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Home > Singin' in the Rain
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Singin' in the Rain

Singin' in the Rain

Singin' in the Rain is a timeless and iconic musical film that first graced the silver screen in 1952. Directed by Gene Kelly and Stanley Donen, this beloved movie takes audiences on a delightful journey through the transition from silent films to "talkies" in Hollywood's Golden Age.

Starring an incredibly talented cast, Singin' in the Rain features Gene Kelly himself as the lead character, Don Lockwood—a charming and accomplished silent film star. Kelly's mesmerizing dance numbers and impeccable comedic timing make him the perfect fit for this unforgettable role. His portrayal of Lockwood captures both the glamour and challenges that Hollywood stars faced during this transformative era.

Joining Kelly is the stunning Debbie Reynolds, who plays Kathy Selden, an aspiring young actress and love interest to Lockwood. Reynolds' portrayal of Selden is both endearing and talented, as she seamlessly transitions from aspiring actress to talented performer throughout the film. Reynolds' infectious energy and charisma shine through her character, making Kathy Selden a beloved figure in the hearts of audiences.

Donald O'Connor, a gifted performer in his own right, stars as Cosmo Brown, Lockwood's best friend and comical sidekick. O'Connor's incredible dance skills and comedic flair light up the screen, as he delivers memorable performances such as his iconic "Make 'Em Laugh" routine. O'Connor's chemistry with both Kelly and Reynolds adds an extra layer of humor and charm, making Singin' in the Rain a dynamic and entertaining experience.

The film also features Jean Hagen as Lina Lamont, a popular actress known for her beauty but incredibly grating voice. Hagen skillfully brings Lina to life, captivating audiences with her hilarious and over-the-top portrayal of an actress struggling to adapt to the emergence of sound in films. Her comically high-pitched voice and attempts at singing create some of the movie's funniest moments.

Directed with precision and style, Singin' in the Rain showcases the incredible artistry of all those involved, including the behind-the-scenes crew. The choreography, predominantly designed by Gene Kelly himself, is a standout feature of the film. With magical dance numbers such as the iconic "Singin' in the Rain" sequence, Kelly's breathtaking talent and inventive dance moves take center stage.

The music, composed by Nacio Herb Brown and Arthur Freed, is filled with memorable tunes that have become timeless classics. From the titular "Singin' in the Rain" to the infectious "Good Morning," the songs perfectly complement the story and performances. The soundtrack captures the exuberance and joy of the era, allowing audiences to immerse themselves in the world of Hollywood's Golden Age.

The enduring popularity of Singin' in the Rain is a testament to its timeless appeal. Even decades after its release, the film continues to be celebrated and loved by audiences of all ages. The toe-tapping dance numbers and the heartwarming story of love and triumph resonate with viewers around the world.

If you want to relive the magic of Singin' in the Rain, you can easily play and download the sounds and songs from this unforgettable film. Whether it's for dancing in the rain or simply immersing yourself in the glamorous world of Hollywood, the melodies and rhythms of Singin' in the Rain will transport you to a bygone era of cinema magic.

Singin' in the Rain Singing in the Rain In The Rain Rainforest Collection Tweeting SFX Backyard SFX Sydney SFX Library Birds SFX Monastery SFX Beijing SFX Blackbird SFX Thunderstorm SFX Patate Delicate Frog chorus SFX Library Bird Collection Street SFX Library Dream On Calling Sound FX May SFX Central America SFX Library Birds Sound FX Residential SFX Library Park-Ambience SFX Night SFX Library Waking up SFX Library Bird-Song SFX
A beautiful girl Is like a great work of art.
A beautiful girl Is like a great work of art.
A beautiful sunset.
A beautiful sunset.
A flat.
A flat.
A little late. The picture's finished.
A little late. The picture's finished.
A man records it on a big record in wax...
A man records it on a big record in wax...
A million hearts beat quicker there.
A million hearts beat quicker there.
A million lights.
A million lights.
A mose is a mose.
A mose is a mose.
A plaintive melody.
A plaintive melody.
A real lady.
A real lady.
A rose is a rose Is a rose is a rose is.
A rose is a rose Is a rose is a rose is.
A rose is a rose.
A rose is a rose.
A rose is what Moses Supposes his toes is.
A rose is what Moses Supposes his toes is.
A sandbag hits his head.
A sandbag hits his head.
A soft summer breeze.
A soft summer breeze.
A string of pearls with a suit of tweed.
A string of pearls with a suit of tweed.
A talking picture.
A talking picture.
A toes is a toes.
A toes is a toes.
Absolutely nothing.
Absolutely nothing.
Acting means great parts, wonderful lines, glorious words.
Acting means great parts, wonderful lines, glorious words.
ACTOR: Pierre is Miles away, you witch.
ACTOR: Pierre is Miles away, you witch.
ACTOR: Yes, yes, yes.
ACTOR: Yes, yes, yes.
ACTOR: Yes, yes, yes.
ACTOR: Yes, yes, yes.
Add songs and dances, trim bad scenes, add new ones.
Add songs and dances, trim bad scenes, add new ones.
Again!
Again!
Ain't been in vain for nothing.
Ain't been in vain for nothing.
All I do the whole day through Is dream of you.
All I do the whole day through Is dream of you.
All I do the whole day through Is dream of you.
All I do the whole day through Is dream of you.
All right, all right.
All right, all right.
All right, everybody! Save it!
All right, everybody! Save it!
All right, go ahead.
All right, go ahead.
All right, open that screen.
All right, open that screen.
All right, sit down, sit down.
All right, sit down, sit down.
All the ladies of the court wish they were in your shoes.
All the ladies of the court wish they were in your shoes.
All the theaters are putting in sound equipment.
All the theaters are putting in sound equipment.
ALL: Ooh.
ALL: Ooh.
Always dignity."
Always dignity."
And at all times...
And at all times...
And dancin' in the rain.
And dancin' in the rain.
And her new husband, the Baron de la Bonnet de la Toulon.
And her new husband, the Baron de la Bonnet de la Toulon.
And here comes that exotic star, Olga Mara!
And here comes that exotic star, Olga Mara!
And I can't stand him.
And I can't stand him.
And I can't stand him.
And I can't stand him.
And I control my publicity, not you.
And I control my publicity, not you.
And I just won't do it.
And I just won't do it.
And I know what you've been busy at. Looking for that girl.
And I know what you've been busy at. Looking for that girl.
And I was meant for you.
And I was meant for you.
And I...
And I...
And I'm gonna for a long time.
And I'm gonna for a long time.
And I'm ready for love.
And I'm ready for love.
And I'm ready for love.
And I'm ready for love.
And I'm ready for love.
And I'm ready for love.
And I'm sure you and Lina will continue making movie history tonight...
And I'm sure you and Lina will continue making movie history tonight...
And if the girl were I.
And if the girl were I.
And if the girl were I.
And if the girl were I.
And if you must wear fox to the opera.
