing.

And so I just had that in me head, just the waltz thing,

And so none of us really want to do it.

And something will have happened, definitely.

And start rehearsing them one after the other and do three numbers at a time.

And stop, sort of, playing to show off to them and [hums]

And that If we're doing them well on the day,

And that is For one, two minutes, say, of that shot

And that means by the time a week from now comes

And that means having somebody in on it.

And that's like a break. Ch cha.

And that's why all of us, in turn, have been sick of the group.

And that's why, uh...

And the But I want to tell you all at once, you know, so as it's not…

And the day before, which wasn't a particularly good day either.

And the king will sing a lullaby.

And the lead singer's great. You know, looks great.

And the next scene is just this monkey,

And the nut is for right handed, you know?

And the payment for a performance of a fee didn't start until 1911.

And the pop star we've chosen

And the slow foxtrot… [chuckles]

And the song you do that brings tears to everybody's eyes.

And the thing is, the questions are a bit more serious this time.

And the two of us would just sit there and write.

And the written acclamation of Dick James.

And their sense of humor, actually, onstage.

And then a documentary about it.

And then get moved, and that should be the show.

And then he comes in, does his break and a solo,

And then he says, "Oh, yeah, I've done this."

And then he's just sitting with Cyn and Jane, waving.

And then I think we could come and play it quite good then.

And then I'll get back on it.

And then if you don't agree, remember it and we'll change it.

And then just knock it off.

And then make it into a record.

And then start doing roundups.

And then the chorus is "Get back."

And then there was one.

And then there's a great one of you.

And then they just jump off.

And then they somehow take his mind or whatever it is

And then twice...

And then we can sort of get it all good after that.

And then we could do what we like with the backing, have it go black or...

And then we go on and we play all the numbers.

And then we record the other stuff that we didn't do.

And then when you're not this close, just physically, something goes.

And then you all have lunch together.

And then you open the doors and we're in the middle of a number.

And then you think, "Yeah, we should have played it a bit more like that."

And then, "Don't you know it's gonna last."

And then...

And there's another one, "Don't Let Me Down."

And there's no overdubs or you can't get out of it

And there's nothing wrong with four years ago,

And there's something we need for the...

And they all had their medals.

And they do, of course.

And they hardly ever varied from that.

And they really, it's...

And they wouldn't.

And they're all, uh, they're all slowish.

And they're just all the same shot and against the sky.

And they're plodding a bit.

And this is nicer.

And this is something that happened to me quite recently.

And this particular song doesn't need that.

And to be on TV is communication.

And transplant it into this new...

And we begin together

And we can find each number how they fit theatrically,

And we can have what colors you like.

And we end up doing something again that nobody really wants to do.

And we get 'em all in here!

And we have some territories,

And we might have done what he was saying at the same time,

And we sing it straight to 'em. You know?

And we'll all face that way if you like. We'll face any way.

And we'll start on reprinting a great deal of this music,

And we're all just, "Oh, well you..."

And we're all nervous, and it was terrible.

And we're doing it in Arabia.

And we're just gonna play onstage.

And we're the only ones who haven't even talked about it.

And we're trying to do what you're saying,

And we've been rehearsing, rehearsing, rehearsing.

And we've noticed you every day at Twickenham Studios and also here.

And what shall we do, then?

And what we said the other day, you know I'm not trying to get you.

And what we've done and what we're gonna do and that.

And when you sing, "Don't you know it's gonna last,"

And who can deny it,

And with a sort of...

And you can really see, you know, we're all

And you don't have to go on the roof. You don't have to go anywhere.

And you gotta have someone to do it to.

And you just sort of see us, what we're doing. It's unbelievable.

And you said about France,

And you sat us down, just with our songs and amps,

And you say, "Okay, that's how it's gonna be for now."

And you say, "This is how it goes. I'll be back."

And you then being presented onstage,

And you walk up, and you look like a student of philosophy

And you'll see the sea and you'll be in a theater.

And you're right.

And you've got the live album.

And you've obviously read in the papers about the possible split of The Beatles.

And, like, A Hard Day's Night, and that was them playing.

