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The Bourne Identity (2002) The Bourne Identity is a thrilling action-packed movie released in 2002. Directed by Doug

The Bourne Identity (2002) Soundboard

The Bourne Identity is a thrilling action-packed movie released in 2002. Directed by Doug Liman, the film is based on Robert Ludlum's novel of the same name. It follows the story of a man suffering from amnesia who finds himself entangled in a web of mystery and danger.

The lead role of Jason Bourne is portrayed by the talented actor Matt Damon. Damon's portrayal of Bourne is intense and captivating, capturing the character's confusion and determination to uncover his true identity. Supporting Damon is Franka Potente, who plays Marie Kreutz, a woman who becomes Bourne's ally and love interest throughout the film. The chemistry between Damon and Potente is palpable, adding an emotional depth to the story.

The cast also includes Chris Cooper, who portrays the relentless and powerful character of Alexander Conklin. Cooper brings an intimidating presence to the screen, perfectly embodying Bourne's nemesis. Additionally, Clive Owen appears as The Professor, an assassin sent to eliminate Bourne. Owen's performance is chilling and adds an extra layer of suspense to the film.

The Bourne Identity stands out for its exhilarating action sequences and intense fight scenes. The film boasts impressive stunt work, captivating audiences with its fast-paced chases and hand-to-hand combat. Liman's direction skillfully combines the action with a gripping storyline, providing edge-of-your-seat entertainment.

In addition to its thrilling plot, The Bourne Identity also explores the themes of identity, memory, and government conspiracy. As Bourne slowly unravels his past, the audience is taken on a journey of self-discovery, questioning the true nature of one's identity and the extent of governmental control.

For those eager to experience the sounds of The Bourne Identity, you can play and download the film's exhilarating soundtrack here. The music, composed by John Powell, perfectly complements the action-packed scenes and builds tension throughout the film. The soundtrack features a mix of orchestral pieces and electronic beats, enhancing the suspenseful atmosphere of the movie.

Overall, The Bourne Identity is an enthralling film that keeps viewers on the edge of their seats. With its talented cast, intense action sequences, and thought-provoking themes, it has become a beloved classic in the action genre. So if you're looking for a thrilling cinematic experience, don't miss out on The Bourne Identity.

ABBOTT: (VOICE OVER) You said 24 hours, and he's not back
ABBOTT: (VOICE OVER) You said 24 hours, and he's not back
ABBOTT: How long till he checks in?
ABBOTT: How long till he checks in?
ABBOTT: I was recalling a conversation we had some time ago
ABBOTT: I was recalling a conversation we had some time ago
ABBOTT: Someone tried to take him out.
ABBOTT: Someone tried to take him out.
ABBOTT: What happened?
ABBOTT: What happened?
ABBOTT: You never made a mistake before.
ABBOTT: You never made a mistake before.
Alpha Unit, take the back stairs and work your way up. Bravo..
Alpha Unit, take the back stairs and work your way up. Bravo..
And I've had this headache.
And I've had this headache.
Apparently, he was killed instantly.
Apparently, he was killed instantly.
Be careful.
Be careful.
Because after I call you, I can get you moving
Because after I call you, I can get you moving
BODYGUARD: Nykwana!
BODYGUARD: Nykwana!
BOSS: Get the hell out of here
BOSS: Get the hell out of here
BOSS: We can't have... BOURNE: Okay
BOSS: We can't have... BOURNE: Okay
Bourne went to Paris, to the apartment.
Bourne went to Paris, to the apartment.
Bourne, he went to Paris. He went to the apartment.
Bourne, he went to Paris. He went to the apartment.
BOURNE: (IN FRENCH)
BOURNE: (IN FRENCH)
BOURNE: (ON ANSWER MACHINE) This is 46990384.
BOURNE: (ON ANSWER MACHINE) This is 46990384.
BOURNE: Answer me! Who are you?
BOURNE: Answer me! Who are you?
BOURNE: Based on these charts, I think I may have been closer to the coast.
BOURNE: Based on these charts, I think I may have been closer to the coast.