And if you must wear fox to the opera.
And in summertime, it's organdy.
And in summertime, it's organdy.
And of course, all through those pictures...
And of course, all through those pictures...
And remember, Lockwood, you might be trading that fiddle in for a harp.
And remember, Lockwood, you might be trading that fiddle in for a harp.
And she also is smart.
And she also is smart.
And she's getting full screen credit for it too.
And she's getting full screen credit for it too.
And singin' Just singin' in the rain
And singin' Just singin' in the rain
And singin' Just singin' in the rain.
And singin' Just singin' in the rain.
And singin'.
And singin'.
And then you get A great big custard pie in the face.
And then you get A great big custard pie in the face.
And there was a girl. Lina Lamont.
And there was a girl. Lina Lamont.
And they meant you.
And they meant you.
And they meant you.
And they meant you.
And they were only friends.
And they were only friends.
And were there more than Twenty four hours a day.
And were there more than Twenty four hours a day.
And whatever you say goes through the wire onto the record.
And whatever you say goes through the wire onto the record.
And when she was done.
And when she was done.
And with him, I used to perform for Mum and Dad's society friends.
And with him, I used to perform for Mum and Dad's society friends.
And would you dare to say.
And would you dare to say.
And you and you and you.
And you and you and you.
And you could charm the critics And have nothing to eat.
And you could charm the critics And have nothing to eat.
And you got it.
And you got it.
And you want to be well dressed.
And you want to be well dressed.
And you'd never dream the things That you could hide.
And you'd never dream the things That you could hide.
And you'll give her a bigger one in the next.
And you'll give her a bigger one in the next.
And you'll knock 'em dead at dinner.
And you'll knock 'em dead at dinner.
And you're over sweet 16.
And you're over sweet 16.
And...
And...
Anyone for tennis?
Anyone for tennis?
Are my.
Are my.
Are synchronized together...
Are synchronized together...
Are you doing anything tonight, Miss Lamont?
Are you doing anything tonight, Miss Lamont?
Are you speaking for Lina also?
Are you speaking for Lina also?
As far as I can see, she's the only one who's finished.
As far as I can see, she's the only one who's finished.
As he was being led To the guillotine
As he was being led To the guillotine
As long as I work for Monumental, you're the greatest.
As long as I work for Monumental, you're the greatest.
As Moses supposes his toeses to be.
As Moses supposes his toeses to be.
As Moses supposes his toeses to be.
As Moses supposes his toeses to be.
As they.
As they.
Ask me a riddle I'm happy to say.
Ask me a riddle I'm happy to say.
At first glance, yes.
At first glance, yes.
At the Conservatory of Fine Arts.
At the Conservatory of Fine Arts.
Beaming.
Beaming.
Beautiful girl Let me call a preacher.
Beautiful girl Let me call a preacher.
Beautiful girl What a gorgeous creature.
Beautiful girl What a gorgeous creature.
Beautiful girl You're a gorgeous mixture.
Beautiful girl You're a gorgeous mixture.
Beautiful girl.
Beautiful girl.
Beautiful girl.
Beautiful girl.
Because you liked her. I could tell.
Because you liked her. I could tell.
Before Mr. Lockwood refreshes your memory, you may as well know...
Before Mr. Lockwood refreshes your memory, you may as well know...
Believe me, I don't like her half as much as I hate you.
Believe me, I don't like her half as much as I hate you.
Believe me, it'll be a sensation.
Believe me, it'll be a sensation.
Better go in separate cars to break up the mobs. Come on, honey.
Better go in separate cars to break up the mobs. Come on, honey.
Big people have little humor Little people have no humor at all
Big people have little humor Little people have no humor at all
Black is best when you're in court.
Black is best when you're in court.
Bless you all.
Bless you all.
BOTH SINGING: Moses supposes his toeses are roses.
BOTH SINGING: Moses supposes his toeses are roses.
Boys, this is great.
Boys, this is great.
Broadway rhythm It's got me.
Broadway rhythm It's got me.
Broadway rhythm It's got me.
Broadway rhythm It's got me.
Broadway rhythm It's got me.
Broadway rhythm It's got me.
But are we? No.
But are we? No.
But before...
But before...
But came the dawn, the show goes on And I don't wanna say good night.
But came the dawn, the show goes on And I don't wanna say good night.
But give my heart to you?
But give my heart to you?
But I never want to see you again...
But I never want to see you again...
But I'm content.
But I'm content.
But I'm content.
But I'm content.
But in the dream, we can still use the costumes.
But in the dream, we can still use the costumes.
But into the bush!
But into the bush!
But it was understandable, under the circumstances. I knew I'd seen you.
But it was understandable, under the circumstances. I knew I'd seen you.
But Moses supposes erroneously.
But Moses supposes erroneously.
But Moses supposes erroneously.
But Moses supposes erroneously.
But Moses supposes erroneously.
But Moses supposes erroneously.
But Moses supposes erroneously."
But Moses supposes erroneously."
But most important of all, I continue living up to my motto:
But most important of all, I continue living up to my motto:
But the night is full of our enemies.
But the night is full of our enemies.
But the personalities on the screen don't impress me.
But the personalities on the screen don't impress me.
But wait a second.
But wait a second.
But we're really lonely.
But we're really lonely.
But white is right when you're a bride.
But white is right when you're a bride.
But you have to talk into the Mike first.
But you have to talk into the Mike first.
But you're such big stars, we might get by.
But you're such big stars, we might get by.
By the way. You know the scene coming up where I say:
By the way. You know the scene coming up where I say:
Can't a girl get a word in edgewise? They're my public too!
Can't a girl get a word in edgewise? They're my public too!
Can't that girl take a gentle hint?
Can't that girl take a gentle hint?
Can't!
Can't!
Can't.
Can't.
Can't. Can't.
Can't. Can't.
Captured by Rouge Noir of the Purple Terror?
Captured by Rouge Noir of the Purple Terror?
CHORUS SINGS: You.
CHORUS SINGS: You.
Colored lights in a garden.
Colored lights in a garden.
Come here, Kathy. Come here. Now, sing.
Come here, Kathy. Come here. Now, sing.
Come here.
Come here.
Come on with the rain I've a smile on my face.
Come on with the rain I've a smile on my face.
Come on with the rain.
Come on with the rain.
Come on, come on.
Come on, come on.
Come on, my little starlets.
Come on, my little starlets.
Come on, now. Snap out of it.
Come on, now. Snap out of it.
Come on. Knock him down!
Come on. Knock him down!
Come out from behind that screen, Mr. Simpson.
Come out from behind that screen, Mr. Simpson.
Come to my office. We'll discuss a contract.
Come to my office. We'll discuss a contract.
Contract dated June 8, 1925, paragraph 34, subdivision letter A.
Contract dated June 8, 1925, paragraph 34, subdivision letter A.
Contract?
Contract?
Cos, tell me the truth. Am I a good actor?
Cos, tell me the truth. Am I a good actor?