And, like, lot of old tunes had just set chord patterns.

And, uh, then suddenly it turned into all that crap about medals and things.

And, uh, we've set it for release We've set it for release in the States.

And, uh, you know...

And, you know, if you all can't get it together,

And, you know, whatever they wanna do, you see?

And, you know…

Another Lennon/ McCartney original entitled...

Another slug of whiskey, Mama.

Another song, right. Okay, George?

Any minute now, it gets dangerous.

Any number we've done at the moment, if we've noticed the camera on us

Anything you say, dear!

Anywhere where I could have a listen to this?

Apart from that, it's great.

Apart from the value of this as it stands.

Are there definite places?

Are we coming in tomorrow? Yeah.

Are we doing that one? Yeah.

Are we gonna do a single?

Are we gonna do it all here now?

Are we not in that situation yet?

Are we running?

Are we still doing the show?

Are we supposed to giggle in the solo?

Are you doing it like we rehearsed it at Twickenham? Or are you changing it?

Are you gonna just stay around in a circle?

Are you gonna keep the beard?

Are you just doing it all in D?

Are you really?

Are you talking from experience then, John?

Are you?

Are you? Okay.

Aren't I gonna have anything to eat?

Arthur Alexander then?

As being the only one saying it, always.

As far as I'm concerned, I would need one run through on each number

As he and Beatle Ringo Starr left a nightclub."

As I was saying to Mal, keep all the audience out, you know...

As it creeps away across my underpants.

As long as I can see him it's all right.

As long as you can get a couple of boats.

As long as you're this close all day, so something grows.

As opposed to you coming on as The Beatles, it's much more intimate.

As the kingpins of musical appreciation.

As we As was.

Ask 'em to put the mics on, will you?

At 11:00 on the nose.

At Chiswick Park, years ago, when we did something,

At least once more. We'll never get a chance to do it again.

At least we're keeping together.

At least you can go home from here. You can get away from it all.

At one time or another.

At the eight.

At the end of his solo.

At the end of John's solo, so it goes...

At the moment you're a guest for lunch.

At the same time, okay, but

At the stories of one another's

Bass is a drag when there's no bass.

Bass is, uh...

Beatles, I think.

Because he has never developed an inclination

Because he's busy building recording studios.

Because I can't do it. I go into that folk bit.

Because I could see it outside torch lit.

Because I'm trying to sing louder to get over the guitar.

Because it's better to have something that we know we can use and is reliable.

Because otherwise I abdicate both my fanship and also my, uh...

Because sheet music and song albums is an expanding market now.

Because the album's gonna be called Postcard.

Because the audience is so much part of the first half of you, musically.

Because then

Because there just isn't any point.

Because there's no desire.

Because there's nothing to it except that it's a lie.

Because they just turn out shitty

Because they're not gonna get anything else, are they?

Because we always publish our lyrics now, you know?

Because we don't get the chance to do that.

Because we had the meeting before all this and said, "TV show."

Because we've given you deadlines already.

Because you don't know.

Because, I mean, if we'd recorded it then tried to do it onstage,

Because, you know, all the time recording,

Because...

Been to India, have you?

Began to show a few spots of rust.

Beginning, verse, chorus, solo. Into the verse then the chorus.

Besides work?

Better be good!

Between 10:00 and 11:00 is the time.

Billy, instead of giving us, like, one note, give us a riff like…

Billy, Yoko, John and Paul.

Bit faster, do you think? Bit faster now.

Bit more.

Bit of power there.

Bit of sentimentality. The hard drug peddling yob...

Blew a road hog.

Bloody about time, too, if you ask me!

Boiled testicle.

Booker T. Yeah. But there's lots...

Both of mine.

Bottoms up.

Bring your tambourine next time you come.

Building another bloody castle around us.

But So that's me incentive for doing it.

But about also the documentary, which is grinding to a halt. How do we do it?

But albums is what we're doing at the moment.

But all they said was, well, you've got to act naturally.

But also for trespassing.

But also we need somebody that's gonna tune everything in here to one pitch.