BOURNE: Hey, I told you to stay in the car.
BOURNE: Hey, I told you to stay in the car.
BOURNE: I don't know.
BOURNE: I don't know.
BOURNE: I slept.
BOURNE: I slept.
BOURNE: I'll sleep on the floor.
BOURNE: I'll sleep on the floor.
BOURNE: I'm not making this up.
BOURNE: I'm not making this up.
BOURNE: I'm not making this up.
BOURNE: I'm not making this up.
BOURNE: Keep walking
BOURNE: Keep walking
BOURNE: Marie?
BOURNE: Marie?
BOURNE: Oh, God
BOURNE: Oh, God
BOURNE: Okay
BOURNE: Okay
BOURNE: That's all
BOURNE: That's all
BOURNE: Treadstone? PROFESSOR: Which one?
BOURNE: Treadstone? PROFESSOR: Which one?
BOURNE: Treadstone.
BOURNE: Treadstone.
BOURNE: We can't stay here. It's not safe
BOURNE: We can't stay here. It's not safe
BOURNE: We'll give the watch a reference check before we go
BOURNE: We'll give the watch a reference check before we go
BOURNE: Who? EAMON: Bloody dog's gone missing
BOURNE: Who? EAMON: Bloody dog's gone missing
BOURNE: Yeah, I guess.
BOURNE: Yeah, I guess.
BOURNE: Yes, in Paris.
BOURNE: Yes, in Paris.
BOURNE: You need money. I need a ride out of here
BOURNE: You need money. I need a ride out of here
BOURNE: You need money. I need a ride out of here.
BOURNE: You need money. I need a ride out of here.
BOURNE: You've got yourself all tied up here
BOURNE: You've got yourself all tied up here
But that is precisely..
But that is precisely..
But we'll just keep track of everything we touch
But we'll just keep track of everything we touch
Can I have my money back?
Can I have my money back?
CLAUDIA: Daddy! EAMON: Hang on. Hang on
CLAUDIA: Daddy! EAMON: Hang on. Hang on
CLERK: It's not a menu. You don't just... MARIE: I brought all this proof
CLERK: It's not a menu. You don't just... MARIE: I brought all this proof
Code 77, copy.
Code 77, copy.
Come on.
Come on.
COMM TECH 1: Okay, I'm up.
COMM TECH 1: Okay, I'm up.
CONKLIN: (VOICE OVER) No. But we got a good idea where he is.
CONKLIN: (VOICE OVER) No. But we got a good idea where he is.
CONKLIN: Hello, Jason.
CONKLIN: Hello, Jason.
CONKLIN: No, you do remember.
CONKLIN: No, you do remember.
CONKLIN: Put up the scanners. Get as much radio information as you can.
CONKLIN: Put up the scanners. Get as much radio information as you can.
CONKLIN: What do you have?
CONKLIN: What do you have?
CONKLIN: What? In the apartment? NICKY: Yeah
CONKLIN: What? In the apartment? NICKY: Yeah
CONKLIN: What? In the apartment? NICKY: Yeah.
CONKLIN: What? In the apartment? NICKY: Yeah.
CONKLIN: You heard me. I want Bourne in a body bag by sundown.
CONKLIN: You heard me. I want Bourne in a body bag by sundown.
CONKLIN: You're asking me a direct question?
CONKLIN: You're asking me a direct question?
COP 1: The bus, the tour bus, second level.
COP 1: The bus, the tour bus, second level.
COP 2: Negative on the target.
COP 2: Negative on the target.
COP 5: Negative.
COP 5: Negative.
Did his brother leave a number or a way to get in touch with him?
Did his brother leave a number or a way to get in touch with him?
Do you have the number for a Jason Bourne?
Do you have the number for a Jason Bourne?
Do you mind if I use the bathroom?
Do you mind if I use the bathroom?
Does that happen a lot?
Does that happen a lot?
Enough.
Enough.
Everyone signs in and out. This is a serious place. Serious work.
Everyone signs in and out. This is a serious place. Serious work.
Excuse me. No
Excuse me. No
Exits?