Cosmo is Don's best friend.
Cosmo is Don's best friend.
Cosmo, mood music.
Cosmo, mood music.
COSMO: All right, Kathy. Go ahead.
COSMO: All right, Kathy. Go ahead.
COSMO: All set in there?
COSMO: All set in there?
COSMO: Good morning.
COSMO: Good morning.
COSMO: That's great! Perfect. Cut.
COSMO: That's great! Perfect. Cut.
Couldn't be a lily Or a Taffy daffy dilly.
Couldn't be a lily Or a Taffy daffy dilly.
Cut the talk, Lina. Sing!
Cut the talk, Lina. Sing!
Cut!
Cut!
Cut!
Cut!
Cut!
Cut!
Cut!
Cut!
Cut!
Cut!
Dame Fashion says, "Dye it".
Dame Fashion says, "Dye it".
DANCERS SINGING: When I hear that happy beat.
DANCERS SINGING: When I hear that happy beat.
Dancin' in the rain.
Dancin' in the rain.
Darn tooting she did. I arranged it.
Darn tooting she did. I arranged it.
Definitely, no.
Definitely, no.
Despite the threats of Madame Guillotine.
Despite the threats of Madame Guillotine.
DEXTER: All right, here we go.
DEXTER: All right, here we go.
DEXTER: Camera!
DEXTER: Camera!
DEXTER: Hey, Don.
DEXTER: Hey, Don.
DEXTER: It's Lina.
DEXTER: It's Lina.
Dexter: Lina, you hate him. Resist him. Keep that mood music going.
Dexter: Lina, you hate him. Resist him. Keep that mood music going.
Dexter: Well! Here comes our lovely leading lady now.
Dexter: Well! Here comes our lovely leading lady now.
Did somebody get paid for writing that?
Did somebody get paid for writing that?
Did you ever see anything as idiotic as me on that screen?
Did you ever see anything as idiotic as me on that screen?
Did you read Variety today?
Did you read Variety today?
Did you say all my pictures?
Did you say all my pictures?
Did you send this stuff out?
Did you send this stuff out?
DIRECTOR 1: Keep that action going. More steam in the kettle!
DIRECTOR 1: Keep that action going. More steam in the kettle!
DIRECTOR 2: Keep the background moving. Hit him.
DIRECTOR 2: Keep the background moving. Hit him.
Do you really think you can get me in the movies?
Do you really think you can get me in the movies?
Don Lockwood and Lina Lamont!
Don Lockwood and Lina Lamont!
Don Lockwood, but the fellas call me "Donald."
Don Lockwood, but the fellas call me "Donald."
Don, keep your eyes riveted on my face.
Don, keep your eyes riveted on my face.
Don, tell me confidentially, are these rumors true...
Don, tell me confidentially, are these rumors true...
Don, you're a genius.
Don, you're a genius.
DON: Audiences everywhere adored us.
DON: Audiences everywhere adored us.
DON: Finally we decided to come to sunny California.
DON: Finally we decided to come to sunny California.
DON: Hey, Kathy!
DON: Hey, Kathy!
DON: Hey! You're playing rough here! You're tearing my...!
DON: Hey! You're playing rough here! You're tearing my...!
DON: I got an idea. Come here.
DON: I got an idea. Come here.
DON: Lina and I have had the same wonderful relationship ever since.
DON: Lina and I have had the same wonderful relationship ever since.
DON: My roles in these films were urbane...
DON: My roles in these films were urbane...
DON: Oh, thank you.
DON: Oh, thank you.
DON: They used to make such a fuss over me.
DON: They used to make such a fuss over me.
DON: This is the proper setting.
DON: This is the proper setting.
DON: What's the matter?
DON: What's the matter?
Don! Don't you dare call him Don!
Don! Don't you dare call him Don!
Don's a smash too.
Don's a smash too.
Don't get any fancy ideas about the future. Tell her!
Don't get any fancy ideas about the future. Tell her!
Don't let Lina know about it.
Don't let Lina know about it.
Don't make any quick movements or you might disconnect it.
Don't make any quick movements or you might disconnect it.
Don't stand there. Tell them!
Don't stand there. Tell them!
Don't tell me what to do, Lina.
Don't tell me what to do, Lina.
Don't tell me. It's a flat tire.
Don't tell me. It's a flat tire.
Don't ya... All the...
Don't ya... All the...
Don't you get it?
Don't you get it?
Don't you know everyone wants to laugh, ha, ha.
Don't you know everyone wants to laugh, ha, ha.
Don't you know everyone wants to laugh?
Don't you know everyone wants to laugh?
Don't you know everyone...
Don't you know everyone...
Don't you think she ought to go on doing just that?
Don't you think she ought to go on doing just that?
Donnie, how can you let him talk to me like that, your fiancée?
Donnie, how can you let him talk to me like that, your fiancée?
Donnie?
Donnie?
DORA OVER PA: This is Dora Bailey, ladies and gentlemen...
DORA OVER PA: This is Dora Bailey, ladies and gentlemen...
Dora, not in front of all these people!
Dora, not in front of all these people!
DORA: Her new red hot pash, J. Cumberland Spendrill III...
DORA: Her new red hot pash, J. Cumberland Spendrill III...
Eight or nine.
Eight or nine.
Enchanted, Miss Selden.
Enchanted, Miss Selden.
Enchanting. What?
Enchanting. What?
Ever since I met him, I can't get him out of my mind.
Ever since I met him, I can't get him out of my mind.
Every star in Hollywood is here to make Monumental Pictures' premiere...
Every star in Hollywood is here to make Monumental Pictures' premiere...
Every studio's jumping on the bandwagon.
Every studio's jumping on the bandwagon.
Everybody dance.
Everybody dance.
Everybody dance.
Everybody dance.
Everybody sing and dance.
Everybody sing and dance.
Everybody wore them.
Everybody wore them.
Everybody, I've got a few surprises for you.
Everybody, I've got a few surprises for you.
Everybody. Why do you think Zelda's in such a sweat?
Everybody. Why do you think Zelda's in such a sweat?
Everybody's picking on me.
Everybody's picking on me.
Everyone from the place.
Everyone from the place.
Everyone from the place.
Everyone from the place.
Everyone is breathlessly awaiting...
Everyone is breathlessly awaiting...
Everything you said about me is true.
Everything you said about me is true.
Exactly how I feel
Exactly how I feel
Excuse me. Where'd Miss Selden go?
Excuse me. Where'd Miss Selden go?
Farewell, Ethel Barrymore.
Farewell, Ethel Barrymore.
Fear not, sweet lady. I will not molest you.
Fear not, sweet lady. I will not molest you.
Feel like dancin' down the street.
Feel like dancin' down the street.
Feel like dancin' down the street.
Feel like dancin' down the street.
Feel like dancin' down the street.
Feel like dancin' down the street.
Feelin' like a feather That's floatin' on air.
Feelin' like a feather That's floatin' on air.
