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Home > Wrong Turn
Wrong Turn

Wrong Turn

Wrong Turn is a thrilling horror movie that captivates audiences with its intense and gruesome storyline. Directed by Rob Schmidt and released in 2003, this film takes viewers on a terrifying journey through the remote woods of West Virginia.

The cast of Wrong Turn consists of talented actors who bring their characters to life, adding depth and realism to the chilling tale. Eliza Dushku stars as Jessie Burlingame, a strong-willed and resourceful heroine who finds herself trapped in a nightmare. Alongside her is Desmond Harrington, portraying Chris Finn, a fearless and determined character who fights for survival. Together, they navigate through a hostile environment haunted by a group of mutant cannibals played by Jeremy Sisto, Emmanuelle Chriqui, Kevin Zegers, Lindy Booth, and Julian Richings.

The movie starts innocently enough, as Jessie and Chris unknowingly take a wrong turn and find themselves stranded in the middle of nowhere. Desperate for help, they venture into the woods in search of civilization, only to stumble upon an abandoned truck. Curiosity gets the better of them, and they make a ghastly discovery inside the truck's cargo – the remains of their fellow travelers who fell victim to the cannibalistic mountain men.

Realizing the gravity of their situation, Jessie and Chris must come to terms with the deadly game of cat-and-mouse they find themselves in. Hunted relentlessly by the bloodthirsty mutants, every decision they make becomes a matter of life and death. With their lives hanging by a thread, they tap into their instincts, using clever tactics and every available resource to outsmart their pursuers.

The suspense and terror escalate throughout Wrong Turn, as the movie generates a palpable sense of fear and unease. The desolate and eerie atmosphere of the West Virginia wilderness adds to the spine-chilling experience, making every corner and shadow a potential death trap. The mutants, with their deformed appearances and savage instincts, become truly terrifying adversaries, hunting their prey like wild animals. The special effects and makeup artists deserve credit for their exceptional work in bringing these monstrous characters to life.

The success of Wrong Turn lies in its ability to create an atmosphere of unease that resonates with viewers. As the tension builds, the audience can't help but feel the characters' fear and desperation. The movie forces viewers to question what they would do in a similar situation and confronts them with humankind's primal instincts for survival.

If you're a horror movie enthusiast, Wrong Turn is a must-see. The gripping storyline, the incredible performances, and the chilling atmosphere make it a truly memorable experience. So, dim the lights, grab your popcorn, and prepare to be on the edge of your seat.

If you want to relive the spine-chilling sounds and immerse yourself in the atmosphere of Wrong Turn, you can now play and download the soundtrack from the film. Composed by Elia Cmiral, the soundtrack captures the heart-pounding suspense and terror that defines the movie. From haunting melodies to intense, adrenaline-pumping tracks, Elia Cmiral's score brings the desolate woods and ferocious mutants to life. Whether you want to evoke the atmosphere of Wrong Turn or simply enjoy a thrilling musical experience, the soundtrack is the perfect addition to your collection.

To play and download these sounds, simply visit our website and immerse yourself in the spine-tingling world of Wrong Turn. Experience the fear, the suspense, and the feral instincts that lie within each of us when faced with unimaginable danger. Don't miss this opportunity to revisit the chilling soundscape that accompanies this iconic horror film.