Exits?
Fuck it.
Fuck it.
GIANCARLO: What's your name?
GIANCARLO: What's your name?
GIANCARLO: What's your name?
GIANCARLO: What's your name?
Goddamn it! Where am I?
Goddamn it! Where am I?
Gun down
Gun down
Hang on.
Hang on.
Have Paris get these out in the field.
Have Paris get these out in the field.
He says it's us. He says he's got proof.
He says it's us. He says he's got proof.
He wants us to put him back in power in six months, or else.
He wants us to put him back in power in six months, or else.
Hello?
Hello?
Help in assault incident.
Help in assault incident.
I also need a head count
I also need a head count
I can tell you the license plate numbers of all six cars outside.
I can tell you the license plate numbers of all six cars outside.
I don't know.
I don't know.
I don't want to do this anymore.
I don't want to do this anymore.
I got enough trouble, okay?
I got enough trouble, okay?
I had no idea you would be here
I had no idea you would be here
I haven't slept in a while and..
I haven't slept in a while and..
I live in Paris
I live in Paris
I needed a drink. I didn't think you would come back
I needed a drink. I didn't think you would come back
I said I don't know!
I said I don't know!
I thought you were never gonna do that.
I thought you were never gonna do that.
I want to know everything you can tell me about what's going on at those locations.
I want to know everything you can tell me about what's going on at those locations.
I'll do this! You stay there. Stay there!
I'll do this! You stay there. Stay there!
I'm coming.
I'm coming.
I'm coming.
I'm coming.
I'm not sure
I'm not sure
I'm sorry to hear that. How did that happen?
I'm sorry to hear that. How did that happen?
I'm terribly sorry to tell you this, but Monsieur Kane has passed away almost two weeks ago
I'm terribly sorry to tell you this, but Monsieur Kane has passed away almost two weeks ago
I'm trying to think...
I'm trying to think...
I've been speed talking for about 60 kilometres now.
I've been speed talking for about 60 kilometres now.
If I was him, then they're gonna have some records.
If I was him, then they're gonna have some records.
If you just enter your account number here, I'll direct you to an appropriate officer.
If you just enter your account number here, I'll direct you to an appropriate officer.
If you want to play this game..
If you want to play this game..
Is it a game? Is he warning us? Is it a threat?
Is it a game? Is he warning us? Is it a threat?
It gets slightly complicated, though
It gets slightly complicated, though
It looks like she's the anchor for this little domestic disaster.
It looks like she's the anchor for this little domestic disaster.
It says I'm an assassin
It says I'm an assassin
It's done
It's done
It's not about a green card anymore. It's very different.
It's not about a green card anymore. It's very different.
It's not working. I don't even know what to look for.
It's not working. I don't even know what to look for.
Jason?
Jason?
Jesus Christ. I told you to stay in the car
Jesus Christ. I told you to stay in the car
Just enhance it.
Just enhance it.
Last chance, Marie
Last chance, Marie
Last chance, Marie.
Last chance, Marie.
MANAGER: I think not
MANAGER: I think not
MARIE: Come on
MARIE: Come on
MARIE: Eamon always had money. He would never sell this
MARIE: Eamon always had money. He would never sell this
MARIE: It pulls a little to the right
MARIE: It pulls a little to the right
MARIE: Jason!
MARIE: Jason!
MARIE: Jason!
MARIE: Jason!
MARIE: Oh, my God
MARIE: Oh, my God
MARIE: Okay
MARIE: Okay
MARIE: Please!
MARIE: Please!
MARIE: The water is still cold
MARIE: The water is still cold
MARIE: They... BOURNE: I had a meeting as Kane
MARIE: They... BOURNE: I had a meeting as Kane
MARIE: This is a student visa now.
MARIE: This is a student visa now.
MARIE: What are you doing?
MARIE: What are you doing?
MARIE: What are you looking at?
MARIE: What are you looking at?
MARIE: What is it?
MARIE: What is it?
MARIE: What?
MARIE: What?
MARIE: Where did you get this from?
MARIE: Where did you get this from?