Fine. Fine. Looks great.
Fine. Fine. Looks great.
First, we set the stage with a song.
First, we set the stage with a song.
Fit as a fiddle And ready for love
Fit as a fiddle And ready for love
Fit as a fiddle And ready for love.
Fit as a fiddle And ready for love.
Fit as a fiddle and ready for love.
Fit as a fiddle and ready for love.
Fit as a fiddle And ready for love.
Fit as a fiddle And ready for love.
Flooded with moonlight.
Flooded with moonlight.
For Broadway always wears a smile.
For Broadway always wears a smile.
For lounging in her boudoir.
For lounging in her boudoir.
For Moses knowses His toeses aren't roses.
For Moses knowses His toeses aren't roses.
For The Dancing Cavalier, our first musical picture together.
For The Dancing Cavalier, our first musical picture together.
For those old honky tonk monkeyshines
For those old honky tonk monkeyshines
For those old honky tonk monkeyshines.
For those old honky tonk monkeyshines.
For you I've got a passion.
For you I've got a passion.
From afar.
From afar.
From now on, as far as I'm concerned, I'm running things.
From now on, as far as I'm concerned, I'm running things.
From now on, there's only one fan I'm worried about.
From now on, there's only one fan I'm worried about.
From what I've read in all those articles in the fan magazines.
From what I've read in all those articles in the fan magazines.
From where I stand, the sun is shining all over the place.
From where I stand, the sun is shining all over the place.
Gee, this is dumb.
Gee, this is dumb.
Get enough, boys?
Get enough, boys?
Get this guy into Bert's suit!
Get this guy into Bert's suit!
Get up there and hit him again. Hurry up!
Get up there and hit him again. Hurry up!
GIRL 1: Hey, there's Don Lockwood!
GIRL 1: Hey, there's Don Lockwood!
GIRL 2: I want a souvenir too!
GIRL 2: I want a souvenir too!
Give me a raise.
Give me a raise.
Give me pictures like The Jazz Singer.
Give me pictures like The Jazz Singer.
Go home until further notice! What is this?
Go home until further notice! What is this?
Good mornin' Good mornin' to you.
Good mornin' Good mornin' to you.
Good mornin' Good mornin' to you.
Good mornin' Good mornin' to you.
Good mornin' Good mornin' to you.
Good mornin' Good mornin' to you.
Good mornin' Good mornin' to you.
Good mornin' Good mornin' to you.
Good mornin' Good mornin' to you.
Good mornin' Good mornin' to you.
Good mornin' Good mornin'.
Good mornin' Good mornin'.
Good mornin' Good mornin'.
Good mornin' Good mornin'.
Good mornin' to you
Good mornin' to you
Good mornin' to you.
Good mornin' to you.
Good mornin'.
Good mornin'.
Good mornin'.
Good mornin'.
Good mornin'.
Good mornin'.
Good night, Don. Take care of that throat.
Good night, Don. Take care of that throat.
Good night, Kathy. See you tomorrow.
Good night, Kathy. See you tomorrow.
Good night, officer.
Good night, officer.
Goodbye.
Goodbye.
Goodbye. I'm sorry. I should've told you.
Goodbye. I'm sorry. I should've told you.
Got any more little chores you want done?
Got any more little chores you want done?
Gotta dance
Gotta dance
Gotta dance Gotta dance.
Gotta dance Gotta dance.
Gotta dance, gotta dance.
Gotta dance, gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Gotta dance.
Great! Cut!
Great! Cut!
Ha, ha. Now look, Lina. Try and understand this.
Ha, ha. Now look, Lina. Try and understand this.
Have Selden re record all of Lina's dialogue.
Have Selden re record all of Lina's dialogue.
Haven't a worry Haven't a care.
Haven't a worry Haven't a care.
Haven't you heard? She's irresistible. She told me so.
Haven't you heard? She's irresistible. She told me so.
He dreams he's back during the French Revolution.
He dreams he's back during the French Revolution.
He plays the piano on the set for Don and Lina...
He plays the piano on the set for Don and Lina...
He said they were all you. I'm putting you and Lina together in a picture.
He said they were all you. I'm putting you and Lina together in a picture.
He sings and he dances.
He sings and he dances.
He tells her of her charms.
He tells her of her charms.
He'll kiss her with a sigh.
He'll kiss her with a sigh.
He's been looking for her!
He's been looking for her!
Heh. I ran her a close second.
Heh. I ran her a close second.
Hello, Lina.
Hello, Lina.
Hello, Miss Lamont. I'm Don Lockwood, the stuntman.
Hello, Miss Lamont. I'm Don Lockwood, the stuntman.
Hello.
Hello.
Her cloak is trimmed with monkey fur.
Her cloak is trimmed with monkey fur.
Here is a good one.
Here is a good one.
Here on earth for this poor mortal.
Here on earth for this poor mortal.
Here we are, Sunset and Camden.
Here we are, Sunset and Camden.
Here's one thing I've learned from the movies!
Here's one thing I've learned from the movies!
Here's the Mike.
Here's the Mike.
Hey, Cos, do something! Call me a cab!
Hey, Cos, do something! Call me a cab!
Hey, give me an autograph!
Hey, give me an autograph!
Hey, I think it'll work.
Hey, I think it'll work.
Hey, Kathy!
Hey, Kathy!
Hey, we can't make this a musical.
Hey, we can't make this a musical.
Hey!
Hey!
Hey! The Duelling Mammy.
Hey! The Duelling Mammy.
Hi diddle diddle My baby's okay.
Hi diddle diddle My baby's okay.
Hi, Don.
Hi, Don.
Hold it a second.
Hold it a second.
Honest?
Honest?
Honest?
Honest?
Honest.
Honest.
How the church bells will be ringin'.
How the church bells will be ringin'.
How thrilled we are at your reception...
How thrilled we are at your reception...
I ain't people.
I ain't people.
I am a...
I am a...
I am but a humble Jester. And you? You are too far above me.
I am but a humble Jester. And you? You are too far above me.
I am just about to be brilliant.
I am just about to be brilliant.
I am the noblest lady of the court, second only to the queen.
I am the noblest lady of the court, second only to the queen.
I buy four or five a month.
I buy four or five a month.
I can jump over The moon up above.
I can jump over The moon up above.
I can start suffering and write that symphony.
I can start suffering and write that symphony.
I can sue.
I can sue.
I can't get her out of my hair. This romance for publicity...
I can't get her out of my hair. This romance for publicity...
I can't tell you...
I can't tell you...
I can't visualize it. I'll have to see it on film first.
I can't visualize it. I'll have to see it on film first.
I can't wait till this picture's finished.
I can't wait till this picture's finished.
I could brush up on my English or bring an interpreter.
I could brush up on my English or bring an interpreter.
I could sue you for the whole studio.
I could sue you for the whole studio.
I did say some awful things that night, didn't I?
I did say some awful things that night, didn't I?
I do hope you'll favor us with something special. Say, Hamlet's soliloquy...