But book it for a full week and then cancel it next week.

But do you think if you put any pressure on him,

But doesn't everyone agree that it's confused at the moment.

But don't have scaffolding. They do it every show.

But don't, you know, just end it just...

But each of my reels have got "By John Lennon" all through 'em,

But equally, at the moment we haven't got a show

But even in the

But have you got any idea for the second verse?

But he goes back and finds it was the wrong number, so...

But he hasn't actually made it

But he's the only guitar to play lead.

But his thing takes on a pattern

But I can tell you, you don't go blind but very shortsighted.

But I can't do it with you. I can't produce you.

But I can't...

But I don't mean for really sick kids.

But I don't want you to be unhappy 'cause, like...

But I end up on the wrong one when you're all moving on to F.

But I know for a fact that they got 8 track out for The Beach Boys.

But I really don't feel an awful lot of support.

But I suddenly realized, "You know, fuck all that.

But I think it's a bit of an imposition. First of all, it's too loud.

But I think, uh...

But I think, you see, we ought to get together.

But I wish you'd come up with the goods.

But I'm not saying that we're better or greater

But I'm not. I'm trying to stop us all playing

But if

But if he gets any good on it we'll give him a good one.

But if it is going to be your last TV show

But if it's "I'm in love for the first time."

But if you say, "That's what I want," that's what has to happen.

But it See, that's the thing that will make it not corny,

But it comes Then just end on D.

But it is very like that.

But it might be an idea to sort of face 'em...

But it shouldn't be.

But it's a good shot for the part of the atmosphere.

But it's getting nearer, you know?

But it's gonna be such an incredible sort of comical thing, like, in 50 years' time.

But it's good.

But it's great, because I wouldn't have been able to do that on the guitar.

But it's just funny to sort of realize that after this is all over,

But it's like drainies.

But it's like that. It is like that.

But it's like there's the hurdle of that nervousness is there now.

But it's like we got much better takes after we moved from Twickenham to here.

But it's like we totally, sort of, put our own personalities under,

But it's not that bad, you know.

But it's not, you see

But it's passé, you know? It's like It was a couple of years ago.

But it's rather like everything else we've done.

But it's silly, neither of us compromising.

But John always does, you know.

But just at the end of it, it goes...

But just doing simple things until it's your go.

But just sort of There's a

But just, like, he knows me as much as you do.

But just, um I just think he's fantastic.

But learn 'em.

But no, it's so great.

But nobody else wants to go on the stage or do a TV show.

But now my life has changed in oh so many ways."

But on the nose.

But one day...

But physically we were too tired.

But presume that's the verse where I come in.

But see, it is kind of like four years ago.

But see, this place sounds terrible now. It may just be great.

But that break...

But that was a long time ago.

But that's going a bit, like, overboard, I suppose.

But that's me, you know? I always do that.

But that's not true, you see? There is a difference.

But the audience, the screams, the lights

But The Beach Boys are American.

But the fastest and the hottest from every corner of the Earth.

But the middle bit, because it says the same word first...

But the phasing is Alex, and he's building the studio

But the sound was great.

But the thing is, everything you do has got to be good,

But then if it was their problem

But then it goes

But then there's no guitars.

But there's a...

But there's no story yet.

But they gain a... slim, lithe look.

But they play it like a lot of shit.

But they were passing by and you only used them for a few hours.

But they'll have all this sort of...

But they're nice.

But this time we wanna do it live.

But we can all say yes now and somebody can decide no tomorrow.

But we couldn't do it 'cause we're tired.

But we haven't got the end thing.

But we haven't made a set, you know?

But we haven't made it once yet, you know?

But we haven't played together, you see.

But we may have a four take wonder.

But we might be able to get another seven off by the end of two weeks.

But we'd do a, like, dress rehearsal.

But we're still thinking of it in terms of the four guys and four amps in The Cavern.

But what's the most charitable thing anybody could do?

But when we came to do it we said, "We'll write new songs."

But when we do come together to play,

But when you're on the road, say, doing it all the time, it slowly changes.

But who buys sheet music?

But you can either do that soft or good, you know?