MARIE: Yeah.
MARIE: Yeah.
MARINE 1: You've no jurisdiction here.
MARINE 1: You've no jurisdiction here.
MARINE 1: You've no jurisdiction here.
MARINE 1: You've no jurisdiction here.
MARINE 2: Move! Move!
MARINE 2: Move! Move!
MARSHALL: All right, what's next?
MARSHALL: All right, what's next?
MEDITERRANEAN SEA 60 MILES SOUTH OF MARSEILLES
MEDITERRANEAN SEA 60 MILES SOUTH OF MARSEILLES
My French sucks. I can't... It says something about a boat or...
My French sucks. I can't... It says something about a boat or...
NICKY: Alpha 37509
NICKY: Alpha 37509
NICKY: I told you, I'm not staffed for this.
NICKY: I told you, I'm not staffed for this.
NICKY: The whole system's gone haywire
NICKY: The whole system's gone haywire
NICKY: There's a body in the street. CONKLIN: So?
NICKY: There's a body in the street. CONKLIN: So?
NICKY: Wombosi went to the morgue.
NICKY: Wombosi went to the morgue.
No, I'm sorry
No, I'm sorry
No, I'm sorry.
No, I'm sorry.
No, that's not what I meant
No, that's not what I meant
Nobody does the right thing
Nobody does the right thing
None of it.
None of it.
Nothing.
Nothing.
Now why would I know that?
Now why would I know that?
Oh, God. The money. Right.
Oh, God. The money. Right.
Okay.
Okay.
Okay. Thank you
Okay. Thank you
OPERATIVE: Code in.
OPERATIVE: Code in.
OPERATOR: Regina.
OPERATOR: Regina.
Paris?
Paris?
Really, if you want, please keep talking.
Really, if you want, please keep talking.
SECURITY CHIEF: All Units, target may have a radio.
SECURITY CHIEF: All Units, target may have a radio.
SECURITY CHIEF: Alpha Unit, you're clear.
SECURITY CHIEF: Alpha Unit, you're clear.
See?
See?
Sleep well
Sleep well
So figure it out.
So figure it out.
So, do you think there's, like, a family waiting for you?
So, do you think there's, like, a family waiting for you?
Someone tried to take him out.
Someone tried to take him out.
Something wrong?
Something wrong?
Take it.
Take it.
Tell me who I am.
Tell me who I am.
Thank you.
Thank you.
Thanks for the ride.
Thanks for the ride.
The consulate. I heard you talking. I thought maybe we could help each other.
The consulate. I heard you talking. I thought maybe we could help each other.
The food, the fuel!
The food, the fuel!
The knot's like everything else. I found the rope and I did it.
The knot's like everything else. I found the rope and I did it.
The park is closed. There's no sleeping in the park.
The park is closed. There's no sleeping in the park.
There was an accident. On the motorway
There was an accident. On the motorway
These are real.
These are real.
These people have threatened my family. My babies.
These people have threatened my family. My babies.
They must have something.
They must have something.
They were in Paris at 2.00 a.m
They were in Paris at 2.00 a.m
Turn your head away. Turn your head away
Turn your head away. Turn your head away
Two men outside, one in the lobby. And keep your eyes open.
Two men outside, one in the lobby. And keep your eyes open.
Wait. All of them? At the same time?
Wait. All of them? At the same time?
Was this Treadstone?
Was this Treadstone?
We need this, right?
We need this, right?
We still don't have the mother. The grandmother, she's still in Hanover
We still don't have the mother. The grandmother, she's still in Hanover
We still don't have the mother. The grandmother, she's still in Hanover.
We still don't have the mother. The grandmother, she's still in Hanover.
We took her family's phone records and collated the international calls.
We took her family's phone records and collated the international calls.
Well, we lost the communication with our man.
Well, we lost the communication with our man.
What are you gonna do?
What are you gonna do?
What can I do for you?
What can I do for you?
What do you want to listen to?
What do you want to listen to?
What happened?
What happened?
What is he doing?
What is he doing?
What the hell are you talking about?
What the hell are you talking about?