I do hope you'll favor us with something special. Say, Hamlet's soliloquy...
I don't go to the movies much.
I don't go to the movies much.
I don't like those lines. Is it all right if I say what I always do?
I don't like those lines. Is it all right if I say what I always do?
I don't remember.
I don't remember.
I doubt it. Warners is making a picture with it, The Jazz Singer.
I doubt it. Warners is making a picture with it, The Jazz Singer.
I featured her before, in lots of nightclub shows.
I featured her before, in lots of nightclub shows.
I gave an exclusive story to every paper in town.
I gave an exclusive story to every paper in town.
I get the go by When you are done foolin' with me.
I get the go by When you are done foolin' with me.
I got a feeling you're fooling I got a feeling you're
I got a feeling you're fooling I got a feeling you're
I got a feeling You're havin' fun.
I got a feeling You're havin' fun.
I got no money. But I've got...
I got no money. But I've got...
I gotta get out of here.
I gotta get out of here.
I guess I'm not able to without the proper setting.
I guess I'm not able to without the proper setting.
I guess we have to take the little heartaches that go with it.
I guess we have to take the little heartaches that go with it.
I had my lawyer go over my contract.
I had my lawyer go over my contract.
I just saw some rushes and asked Dexter who the stuntmen were.
I just saw some rushes and asked Dexter who the stuntmen were.
I know that now.
I know that now.
I liked her best when the sound went off and she said:
I liked her best when the sound went off and she said:
I liked it.
I liked it.
I looked for you at Wally Ray's party. Where were you?
I looked for you at Wally Ray's party. Where were you?
I love you, I love you, I love you, I love you, I love you.
I love you, I love you, I love you, I love you, I love you.
I love you, I love you, I love you, I love you!
I love you, I love you, I love you, I love you!
I love you.
I love you.
I love you.
I love you.
I mean she's gonna go right on singing for me.
I mean she's gonna go right on singing for me.
I mean... You were kissing him!
I mean... You were kissing him!
I must fly to her side!
I must fly to her side!
I must tear myself from your side.
I must tear myself from your side.
I never heard of anything so low.
I never heard of anything so low.
I never said that.
I never said that.
I never was. Just a lot of dumb show.
I never was. Just a lot of dumb show.
I once gave you a cigar. Can I have it back?
I once gave you a cigar. Can I have it back?
I pick them up in the beauty parlor or the dentist's office...
I pick them up in the beauty parlor or the dentist's office...
I really can't tell you how sorry I am about taking you for a criminal.
I really can't tell you how sorry I am about taking you for a criminal.
I said talking pictures were a menace, but no one would listen.
I said talking pictures were a menace, but no one would listen.
I saw one once.
I saw one once.
I saw you.
I saw you.
I think I'll kill myself.
I think I'll kill myself.
I thought something was cooking beneath those bleached curls.
I thought something was cooking beneath those bleached curls.
I want that girl off the lot at once! She ain't gonna be my voice.
I want that girl off the lot at once! She ain't gonna be my voice.
I want you kiddies to have the first piece.
I want you kiddies to have the first piece.
I was calling him Don before you were born.
I was calling him Don before you were born.
I was getting a little too much love from my fans.
I was getting a little too much love from my fans.
I was kissing her. I happen to be in love with her.
I was kissing her. I happen to be in love with her.
I was starstruck.
I was starstruck.
I was talking. Wasn't I, Miss Dinsmore?
I was talking. Wasn't I, Miss Dinsmore?
I would.
I would.
I would.
I would.
I would.
I would.
I wouldn't do that if I were you.
I wouldn't do that if I were you.
I wouldn't do that to her in a million years.
I wouldn't do that to her in a million years.
I'd like to break every bone in your body.
I'd like to break every bone in your body.
I'd like to get out of this suit if you're going by Camden and Sunset.
I'd like to get out of this suit if you're going by Camden and Sunset.
I'd like to know whose hospitality I'm enjoying.
I'd like to know whose hospitality I'm enjoying.
I'd like to see you. What're you in now?
I'd like to see you. What're you in now?
I'd say to you.
I'd say to you.
I'll do it, Don.
I'll do it, Don.
I'll lead the cheering section in the balcony. Good luck.
I'll lead the cheering section in the balcony. Good luck.
I'll say a few words. I'm still running the studio.
I'll say a few words. I'm still running the studio.
I'll try.
I'll try.
I'll walk down the Lane With a happy refrain.
I'll walk down the Lane With a happy refrain.
I'll walk down the Lane.
I'll walk down the Lane.
I'm a museum piece.
I'm a museum piece.
I'm an actress. On the stage.
I'm an actress. On the stage.
I'm busy.
I'm busy.
I'm confused. This thing is so big...
I'm confused. This thing is so big...
I'm dancin'.
I'm dancin'.
I'm driving to Beverly Hills. Can I drop you someplace?
I'm driving to Beverly Hills. Can I drop you someplace?
I'm glad you thought of it.
I'm glad you thought of it.
I'm glad you turned up. We've been looking inside every cake in town.
I'm glad you turned up. We've been looking inside every cake in town.
I'm going to marry her.
I'm going to marry her.
I'm gonna give her a big buildup.
I'm gonna give her a big buildup.
I'm happy again.
I'm happy again.
I'm happy again.
I'm happy again.
I'm in a whirl.
I'm in a whirl.
I'm laughin' at clouds So dark up above.
I'm laughin' at clouds So dark up above.
I'm laughin' at clouds So dark up above.
I'm laughin' at clouds So dark up above.
I'm laughin' at clouds.
I'm laughin' at clouds.
I'm lucky.
I'm lucky.
I'm no actor.
I'm no actor.
I'm not in a play now. But I'm going to New York...
I'm not in a play now. But I'm going to New York...
I'm not so sure!
I'm not so sure!
I'm now Count Pierre de Bataille, known as the Duelling Cavalier.
I'm now Count Pierre de Bataille, known as the Duelling Cavalier.
I'm signin'.
I'm signin'.
I'm singin' in the rain Just singin' in the rain.
I'm singin' in the rain Just singin' in the rain.
I'm so downhearted, Theresa.
I'm so downhearted, Theresa.
I'm sorry I frightened you.
I'm sorry I frightened you.
I'm sorry, I was just thinking.
I'm sorry, I was just thinking.
I'm still more important to the studio than she is.
I'm still more important to the studio than she is.
I'm such a ham.
I'm such a ham.
I'm sure we should all Be as happy as...
I'm sure we should all Be as happy as...
I'm the girl who hit Miss Lamont with a cake. It was meant for Mr. Lockwood.
I'm the girl who hit Miss Lamont with a cake. It was meant for Mr. Lockwood.
I'm the one who got the whipped cream in the kisser.
I'm the one who got the whipped cream in the kisser.
I'm trying to say something to you, but I...
I'm trying to say something to you, but I...
I've a smile on my face.
I've a smile on my face.