But you can see on the film that it is very like school.

But you can't just have the same old audience.

But you creep up with drumming. So it goes, "One, two, three, four."

But you know what I mean?

But you know when you bring that, "'Cause I'm in love for the first time"?

But you see, particularly where the boys are concerned,

But you're doing…

But you're just not the local dance band.

But you've either got to be performing directly to the people at home

But you've got to play in order to find which fits and which doesn't.

But, acoustically, it's not very good here, is it?

But, I mean I don't mean really how many verses

But, I mean, all I want to see is enthusiasm!

But, I mean, if George wants to think while we're doing it

But, I mean, it's very together.

But, I mean, that's the end of the song, as much as I know.

But, I mean, they did have breaks in the old days.

But, like, I think

But, like, it's gotta sound as though it's improving.

But, like, we still haven't got any aim for it, except an album again.

But, man, physically, yesterday we tried to learn the next half.

But, once you get on a stage, you are performers

But, you know, uh...

But, you know...

By Mary Hopkin.

Bye, Dick.

Bye.

Can I be in it? Where Glyn gets rid of the drugs.

Can I do that?

Can we carry this on tomorrow?

Can we come too?

Can we have it in a club? You know, the atmosphere is a club, and...

Can we have some more tea, Kevin?

Can we hear "Don't Let Me Down"? I wanna hear that.

Can you come and fix my microphone? It keeps falling down.

Can you dig it?

Can you hang on? Well, I'll ring you back later, all right?

Can you juggle, RS?

Can you juggle?

Can you move the speakers behind Paul a little bit further round?

Can you send somebody to buy me a You know those lace bow ties?

Can't be for the money.

Can't frickin' do it on camera.

Can't you get a music stand? We had some the other day.

Change of scene,

Chappell's will have it, yeah.

Charming, innit?

Cheers, man. Thank you.

Children are the hope of the future department.

Come along.

Come here.

Come on, I only get two notes in this song.

Come on, now. Back to the drudgery. Thank you.

Come on, Paul.

Come on.

Come on.

Come on.

Come on. Now, you're sulking, aren't you?

Come. Get in there. Come on. In there.

Coming, ready or not.

Congratulating them.

Cool down, son.

Could even sing you half a song I was writing.

Could have bass there with a... Only if you ask nicely.

Could I have a couple?

Could only be truly appreciated by intelligent men of the world.

Could we have some more tea, Mal, like a pot, you know?

Couple of colleagues told me last night

Course it is! It's stupid. It is just stupid.

D, F sharp minor, G to A.

Da "Back." Da "Back to where you once belonged."

Daddy doesn't like this chemical tea, you know?

Daddy's gone away now, and we're on our own at the holiday camp.

Dave, why don't we use this one?

Dear Apple.

Dick James.

Did I tell you my wife's definitely confirmed pregnant?

Did we… "And if"?

Did you enjoy it? Yeah, it was marvelous.

Did you enjoy it? I thought you were great.

Did you get in touch with John? I couldn't get him.

Did you have a chance to get away from anybody at anytime on the trip?

Did you hear about the book idea? Yeah.

Did you see Fleetwood Mac on Late Night Live?

Did you see Hancock? Yeah.

Did you take a photograph?

Did you tell Paul we've got Billy a contract?

Didn't have a black one?

Didn't Neil ring you last night? No.

Director of this epic.

Do a nice, big...

Do an hour, just so, uh...

Do it lighter. Don't do sort of

Do it more [imitates slow drumming]

Do you consider that this religious issue is answered once and for all?

Do you have "Don't Let Me Down" as well? The three.

Do you have a tattoo?

Do you have access to real tea? I've got nice tea with us.

Do you have anything more that you're writing?

Do you know who it is?

Do you like India?

Do you mind?

Do you really not feel well? No, I just feel a bit

Do you think we should?

Do you want a dry bun? A dry bun? Yeah.

Do you want some sandwiches?

Do you want the bass in for the riff?

Do you want the bass in with the riff?

Do you want to do that waltz on the show?

Do you want to do this one more time?