What, do you think I'm a fool?
What, do you think I'm a fool?
What?
What?
Who are you?
Who are you?
Who are you?
Who are you?
Who are you?
Who are you?
WOMBOSI: We?
WOMBOSI: We?
Yeah
Yeah
Yeah, it's cold in the kitchen, too. I got it running, though.
Yeah, it's cold in the kitchen, too. I got it running, though.
Yeah, we just heard
Yeah, we just heard
Yeah. Hello? Hello?
Yeah. Hello? Hello?
You come alone. You walk to the middle of that bridge.
You come alone. You walk to the middle of that bridge.
You need to rest. It will come back.
You need to rest. It will come back.
You never made a mistake before.
You never made a mistake before.
You take care of this car?
You take care of this car?
You take care of this car?
You take care of this car?
You were pretty out of it.
You were pretty out of it.
You! Red bag! The red bag!
You! Red bag! The red bag!
You're in danger. Your family's in danger. I don't have time to explain
You're in danger. Your family's in danger. I don't have time to explain
You've never seen a dead man before?
You've never seen a dead man before?
ZORN: He just tore up the embassy and put two cops in the hospital last night.
ZORN: He just tore up the embassy and put two cops in the hospital last night.
ZORN: Sir, what do you want to do?
ZORN: Sir, what do you want to do?
ZORN: Yeah.
ZORN: Yeah.
And I still have no visa! Miss Kreutz, please.
And I still have no visa! Miss Kreutz, please.
Are you Treadstone? Am I Treadstone? Me?
Are you Treadstone? Am I Treadstone? Me?
For my hair? Yeah. Just until we can change it.
For my hair? Yeah. Just until we can change it.
Let's find Mummy
Let's find Mummy
What's that? It's an angle of the street, a sort of alley.
What's that? It's an angle of the street, a sort of alley.
You tell them what happened! I don't know what happened!
You tell them what happened! I don't know what happened!
...and looking for an exit.
...and looking for an exit.
...I want to work on this girl.
...I want to work on this girl.
...in this accusation.
...in this accusation.
...money and six passports and a gun?
...money and six passports and a gun?
...so keep going.
...so keep going.
...we took over this really cool surf shop outside Biarritz, right by the water.
...we took over this really cool surf shop outside Biarritz, right by the water.
...who killed Wombosi, they're gonna come here and kill us
...who killed Wombosi, they're gonna come here and kill us
‚ô™‚ô™ Did you ever like it planned ‚ô™‚ô™
‚ô™‚ô™ Did you ever like it planned ‚ô™‚ô™
‚ô™‚ô™ Dirty basements, dirty noise ‚ô™‚ô™
‚ô™‚ô™ Dirty basements, dirty noise ‚ô™‚ô™
‚ô™‚ô™ Dirty places coming through ‚ô™‚ô™
‚ô™‚ô™ Dirty places coming through ‚ô™‚ô™
‚ô™‚ô™ Extreme places I didn't know ‚ô™‚ô™
‚ô™‚ô™ Extreme places I didn't know ‚ô™‚ô™
‚ô™‚ô™ Extreme songs that told me ‚ô™‚ô™
‚ô™‚ô™ Extreme songs that told me ‚ô™‚ô™
‚ô™‚ô™ Extreme ways I know will part the colors of my sea ‚ô™‚ô™