I've been busy.
I've been busy.
I've been worried about her.
I've been worried about her.
I've got it.
I've got it.
I've laid awake the whole night through.
I've laid awake the whole night through.
I've seen her there.
I've seen her there.
I've seen your picture in the paper or in the post office.
I've seen your picture in the paper or in the post office.
If I but dared.
If I but dared.
If I don't like it, I can sue.
If I don't like it, I can sue.
If I was very good, I was allowed to accompany Mum and Dad to the theater.
If I was very good, I was allowed to accompany Mum and Dad to the theater.
If she weren't in it, you'd be finished too.
If she weren't in it, you'd be finished too.
If she's done such a grand job doubling for my voice...
If she's done such a grand job doubling for my voice...
If this happens, get a new boy. I won't stand for it.
If this happens, get a new boy. I won't stand for it.
If we bring a little joy into your humdrum lives...
If we bring a little joy into your humdrum lives...
If you tell the papers about Kathy Selden...
If you tell the papers about Kathy Selden...
If you've seen one, you've seen them all.
If you've seen one, you've seen them all.
If your gown just drips with fringe.
If your gown just drips with fringe.
Imperious princess of the night...
Imperious princess of the night...
In a few years, we were ready to embark on a dance concert tour.
In a few years, we were ready to embark on a dance concert tour.
In A flat.
In A flat.
In perfect unison.
In perfect unison.
In the bush!
In the bush!
In the mornin' In the mornin'.
In the mornin' In the mornin'.
In the rain.
In the rain.
In the words of that immortal bard Samuel J. Snodgrass.
In the words of that immortal bard Samuel J. Snodgrass.
In what key?
In what key?
In your arms.
In your arms.
In your greatest picture, The Royal Rascal.
In your greatest picture, The Royal Rascal.
Is a big fat liar.
Is a big fat liar.
Is it all right for you to be seen with me?
Is it all right for you to be seen with me?
It goes like this.
It goes like this.
It happens to me five or six times a day.
It happens to me five or six times a day.
It has nothing to do with my career. It's only for this picture.
It has nothing to do with my career. It's only for this picture.
It is terrible.
It is terrible.
It makes us feel as though our hard work...
It makes us feel as though our hard work...
It may be crazy, but we'll do it.
It may be crazy, but we'll do it.
It says so...
It says so...
It seems to me I remember someone saying:
It seems to me I remember someone saying:
It was a thrill working with you, Miss Lamont.
It was a thrill working with you, Miss Lamont.
It would be "detrimental and deleterious" to my career.
It would be "detrimental and deleterious" to my career.
It'll be up for auction in the morning.
It'll be up for auction in the morning.
It'll catch whatever you say.
It'll catch whatever you say.
It'll say on the screen that I don't talk and sing for myself?
It'll say on the screen that I don't talk and sing for myself?
It'll take hours to get a new one from Central Casting.
It'll take hours to get a new one from Central Casting.
It's 1:30 already. It's morning!
It's 1:30 already. It's morning!
It's a holiday Today's The Wedding.
It's a holiday Today's The Wedding.
It's a jolly day The news is spreading.
It's a jolly day The news is spreading.
It's a new one. It's for the modern part.
It's a new one. It's for the modern part.
It's called "Broadway Melody."
It's called "Broadway Melody."
It's gotta be a rose 'Cause it rhymes with "mose".
It's gotta be a rose 'Cause it rhymes with "mose".
It's great to stay up late.
It's great to stay up late.
It's great to stay up late.
It's great to stay up late.
It's great to stay up late.
It's great to stay up late.
It's great, Don. Just great.
It's great, Don. Just great.
It's no wonder they're a household name all over the world.
It's no wonder they're a household name all over the world.
It's not your fault she lost her job.
It's not your fault she lost her job.
It's picking up her heartbeat.
It's picking up her heartbeat.
It's Saturday. No bank will foreclose until Monday.
It's Saturday. No bank will foreclose until Monday.
It's simple to work the numbers.
It's simple to work the numbers.
It's started quite a riot.
It's started quite a riot.
It's that famous "zip" girl of the screen...
It's that famous "zip" girl of the screen...
It's the cat's meow!
It's the cat's meow!
It's the story of a young hoofer who comes to New York.
It's the story of a young hoofer who comes to New York.
It's those pearls, Mr. Simpson.
It's those pearls, Mr. Simpson.
Joe, bring me a tarantula. Now listen...
Joe, bring me a tarantula. Now listen...
Just a lift. My car broke down. I got surrounded by...
Just a lift. My car broke down. I got surrounded by...
Just dance around Lina and teach her how to take a bow.
Just dance around Lina and teach her how to take a bow.
Just for me.
Just for me.
Just for me.
Just for me.
Just in case it doesn't come off. I'm worried about Lina.
Just in case it doesn't come off. I'm worried about Lina.
Just like anybody.
Just like anybody.
Just singin' in the rain.
Just singin' in the rain.
Just singin'.
Just singin'.
Just slip on a banana peel The world's at your feet.
Just slip on a banana peel The world's at your feet.
Kathy has her own career. She only did this for this picture.
Kathy has her own career. She only did this for this picture.
Kathy nearly stole the picture from her.
Kathy nearly stole the picture from her.
Kathy Selden as Juliet, as Lady MacBeth, as King Lear!
Kathy Selden as Juliet, as Lady MacBeth, as King Lear!
KATHY SINGING ON RECORDING: And would you dare to say.
KATHY SINGING ON RECORDING: And would you dare to say.
KATHY SINGS: Good mornin' Good mornin' to you.
KATHY SINGS: Good mornin' Good mornin' to you.
KATHY SINGS: Good mornin' Good mornin'.
KATHY SINGS: Good mornin' Good mornin'.
KATHY SINGS: I'm singin' in the rain Just singin' in the rain.
KATHY SINGS: I'm singin' in the rain Just singin' in the rain.
Kathy, come here.
Kathy, come here.
Kathy, come here. Kathy will stand back of there and sing.
Kathy, come here. Kathy will stand back of there and sing.
Kathy, look, I...
Kathy, look, I...
Kathy, seeing you again now that I...
Kathy, seeing you again now that I...
KATHY: A flat.
KATHY: A flat.
Kathy: Is this R.F. Simpson's house? I'm one of the Coconut Grove girls.
Kathy: Is this R.F. Simpson's house? I'm one of the Coconut Grove girls.
KATHY: Nothing can keep us apart.
KATHY: Nothing can keep us apart.
KATHY: Oh, Cosmo.
KATHY: Oh, Cosmo.
Kathy!
Kathy!
Kathy.
Kathy.
Kathy...
Kathy...
Keep away from me! Just because you're a big movie star...
Keep away from me! Just because you're a big movie star...
Keep telling me from time to time. I feel a little shaken.
Keep telling me from time to time. I feel a little shaken.
Ladies and gentlemen, when you look at this gorgeous couple...
Ladies and gentlemen, when you look at this gorgeous couple...
