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Home > One Flew Over the Cuckoo's...
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One Flew Over the Cuckoo's Nest (1975) Soundboard

One Flew Over the Cuckoo's Nest (1975) Soundboard

One Flew Over the Cuckoo's Nest is a highly acclaimed film released in 1975, directed by Milos Forman and based on the 1962 novel by Ken Kesey. The movie delves into the lives of patients in a mental institution, exploring themes of rebellion, individualism, and the dehumanizing effects of a rigidly controlled environment.

The film features an exceptional cast, led by the prodigious talent of Jack Nicholson in the role of Randle McMurphy. Nicholson's portrayal of the charismatic and rebellious McMurphy earned him his first Academy Award for Best Actor. Louise Fletcher delivers a powerful performance as Nurse Ratched, the cold and calculated head nurse who maintains control over the patients with a firm grip. Her performance was equally recognized with an Academy Award for Best Actress.

The storyline follows the arrival of McMurphy at the mental institution, where he initially feigns mental illness to serve out his prison sentence in a more comfortable setting. However, he soon realizes the gravity of the situation as he witnesses the oppressive regime enforced by Nurse Ratched. McMurphy becomes a symbol of rebellion for the other patients, encouraging them to embrace their individuality and exercise their own wills. Throughout the film, the battle between McMurphy and Nurse Ratched escalates, with both characters trying to assert control over the ward.

One of the most notable aspects of One Flew Over the Cuckoo's Nest is the exploration of the impact of institutionalization on individuals. The film highlights the dehumanizing effects of a system that suppresses individualism and forces conformity. Through the characterizations of the patients, the audience witnesses the loss of identity and autonomy they experience as they are stripped of their personal freedom. In contrast, McMurphy serves as a catalyst for the patients to regain their sense of self and challenge the oppressive system that confines them.

The film also touches upon themes of mental health, power dynamics, and the inherent value of freedom. It raises important questions about the definition of sanity, challenging societal norms and questioning the authority of those who hold power. Furthermore, it encourages the audience to reflect on the impact of control and oppression on mental well-being.

The standout performances in One Flew Over the Cuckoo's Nest are complemented by a remarkable supporting cast, including the likes of Brad Dourif as the timid and stammering Billy Bibbit, Christopher Lloyd as the eccentric and childlike Taber, and Danny DeVito as the mischievous and rebellious Martini. Each actor brings a unique and memorable characterization to the film, enhancing the overall portrayal of the inmates as complex and diverse individuals.

The film's cinematography and soundtrack also contribute to its impactful storytelling. The cinematography captures the claustrophobic atmosphere of the mental institution, utilizing close-up shots to emphasize the characters' emotions and interactions. Meanwhile, the haunting and melodic score by Jack Nitzsche sets the tone and intensifies the emotional depth of the narrative.

One Flew Over the Cuckoo's Nest is a thought-provoking and powerful film that continues to resonate with audiences long after its release. Its exploration of themes such as rebellion, individuality, and the consequences of institutionalization make it a timeless piece of cinema. To experience the unforgettable performances and the captivating storytelling of this film, you can play and download One Flew Over the Cuckoo's Nest here.