‚ô™‚ô™ Extreme ways I know will part the colors of my sea ‚ô™‚ô™
‚ô™‚ô™ Extreme worlds alone ‚ô™‚ô™
‚ô™‚ô™ Extreme worlds alone ‚ô™‚ô™
‚ô™‚ô™ I would stand in line for this ‚ô™‚ô™
‚ô™‚ô™ I would stand in line for this ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ That could get me along ‚ô™‚ô™
‚ô™‚ô™ That could get me along ‚ô™‚ô™
‚ô™‚ô™ Then it fell apart ‚ô™‚ô™
‚ô™‚ô™ Then it fell apart ‚ô™‚ô™
‚ô™‚ô™ There's always room in life for this ‚ô™‚ô™
‚ô™‚ô™ There's always room in life for this ‚ô™‚ô™
‚ô™‚ô™ They help me out late at night ‚ô™‚ô™
‚ô™‚ô™ They help me out late at night ‚ô™‚ô™
‚ô™‚ô™ You couldn't even believe ‚ô™‚ô™
‚ô™‚ô™ You couldn't even believe ‚ô™‚ô™
(BEEPING)
(BEEPING)
(BIRDS CHIRPING)
(BIRDS CHIRPING)
(CELL PHONE RINGS)
(CELL PHONE RINGS)
(CHATTERING) (LAUGHING IN DISTANCE)
(CHATTERING) (LAUGHING IN DISTANCE)
(CHILDREN GIGGLE)
(CHILDREN GIGGLE)
(CHURCH BELLS RING IN DISTANCE)
(CHURCH BELLS RING IN DISTANCE)
(EERIE INSTRUMENTAL MUSIC)
(EERIE INSTRUMENTAL MUSIC)
(FAST PACED INSTRUMENTAL MUSIC)
(FAST PACED INSTRUMENTAL MUSIC)
(GRUNTING)
(GRUNTING)
(GUN COCKING)
(GUN COCKING)
(GUNFIRE)
(GUNFIRE)
(IN FRENCH) Monsieur...your change, your change
(IN FRENCH) Monsieur...your change, your change
(KNOCKING ON PHONE BOOTH)
(KNOCKING ON PHONE BOOTH)
(LNDISTINCT CHATTER)
(LNDISTINCT CHATTER)
(MARIE GROANS)
(MARIE GROANS)
(PHONE RINGS)
(PHONE RINGS)
(PHONE RINGS)
(PHONE RINGS)
(POLICE CAR SIRENS BLARE)
(POLICE CAR SIRENS BLARE)
(POLICE CAR SIRENS BLARE)
(POLICE CAR SIRENS BLARE)
(RHYTHMIC INSTRUMENTAL MUSIC)
(RHYTHMIC INSTRUMENTAL MUSIC)
(RHYTHMIC MUSIC CONTINUES)
(RHYTHMIC MUSIC CONTINUES)
(SHIP'S HORN RESOUNDS)
(SHIP'S HORN RESOUNDS)
(SOFT INSTRUMENTAL MUSIC)
(SOFT INSTRUMENTAL MUSIC)
(SPEAKING IN FRENCH) This man was not shot.
(SPEAKING IN FRENCH) This man was not shot.
(SUSPENSEFUL INSTRUMENTAL MUSIC)
(SUSPENSEFUL INSTRUMENTAL MUSIC)
(SUSPENSEFUL INSTRUMENTAL MUSIC)
(SUSPENSEFUL INSTRUMENTAL MUSIC)
(SUSPENSEFUL MUSIC)
(SUSPENSEFUL MUSIC)
(TENSE INSTRUMENTAL MUSIC)
(TENSE INSTRUMENTAL MUSIC)
(TENSE INSTRUMENTAL MUSIC)
(TENSE INSTRUMENTAL MUSIC)
(TIRES SCREECH)
(TIRES SCREECH)
(WIND HOWLS)
(WIND HOWLS)
[Bourne rattles door]
[Bourne rattles door]
[Bourne repeating message in French]
[Bourne repeating message in French]
[Bustling traffic]
[Bustling traffic]
[Cursing in German]
[Cursing in German]
[Fast paced instrumental music]
[Fast paced instrumental music]
[Fast paced music continues]
[Fast paced music continues]
[Lndistinct chatter]
[Lndistinct chatter]
[Ominous instrumental music]
[Ominous instrumental music]
[Phone rings]
[Phone rings]
[Soft instrumental music]
[Soft instrumental music]
[Tense instrumental music]
[Tense instrumental music]
[Tires screech]
[Tires screech]
[Wind howls]
[Wind howls]
‚ô™‚ô™ I broke everything new again ‚ô™‚ô™
‚ô™‚ô™ I broke everything new again ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
‚ô™‚ô™ Oh, baby ‚ô™‚ô™