Ladies and gentlemen.
Ladies and gentlemen.
Laugh if you want, but the stage is a dignified profession.
Laugh if you want, but the stage is a dignified profession.
Let the stormy clouds chase.
Let the stormy clouds chase.
Let the stormy clouds chase.
Let the stormy clouds chase.
Let the stormy clouds chase.
Let the stormy clouds chase.
Let's do the same
Let's do the same
Let's do the same as they.
Let's do the same as they.
Let's do the same.
Let's do the same.
Let's get into the set.
Let's get into the set.
Let's get on with the show. Okay, boys.
Let's get on with the show. Okay, boys.
Let's just get this premiere over with.
Let's just get this premiere over with.
Like "bacon and eggs."
Like "bacon and eggs."
Like that.
Like that.
Lina and I have made a number of pictures together...
Lina and I have made a number of pictures together...
Lina and I have no statement to make at the present time.
Lina and I have no statement to make at the present time.
Lina moves her mouth and Kathy sings and talks for her.
Lina moves her mouth and Kathy sings and talks for her.
LINA SINGS ALONG TO KATHY: ..the story ends.
LINA SINGS ALONG TO KATHY: ..the story ends.
Lina was, as always, an inspiration to me.
Lina was, as always, an inspiration to me.
Lina won't even know she's on the lot.
Lina won't even know she's on the lot.
Lina, you looked pretty good for a girl.
Lina, you looked pretty good for a girl.
Lina, you've been reading those fan magazines again.
Lina, you've been reading those fan magazines again.
LINA: No, no, no.
LINA: No, no, no.
LINA: No, no, no.
LINA: No, no, no.
LINA: Nothing.
LINA: Nothing.
LINA: Oh, Pierre, you shouldn't have come. You're flirting with danger.
LINA: Oh, Pierre, you shouldn't have come. You're flirting with danger.
LINA: Pierre will save me. Pierre!
LINA: Pierre will save me. Pierre!
LINA: What am I gonna do?
LINA: What am I gonna do?
Lina.
Lina.
Lina's probably waiting right inside the door.
Lina's probably waiting right inside the door.
Listen, Lina.
Listen, Lina.
Listen, you boa constrictor.
Listen, you boa constrictor.
Listen! I'm an avalanche! Selden, you're stuck.
Listen! I'm an avalanche! Selden, you're stuck.
Lockwood's a sensation.
Lockwood's a sensation.
Long people have short faces.
Long people have short faces.
Look at me. I got no glory. I got no fame. I got no mansions.
Look at me. I got no glory. I got no fame. I got no mansions.
Look who's arriving now.
Look who's arriving now.
Look, Don and I...
Look, Don and I...
Look, Kathy. All that stuff about Lina and me is sheer publicity.
Look, Kathy. All that stuff about Lina and me is sheer publicity.
Look, Lina, don't you remember? I told you.
Look, Lina, don't you remember? I told you.
Look, you shouldn't believe all that banana oil...
Look, you shouldn't believe all that banana oil...
Lucky star
Lucky star
Make 'em laugh
Make 'em laugh
Make 'em laugh
Make 'em laugh
Make 'em laugh
Make 'em laugh
Make 'em laugh Make 'em laugh.
Make 'em laugh Make 'em laugh.
Make 'em laugh Make 'em laugh.
Make 'em laugh Make 'em laugh.
Make 'em laugh Make 'em laugh.
Make 'em laugh Make 'em laugh.
Make 'em laugh Make 'em laugh.
Make 'em laugh Make 'em laugh.
Make 'em laugh.
Make 'em laugh.
Make 'em laugh.
Make 'em laugh.
Make 'em laugh.
Make 'em laugh.
Make 'em laugh.
Make 'em laugh.
Make 'em laugh.
Make 'em laugh.
Make 'em roar Make 'em scream.
Make 'em roar Make 'em scream.
Make...?
Make...?
MAN 1: Sing us a song, Lina. Sing to us.
MAN 1: Sing us a song, Lina. Sing to us.
MAN: Get out of here!
MAN: Get out of here!
Maybe it was a photo finish. I'm through.
Maybe it was a photo finish. I'm through.
Meet the producer of the picture, R.F. Simpson.
Meet the producer of the picture, R.F. Simpson.
Meet the world's greatest actor. I'd rather kiss a tarantula!
Meet the world's greatest actor. I'd rather kiss a tarantula!
Melody.
Melody.
Melody.
Melody.
MEN SINGING: I got a feeling You're fooling.
MEN SINGING: I got a feeling You're fooling.
Might be just as zippy If we was in Mississippi.
Might be just as zippy If we was in Mississippi.
Milady is standing on her balcony, in a rose trellised bower...
Milady is standing on her balcony, in a rose trellised bower...
Mist from the distant mountains.
Mist from the distant mountains.
Molière, the finest of the classics.
Molière, the finest of the classics.
More action, boys. A little more rhythm.
More action, boys. A little more rhythm.
More steam and more water.
More steam and more water.
Morning, noon and nighttime too.
Morning, noon and nighttime too.
Moses supposes his toeses are roses.
Moses supposes his toeses are roses.
Moses supposes his toeses are roses...
Moses supposes his toeses are roses...
Moses, he knowses His toeses aren't roses.
Moses, he knowses His toeses aren't roses.
Moses.
Moses.
Moses.
Moses.
Moses.
Moses.
Movies are entertaining for the masses...
Movies are entertaining for the masses...
Mr. Dexter, I can do that.
Mr. Dexter, I can do that.
Mr. Simpson's thinking about casting you as Zelda's sister.
Mr. Simpson's thinking about casting you as Zelda's sister.
My beautiful girl.
My beautiful girl.
My dad said, "Be an actor, my son".
My dad said, "Be an actor, my son".
My Dad...
My Dad...
My father has me betrothed to the Baron de Landsfield...
My father has me betrothed to the Baron de Landsfield...
My fia...
My fia...
My Grandpa said, "Go out and tell 'em a joke"
My Grandpa said, "Go out and tell 'em a joke"
My heart belongs to another...
My heart belongs to another...
My heart cries.
My heart cries.
My lucky charms.
My lucky charms.
My lucky star.
My lucky star.
My own.
My own.
My voice has been recorded on a record.
My voice has been recorded on a record.
Nature patterned you.
Nature patterned you.
Never mind, R.F.! Listen to that applause.
Never mind, R.F.! Listen to that applause.
Next time, write me out a speech. I could memorize it.
Next time, write me out a speech. I could memorize it.
No kidding, Cosmo.
No kidding, Cosmo.
No kidding, folks, aren't they great?
No kidding, folks, aren't they great?
No kidding! What's your name?
No kidding! What's your name?
No kidding. You're my pal. You can tell me.
No kidding. You're my pal. You can tell me.
No more secrecy. I'm gonna let Lina and everyone know.
No more secrecy. I'm gonna let Lina and everyone know.
No offense.
No offense.
