Main Content
Sound Added to Your Favorites Soundboard

Log in or create an account to save your favorites, or they'll expire in 4 hours

Error Adding Sound
Error adding sound to your favorites.
Sound Reported
Sound reported and our moderators will review it shortly.
Error Reporting Sound
Error reporting sound. Please use the Contact page.
Home > Strangers on a Train (1951)...
Strangers on a Train (1951) Soundboard

Strangers on a Train (1951) Soundboard

Strangers on a Train is a suspenseful and thrilling movie directed by Alfred Hitchcock in 1951. This masterpiece of suspense revolves around the fateful encounter of two strangers brought together by a bizarre agreement that leads to murder.

The movie follows the story of the enigmatic Bruno Anthony, played by Robert Walker, and the talented tennis player Guy Haines, portrayed by Farley Granger. Bruno, a mentally unstable man, approaches Guy on a train journey and suggests a diabolical plan; each will commit a murder on behalf of the other, eliminating any connection to the crime. While Bruno’s proposition is initially brushed off as an absurd notion, his fascination with Guy's tumultuous personal life leads him to go ahead with his part of the plan.

As the plot thickens, Bruno commits a shocking murder, inadvertently connecting Guy to the crime. The innocent tennis player finds himself trapped in a nightmarish scenario where he is pursued by both the police and the increasingly unhinged Bruno. Hitchcock masterfully weaves a web of suspense as Guy strives to untangle himself from this perilous situation and prove his innocence.

The movie captivates viewers with its sharp dialogue, stunning cinematography, and impeccable performances by the cast. Robert Walker's portrayal of Bruno Anthony brilliantly showcases the inner turmoil of a man consumed by his own twisted desires, while Farley Granger brings depth to Guy Haines, capturing his desperation to escape from the clutches of his accidental accomplice.

The tension in the film intensifies as Hitchcock employs various visual techniques, such as tight close-ups, long shots, and a dizzying carousel scene, to amplify the feelings of suspicion, paranoia, and unease. Strangers on a Train showcases Hitchcock's ability to create a suspenseful atmosphere by skillfully manipulating the audience's emotions and expectations.

With its gripping storyline and clever twists, Strangers on a Train is regarded as one of Hitchcock's finest works. The movie explores themes of identity, guilt, and the consequences of crossing paths with a stranger, all while keeping audiences on the edge of their seats. It serves as a timeless reminder that even the most innocent of distractions can carry dark consequences.

If you're drawn to captivating storytelling and spine-chilling plotlines, Strangers on a Train is a must-watch classic film. Immerse yourself in the world of suspense and intrigue by watching or downloading this cinematic gem.

Aha. There you are, you see? There you are.
And I was very careful, Guy.
Are you out of vitamins?
But there was one horrible moment tonight when the news came through.
Can you tell the chief you have my lighter?
Close enough.
Each does the other's murder.
Especially when you're going to have another man's baby.
Even when I dropped your cigarette lighter there, I went back to pick it up.
Guy Haines is grim and determined.
He killed Miriam, didn't he?
Help, somebody, help!
Here we go. Watch it now.
Hey, Miriam!
I get him to do it?
I like them to look just right.
I see.
I was beginning to feel like a goldfish.
I'm sick and tired of bowing and scraping to the king.
It'll make atomic power look like the horse and buggy.
It's a woman's privilege to change her mind.
Keep on your toes. Something funny's going on.
Now I can buy me some pretty new clothes.
Oh, thanks.
Oh. Oh, they gave me a present.
She hasn't been well for a long time.
Somebody send for a doctor!
There'll be many reporters here in the morning.
This is a complete reversal of his usual watch and wait strategy.
Well, then you'll have no further use for my key.
What are you trying to say, Miriam?
Whichever way you look at it, I'm in a spot.
Who said you were?
Yes, I am. Ask me anything. I got the answer.
Yes, I'm in Metcalf.
Yes, sir. Good night.
Yes, yes, it's Guy.
You got it straight
You mean we'll be going together, Hennessy?
Park these in a lucky spot, will you? Sure thing.
Quite impersonal, isn't it? So it is.
The one he was fighting with. What do you mean?
What about her? She was frightened.
What are you trying to prove? Well, I'm not like you.
What do you mean by that? Don't look so mad, Guy.
...that you didn't want to dispose of someone?'ll just be turning yourself in as an accessory.