Do you want to hear a song I wrote last night?

Does the PA come before or after the limiters?

Does this guitar sound in tune, Glyn?

Doesn't really make much difference.

Doing the show. ...somehow.

Don't do it, Richie. Don't do it.

Don't interrupt stars when they're recording.

Don't kid us, Glyn.

Don't let me down, baby!

Don't let me down.

Don't let me down.

Don't tell him you're shooting.

Don't they say, "Charity begins at home"?

Don't think that ever got there, did it?

Down on the one note, is it?

Drop me off tonight?

Due to electric shocks.

E to F sharp minor.

E with a C. E.

E, A.

E.

Early in the morning, you know? I'm not 18 anymore.

Eddie Cochran, Gene Burke.

Eh, we were there, weren't we?

Eins, zwei, viertel nach drei

Either a surprise audience

Either the camera or real people, I think.

Ektachrome 500.

Electric piano has such a great sound.

EMI have got to fucking get all that shit over to him.

End the solo not in a flurry.

Especially fast fingering like that.

Especially like to thank you for all the birthday presents.

Even if it's only nothing?

Even right into the bedroom, you know. Let's make it...

Ever since Mr. Epstein passed away, it's never been the same.

Every number's got a piano part, or a

Every song has got a character. That's the character of that one.

Every time we've done an album, we've said, "Why are we stuck in EMI?"

Everybody had a hard on.

Everybody sing!

Everything in the Beatle garden was rosy.

Everything's all right.

Exactly. Here we go.

Except for me and my monkey.

Except for the converts on the hill.

Except for the finale.

Except I gotta keep saying you're wrong when I think you're wrong.

Except we're all 28 now as opposed

Except, we're doing them one after the other.

F stop.

F, C, G.

Far from the noise and pace of city life

Films, electronics, which make records and films work,

Fine, thank you, George.

First chance we've had... So, do you want to try the

First time we did it, it was little. It was great, you know. It was really...

Fit in like a Meccano. If you've got box shaped plastic,

Flower loving Yogi told reporters that his brand of peace of mind

Focused in on the M1 on this car.

For a rock and roll group?

For each song, you know, where, if it's going to play anything.

For the sake of it.

For what we were doing, you know.

Forget about Candid Camera.

Forty million Churchills can't be wrong, but one de Gaulle can.

Forty million Churchills can't be wrong.

Friday night, yes.

From the acoustic numbers to the electric numbers.

From the night.

From...

Fuck it!

Fucking right.

Funny enough, the other day when we were talking,

Funny you should've said that

G.

Gatwick Friday, Monday, Tuesday...

George Harrison, the sane one, speaks out.

George was saying good thing you have to fight certain things at EMI,

George, have you any idea what we play?

George, you think all this success is just a one night stand?

George?

George. George. George.

Get a job, cop!

Get a shave, get your fucking hair cut, you know?

Get back

Get back to sweet Loretta.

Get back, Jo Jo!

Get back, Jo Jo.

Get back, Jo Jo.

Get back, Loretta!

Get back, Loretta.

Get back. Back to where you once belonged."

Get in your Get in your bloody bag!

Get in your bag!

Get it over here, that's where we're playing...

Get it, so that we've got 14 songs.

Get off!

Get the sound in this room.

Getting it all right, are you?

Give it to us straight.

Give up Canned Heat. We're The Beatles now.

Give up.

Glyn can hear us. Can't you, Glyn?

Glyn would like us to do it one more time.

Glyn, how can we make the piano like one of those very bad old honky tonks?

Glyn! Or our new LP.

Glyn?

Glyn?

Glyn? What does that sound like?

Glyn. You're on.

Go ahead. Do it.

Go around a bit, you know?

Go home.

Go on the roof.

Go on, Al.

Goddamn you, little microphone.

Gonna be in trouble over this.

Gonna hear that.

Good morning, George. Morning, all.

Good morning, Glyn.

Good morning.

Good night, everybody! Good night, Russia.

Good night, Sir Richard.

Good night.

Good! I'm glad to hear that.

Good.

Goodbye, goodbye. See you tomorrow.