A little change never hurt, huh? A little variety?
Aah!
Ah, Juicy Fruit.
Ain't that right, Mr. Jackson?
Ain't this a bitch.
AlI right, Martini.
AlI right, now we each one of us has got a fish.
AlI right.
AlI the way up. That's a baby, aIl right. Huh?
AlI we need's one vote. Just one vote. Just your one vote. That's all we need.
And that's it. Jesus Christ, I can't even believe it.
And weep.
Anybody wanna come with me?
Are you with us?
Bancini, old horse.
Beautiful eyes.
Because I'm going downtown and watch the World Series anyway.
BiIly, for chrissake....
CHESWICK: Miss Ratched!
CHESWICK: You gonna say goodbye to me, Mac?
Come on and see.
Come on, I'll show you.
Deuce to the dealer.
Do you think it might be possible to turn that music down...
Don't. Mac.
Get down there, Chief. AlI right, aIl right.
Get out of here, you slim motherfucker.
Go ahead, sit down.
Grab the fence here.
Ha ha ha. She only counts nine. Only nine. It's a Iandslide.
Harding, why don't you knock off the bulIshit and get to the point?
HARDlNG: Come on, Billy.
HARDlNG: My turn. Okay, hot dice.
He wants a hit. And a big queen.
Hey! Where is everybody?
Hi.
Hold it.
Holy Jesus.
How did you feel about what happened yesterday?
I got it from Ratched's charts.
I know, but do you think we might ease it down a little bit...
I thought we'd decided that issue.
I tried to.
I wanna know why the dorm is Iocked in the daytime and on weekends.
I want something done!
I'd like....
I'm gonna give each and every one of youse a rod.
I'm here to cooperate with you 1 00 percent.
I'm sorry.
It's called, uh, Put the Ball in the Hole.
It's on tonight.
Just hold it steady right there, like that.
Just raise your hand up, Bancini. Watch the balI game, huh?
Koufax is in big fucking trouble. Big trouble, baby.
Let's raise our hands up in the air. Just raise them up.
Let's try a little over here. There you go.
Mac. Don't. Mac. No.
MAN [ON TV]: The administretion was hopeful but cautious Friday...
MAN 1 : Don't bother anyone.
MARTlNI: This isn't a queen. Medication time, gentlemen. Medication.
May I have my cap, pIease?
McMURPHY [OVER PA]: Wake up, boys. Wake up.
McMURPHY LAUGHING]
McMurphy, I'm Dr. Spivey.
McMurphy, what the heIl are you doing?
McMURPHY: Calm down, Ches, will you?
McMURPHY: Excuse me, ma'am. I just wanted to
McMURPHY: That's 23 up, Cheswick.
Medication time.
MILLER: Mr. Cheswick.
Miss Ratched...
Mm hm.
Mm, yummy.
Mr. Scanlon, I'm gonna present you...
No man alive could resist that. That's why I got into jail to begin with.
No, no, no, I'll show you some card tricks.
Not now?
Now, that's your spot. Don't move.
Oh, for chrissake, I'm standing
Ooh.
ORDERLY: Make it easy on yourself. CHESWICK: No. Mac. Mac.
Party, my ass. This ain't no nightclub, this is a hospital.
Patients are not aIlowed in the nurses' station. AIl right?
Raise the ball up in the air, Chief. Raise it up.
RATCHED [OVER PA]: Recreation time, gentlemen.
Remember, Mr. Scanlon, we've discussed many times...
She Iikes a rigged game. You know what I mean?
Sit down, will you, Cheswick?
Somebody get me a fucking wiener before I die.
Split them. Higher.
Tabes.
Thank you.
Thank you.
That's right.
The Chief voted. Now, will you please turn the teIevision set on?
There they are, Chief. There they are. They're here.
There.
Think Think I don't want to?
This is a dime.
This is a fucking queen here, you understand?
Today, as you may or may not know It doesn't matter.
Tresh looks in. Koufax....
TURKLE: Ain't nobody jerking off nowhere, motherfucker.
Uh, I'm gonna take Candy for a stroll.
WASHlNGTON: Chief.
We're just having a party.
Well, I can only...
Well, I really don't know, doc.
Well, I think we've had our turn.
Well, it's not necessarily true, Mr. McMurphy.
Well, you know, I don't understand this, Miss Ratched...
Well, you sIy son of a bitch, Chief. Ha!
Well, you wanna kill. You know what I mean?
What the fuck ? Get out of here.
What you probabIy don't realize...
When the meeting was adjourned, the vote was 9 to 9.
Whoo. That's a baby. AlI right, you got her.
Why did you want to marry her?
WOMEN: Hi. McMURPHY: Ladies
Yeah, but I don't like the idea of taking something if I don't know what it is.
Yeah, Harding, you're so fucking dumb I can't believe it.
Yeah, l've been thinking about what you said about, uh...
Yeah.
Yes, yes, yes. Candy, I want you to meet the famous Billy.
You You, um Got Got Got beautiful hair.
You can have it. You can have it, honey.
You got 20 showing
You Iet me go on hassIing Nurse Ratched here...
You know, that wasn't very smart. She couId have seen that.
You trying to say I'm queer? Is that it?
You wanna watch baseball?
Your mother told me that you never told her about it.
Don't get upset, Mr. McMurphy. I'm not getting upset, Miss Pilbow.
Good morning, Miss Ratched. Good morning.
Here. Here. CHESWICK: I want something done!
How about you? Who are you? Oh. I'm Dr. McMurphy. R.P. McMurphy.
I ain't no Iittle kid. I ain't no Iittle kid... RATCHED: You sit down
I'm tired. AwfuIly tired. Okay. All right.
It costs $1 000 and four green houses... Hotel.
It's all right. HARDlNG: Thank you.
Make sure no one is missing. Will do.
No! You're all right. No one's gonna hurt you.
No! ORDERLY: Nobody's gonna hurt you.
Scanlon, who's pitching the opener? MARTlNI: Mac? Mac? Mac, here.
That's true. That is true.
They're all ganging up on you. Is that news?
What are you doing on this boat? We're going fishing.
What do you say, pal? I'm tired.
What do you think about that? Do I look like that kind of guy to you, doc?
You know what I mean? Yeah.
...1 0 to Billy to match his whang, and the dealer gets a three.
...and he's as meek as a lamb.
...because she doesn't meet your mental requirements?
...by state poIice on charges of ilIegal possession of dynamite.
...is that we have a lot of old men on this ward...
...she don't know whether to shit or wind her watch.
...she was 1 5 years old going on 35, doc...
...so maybe the boys didn't have to shout? Huh?
...this here is Candy. Candy, this is the boys.
...to hoId it while the guy took the picture.
...to sexuaI probIems I might be having with my wife.
...you know, getting things off your chest.
...you're our last chance. What do you say? Huh? Just raise your hand up.
[BANGlNG]
[FREDRICKSON LAUGHING]
[GASPS]
[GRUNTING]
[GRUNTS]
[LAUGHlNG]
[LAUGHlNG]
[LAUGHlNG]
[LAUGHlNG]
[LAUGHlNG]
[LAUGHS]
[McMURPHY CLEARS THROAT]
[McMURPHY LAUGHS]
[SCREAMlNG]
[SIGHS]
[SINGING I'M POPEYE THE SAILOR MAN]
[STUTTERING]
[STUTTERING]
[STUTTERING]
[STUTTERING]
[TAPPING ON COUNTER]
[YELLING]
[YELLING]

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