Actually, l reading Newsweek how economically depressed places
Afraid they ain't got around to paving it yet.
After failing to return from a weekend of rock. . .
All blowing off work this week to take me out here.
All right, all right.
All right, don't be a dick, Richie. l need a pull .
All right, Frannie. The man said he'd pay for. . .
All right, this isn't right.
All right? CHRlS : We gotta go.
All right? l'll be here.
All right? Two minutes.
All right.
All right.
All right. Maybe that door.
All these people.
Allright. Don't let go until l say so. Okay?
Almost out.
And , you know, a faux James Brown is really quite intolerable.
And , you know, l'm talking about just, just eloping .
And be prepared to provide me with a lot of orgasms.
And l don't want to be chopped up into pieces.
And l think we should take a trip down to Mexico.
And now they're dead .
And the rest commandeer the truck so they'll run for the runner.
And we are never going into the woods again .
And we're going home. We're gonna get married . All right?
And we're gonna make sure those motherfucks are punished for this. Okay?
Any idea how long it'll take to clean up?
Anyone up there?
Are like breeding grounds for all kinds of apocalyptic visionaries.
Are there any on my back?
Are you crazy?
Are you guys all okay?
Are you one of them folks who called me from the fire tower?
Are you sure you're all right? Yeah?
As opposed to a James Brown type lead singer,
Assholes !
Baby, could you . . .
Baby, l think this is the bathroom .
Baby, seriously, this isn't funny.
Baby, what if this place belongs to some kind of cult?
Baby. Fuck.
Because we blew out our tires, asshole !
Because you're so fun to play with .
Because, you know, really, let's be honest, there's only one James Brown ,
Before you get to the real thing .
Bet you will .
Bluefield State College students.
Camping . l don't know. Actually, we're lost.
Can anybody hear me? We have an emergency. Can anybody hear me?
Can you hold th is? Why?
Carl , look at me. Okay? Look.
Carly, come on ! Get up !
Carly, come on .
Carly, l need you to come help me look around , please.
Carly, l was kidding .
Carly, look at me, okay? Scott died protecting us.
Carly, we have to keep going . Okay?
CARLY: Are you sure you know where we're going?
CARLY: Can you believe this?
CARLY: Come on , Scott! Scott! Scott! What are you doing?
CARLY: Come on !
CARLY: Don't!
CARLY: Hey, guys.
CARLY: Hey, l am not sensing a phone here.
CARLY: How can they do this? l don't understand .
CARLY: Jesus, what are they doing?
CARLY: Jesus.
CARLY: l don't know, but can you help me find a bathroom?
CARLY: l'm so tired already. l'm starving , and l'm being eaten by ants.
CARLY: lt could still work. CHRlS : Don't move anything .
CARLY: Okay, just help me find the bathroom . Then we'll go.
CARLY: Shit! No !
CARLY: That's because you don't have the Red neck World Atlas.
CARLY: What? The next house is gonna have a white picket fence?
CARLY: Whoa !
Carly! Carly! Carly! Sweet pea !
Chris !
Chris !
Chris ! Chris !
Chris ! Chris !
Chris ! Chris ! Get off of me !
Chris ! Go !
Chris ! No ! Chris ! No !
ChrisFlynn .
CHRlS : (ECHOlNG) Hello !
CHRlS : Back it up.
CHRlS : Carly!
CHRlS : Come here.
CHRlS : Don't worry. They're fine.
CHRlS : Go ahead . Go, go, go. Go to the truck.
CHRlS : Jesus.
CHRlS : Let's go !
CHRlS : lt's gotta go somewhere.
CHRlS : Maybe one of them still runs. Look for keys.
CHRlS : Oh , my God . Look at this place.
CHRlS : Shit.
CHRlS : There's a back door. l saw a back door. Come on .
CHRlS : Thing looks prehistoric.
CHRlS : Yeah . There was a map at the gas station .
CHRlS : You okay? lt's just a paddle.
Church of the Lamb of God , the Chijon Family.
Come on , Carly. You can do it.
Come on , Scott! Scott!
Come on , you motherfuckers. Just die.
Come on ! Come on !
Come on .
Come on .
Come on .
Come on .
Come on . Come on .
Come on . Let's go, Carly.
Come on . Look at them . Oh , fuck.
Come on . This way! Let's go ! Come on !
Consider it an experiment in probability theory.
Couple of hours?
Couple of hours.
Damn it.
Damn it. Scott and Carly took all our frigging sunscreen .
Dirt. Dirt road?
Do you copy? What is your position? Over.
Do you feel like that? No.
Do you have any idea what's going on up here?
Do you know how to use this?
Do you know of another route heading south?
Do you think Evan's okay?
Do you think they saw us?
Does he have any good CDs?
Doesn't matter.
Drive ! Drive !
Drop your pants.
EVAN : l can't believe they called us stoners.
EVAN : Pretty good .
EVAN : We just got nailed , man !
EVAN : Yeah .
EVAN : Yeah . So what?
Evan? Where are you?
Evan? Where are you?
Excuse me, sir. Do you have a pay phone?
For you to confront your fear of heights !
FRANClNE : Evan?
FRANClNE : Look, l'm not going anywhere.
FRANClNE : Red neck assholes.
FRANClNE : Where'd you get this?
FRANClNE : Who are you calling a stoner?
FRANClNE : Yeah , we'll just stay here and maybe get hit again .
From my boyfriend , who says that we shouldn't be together anymore.
Fuck !
Fuckers ! Asshole motherfuckers !
Get down ! Get down !
Get down . Cover the l ig ht.
Get the fuck off of me !
Go ! Go !
Go ! Go ! Go, baby! Go ! Go !
Go ! JESSlE : Go, go !
Go, you guys ! Run !
Go. Come on . We gotta go.
God , l can not get it out of my head what just happened .
God , look at this place.
Goddamn drunkass hillbilly!
Got it? Limber tongue. Got it.
Guys, hold up for a second , allright?
Guys, l don't see any roads or towns out there.
Guys, we got two wrecked cars. l mean , we really need a phone.
He doesn't have any smokes, either.
He said. . .
He's coming .
Hello !
Hello !
Hello !
Hello? Anybody home?
Hello? Hello?
Hello? Hello? ls anybody there? Can you hear us? Hello?
Help !
Help ! Chris.
Help me move this. Come on ! Come on !
Help me, please. l'm sorry. l'm sorry.
Help me.
Here l am !
Here, here. You're okay.
Hey, baby, look at this.
Hey, baby, what are you doing?
Hey, Carly, l think this would be a good time
Hey, did you find anything to eat? They took all my PowerBars.
Hey, Doris. This is Chris Flynn .
Hey, guys, hold on .
Hey, hey, what are you doing?
Hey, is anyone up there?
Hey, look, l'll pay for whatever damage was done. . .
Hey, stop ! Oh , thank God .
Hey, what's your name?
Hey! Hey! Hey! Hey!
Hey. Hey, you all right?
Hey. How are you doing?
Hey. We're all gonna die.
Hey. What?
How are we gonna get you down?
How'd they get away with this?
How's your leg? lt hurts.
In a completely disturbing way and . . .
Jess ! Jessie ! Jess !