No skies of gray On that Great White Way.
No skies of gray On that Great White Way.
No, I deserved them.
No, I deserved them.
No, I should think not. Good night.
No, I should think not. Good night.
No, it wasn't that.
No, it wasn't that.
No, it's just that Don's had so much more experience...
No, it's just that Don's had so much more experience...
No, no, Miss Lamont...
No, no, Miss Lamont...
No, no! That wasn't right!
No, no! That wasn't right!
No, no. "Rocks." "Rocks."
No, no. "Rocks." "Rocks."
No.
No.
No.
No.
Nobody'd come to see me jump off the Woolworth Building into a damp rag.
Nobody'd come to see me jump off the Woolworth Building into a damp rag.
Not exactly. But for lunch, don't you tear a pheasant with Miss Lamont?
Not exactly. But for lunch, don't you tear a pheasant with Miss Lamont?
Note how my lips and the sound issuing from them...
Note how my lips and the sound issuing from them...
Nothing can keep us apart.
Nothing can keep us apart.
Nothing could be grander Than to be in Louisiana.
Nothing could be grander Than to be in Louisiana.
Notice, it is a picture of me and I am talking.
Notice, it is a picture of me and I am talking.
Now enter.
Now enter.
Now kiss her, Don.
Now kiss her, Don.
Now let me hear you read your line.
Now let me hear you read your line.
Now let's hear how it sounds, Lina.
Now let's hear how it sounds, Lina.
Now look at this flower, see?
Now look at this flower, see?
Now that I know where you live, I'd like to see you home.
Now that I know where you live, I'd like to see you home.
Now that I think of it, I've seen eight or nine of them.
Now that I think of it, I've seen eight or nine of them.
Now that you have the proper setting, can you say it?
Now that you have the proper setting, can you say it?
Now the milkman's on his way It's too late to say good night.
Now the milkman's on his way It's too late to say good night.
Now try it again.
Now try it again.
Now you could study Shakespeare And be quite elite.
Now you could study Shakespeare And be quite elite.
Now you do this. At least keep us informed.
Now you do this. At least keep us informed.
Now you see her. Now here's the bit, Bert, where you get it on the jaw.
Now you see her. Now here's the bit, Bert, where you get it on the jaw.
Now, come on, Lina.
Now, come on, Lina.
Now, don't forget.
Now, don't forget.
Now, here's where you get it right on the jaw.
Now, here's where you get it right on the jaw.
Now, I was just thinking.
Now, I was just thinking.
Now, let's see.
Now, let's see.
Now, Lina, look.
Now, Lina, look.
Now, listen.
Now, listen.
Now, Phil, you come in. Keep on grinding.
Now, Phil, you come in. Keep on grinding.
Now, please, Lina, talk into the Mike.
Now, please, Lina, talk into the Mike.
Now, try to get this straight: There is nothing between us.
Now, try to get this straight: There is nothing between us.
Now, what about the story?
Now, what about the story?
Now, you talk towards it.
Now, you talk towards it.
Now. "Sinful Caesar sipped his snifter..."
Now. "Sinful Caesar sipped his snifter..."
Now...
Now...
Of all that lies Under the big blue sky.
Of all that lies Under the big blue sky.
Of course, I must admit I was pretty much upset by them.
Of course, I must admit I was pretty much upset by them.
Of course. What do you think?
Of course. What do you think?
Of The Royal Rascal, the outstanding event of 1927.
Of The Royal Rascal, the outstanding event of 1927.
Officer!
Officer!
Oh, but he's such a catch.
Oh, but he's such a catch.
Oh, folks, this is it. This is it!
Oh, folks, this is it. This is it!
Oh, Kathy, I love you.
Oh, Kathy, I love you.
Oh, no, no, Don. I want your story from the beginning.
Oh, no, no, Don. I want your story from the beginning.
Oh, no. I'm right here.
Oh, no. I'm right here.
Oh, on the stage.
Oh, on the stage.
Oh, Pierre, hold me in your arms always.
Oh, Pierre, hold me in your arms always.
Oh, Pierre, Pierre, my darling. At last, I've found you.
Oh, Pierre, Pierre, my darling. At last, I've found you.
Oh, Pierre, you shouldn't have come.
Oh, Pierre, you shouldn't have come.
Oh, Pierre!
Oh, Pierre!
Oh, Pierre.
Oh, Pierre.
Oh, Pierre.
Oh, Pierre.
Oh, Pierre. You shouldn't have come.
Oh, Pierre. You shouldn't have come.
Oh, that Broadway rhythm.
Oh, that Broadway rhythm.
Oh, that Broadway rhythm.
Oh, that Broadway rhythm.
Oh, that's swell, just swell.
Oh, that's swell, just swell.
Oh, that's what you were running away from.
Oh, that's what you were running away from.
Oh? Certainly seems more than that...
Oh? Certainly seems more than that...
Ohh, you read the fan magazines?
Ohh, you read the fan magazines?
Ohh. Oh, my sword!
Ohh. Oh, my sword!
Okay, Bert? Bert!
Okay, Bert? Bert!
Okay, Don.
Okay, Don.
Okay, fellas. Hold it.
Okay, fellas. Hold it.
Okay, let's go.
Okay, let's go.
Okay, Lina.
Okay, Lina.
Okay, quiet!
Okay, quiet!
Okay.
Okay.
Okay.
Okay.
Olé!
Olé!
On or off the screen.
On or off the screen.
Once they release The Duelling Cavalier, Lockwood and Lamont are through.
Once they release The Duelling Cavalier, Lockwood and Lamont are through.
One night, backstage, he's reading The Tale of Two Cities.
One night, backstage, he's reading The Tale of Two Cities.
Or a scene from Romeo and Juliet? Don't be shy.
Or a scene from Romeo and Juliet? Don't be shy.
Or go back into vaudeville.
Or go back into vaudeville.
ORCHESTRA LEADER: What are you gonna sing?
ORCHESTRA LEADER: What are you gonna sing?
Orchestras play Taking your breath away.
Orchestras play Taking your breath away.
Our love will last till the stars turn cold.
Our love will last till the stars turn cold.
Our love will last till the stars turn cold.
Our love will last till the stars turn cold.
Our love will last till the stars turn cold.
Our love will last till the stars turn cold.
Out on that Gay White Way And each merry café.
Out on that Gay White Way And each merry café.
Over.
Over.
Part of that choice is mine.
Part of that choice is mine.
People think we lead lives of glamour and romance...
People think we lead lives of glamour and romance...
People?
People?
Perfect! That Selden girl is great.
Perfect! That Selden girl is great.
Phil, come in. Now you see him. That's it.
Phil, come in. Now you see him. That's it.
Pierre de Bataille.
Pierre de Bataille.
Pierre, you shouldn't have come.
Pierre, you shouldn't have come.
Pierre, you're hurt. Speak to me, speak to me.
Pierre, you're hurt. Speak to me, speak to me.
Please!
Please!
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