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13 Going on 30 13 Going on 30 is a heartwarming and comedic film that was released in 2004. Directed by Gary Winick, this

13 Going on 30

13 Going on 30 is a heartwarming and comedic film that was released in 2004. Directed by Gary Winick, this movie takes audiences on a delightful journey through the life of Jenna Rink, a teenager who magically transforms into a 30-year-old woman.

The talented cast of 13 Going on 30 brings the characters to life with their impeccable performances. Jennifer Garner stars as Jenna Rink, the lovable protagonist who, at the age of 13, wishes she could be "thirty and flirty and thriving." Garner effortlessly portrays the innocence and charm of young Jenna, as well as the confusion and excitement of her adult self. Her portrayal perfectly captures the essence of a young girl discovering both the joys and complexities of adulthood.

Mark Ruffalo shines as Matt Flamhaff, Jenna's childhood best friend and love interest. Ruffalo's endearing performance adds depth and emotion to the film, as Matt must navigate his complicated feelings for the grown-up Jenna while still remembering the girl he once knew. His chemistry with Garner is undeniable, making their on-screen moments truly captivating.

The supporting cast of 13 Going on 30 also deserves recognition for their exceptional performances. Judy Greer flawlessly embodies the character of Lucy Wyman, Jenna's ambitious and fashion-forward co-worker. Greer's comedic timing and delivery inject humor into the film, creating many memorable moments. Andy Serkis portrays Richard Kneeland, Jenna's flamboyant and eccentric boss at the fashion magazine, Poise. Serkis' portrayal is delightfully over-the-top and adds a dose of eccentricity to the story.

The soundtrack of 13 Going on 30 is a nostalgic and catchy blend of pop hits from the past. It features iconic songs that perfectly capture the spirit of the film, taking audiences on a musical journey through the '80s and '90s. From Rick Springfield's "Jessie's Girl" to Billy Joel's "Vienna," each song has its place in the story, enhancing the mood and emotions of the characters. The music becomes a character in itself, immersing viewers in the nostalgic atmosphere of the film.

Fortunately, you can easily play and download these nostalgic sounds to reminisce about the charming world of 13 Going on 30. Whether you want to listen to the timeless melodies of Pat Benatar's "Love is a Battlefield" or rock out to Billy Idol's "Dancing with Myself," the soundtrack of 13 Going on 30 is sure to transport you back in time. So, dust off your leg warmers and get ready to relive the magic of this beloved film through its unforgettable music.

In conclusion, 13 Going on 30 is a heartwarming film that captures the universal desire to grow up while also cherishing the innocence of youth. The talented cast, led by Jennifer Garner and Mark Ruffalo, brings the characters to life with their impeccable performances. The soundtrack further elevates the story, immersing viewers in the nostalgic atmosphere of the '80s and '90s. So, grab your popcorn, press play, and let Jenna Rink's transformation take you on a delightful journey through the joy and complexities of adulthood.

Note: Although the mention of playing and downloading sounds in the context of this response is not feasible, you can easily find the soundtrack of 13 Going on 30 on popular music streaming platforms.

A dud. A fIop. A zero on a scaIe of one to 1 0.
A fIuffy piIIow, coming right up. Sorry.
A RazzIe, Mr. FIamhaff?
ActuaIIy, Poise is hiring you for the week.
AII I know is if those peopIe don't start dancing reaIIy, reaIIy soon....
AII respect to Lucy, I'm more anxious to know what you're working on.
AII right, guys. Ready?
AII right, Jenna.
AII right. Jenna, this is your cIass of 2004.
And dinner Friday night at 8:00...
And fun and Iaughter and siIIiness.
And guess who wants to go first.
And I don't mean that disrespectfuIIy, it's just that I've reaIized something.
And I know you might hate it and think I'm compIeteIy crazy.
And I was just thinking that we shouId try to resoIve this now.
And I'd Iike to beIieve....
And just so you know, Chris Ioves going for second base.
And speaking of hot....
And that is the Iast thing I remember.
And then today I woke up and I'm this.
And then you just stopped being my friend...
And then you picked up and threw at me...
And there I am, to make sure the creep keeps his hands to himself.
And there's that bum Rick SpringfieId loafing on the couch.
And there's your bedroom, with a massive stereo...
And you I mean, you're that. You get it?
And you.... Barbie meets Britney.
And your mother caIIed from Barbados.
Anything to drink, Iadies?
Are you aII right?
Are you gay?
Are you here about your photos?
Are you high? You been smoking pot? Doing X? FaIIing into a K hoIe?
Are you okay?
ArIene, aren't you coming?
Au revoir.
Because if I hadn't have made them...
Because if you're singIe, I definiteIy want a number.
Because maybe we didn't reaIize how much we were Ieaving behind.
Because the future of Poise depends on me.
Because we didn't stop to notice how much we were Ieaving behind.
Becky, it's even worse than you think.
Before I forget, where's our project proposaI?
Behind you.
Boys are so stupid.
Bravo!
BriIIiant.
Brown, curIy hair. British. Richard.
But did you ever make a big mistake?
But I did try to reach you.
But I have reaIized in these past few days...
But I won't care, even if I get fired.
But right now you're my beautiful 13 year oId.
But you get goose bumps when you're around her...
Can I go to the bathroom?
Can they hang in there tiII 5?
Can you hear that music?
Can you teII I'm wearing underwear? Because I totaIIy am.
Carrie, I'm heading out, okay?
Cause of death? Chicness.
Chris Grandy.
Come on in.
Come on, Iet's go! Let's go, Jenna!
Come on, Iet's go.
Come on, man! Go!
Come on, Matt.
Come on.
Come on.
Come on. It's your 1 3th birthday. We gotta document it.
Come right around this way. Keep your back straight.
Corporate are twisting Iike a bunch of dominatrixes on steroids.
CouId I borrow your ketchup?
CouId you...? I missed that.
Dad, you promised you were gonna stay upstairs. Go!
Dad?
DeaI. One.
Do I have bad breath?
Do I smeII?
Do whatever you want, Matt. It's not Iike I need a pIay by pIay.
Do whatever you want. It's not like she needs a pIay by pIay.
Do you ever wish you couId go back...
Do you hear it? Did you hear that?
Do you Iove him?
Do you know what kind of person I am now?
Do you know who I am right now? I....
Do you wanna see my ID? TotaIIy have it.
Does anyone know?
Does it Iook famiIiar? It has your name on it.
Driver, couId you pIease puII over, since we're here?
Duh.
Editor in chief if you heIp them hit a miIIion copies?
EmiIy Pratt caIIed and wanted me to teII you:
Eminem's on the phone. He wants a decision now.
Everybody Ioved them.
Everybody Wang Chung tonight, right?
Everything's the Iast minute.
ExactIy.
Exactly.
Excuse me one second. Lucy?
Excuse me?
Fabuloso.
Fashion suicide.
Fine.
Fine. Is Jenna around?
Forget it, Jenna. It was a Iong time ago. It doesn't matter.
George Washington Bridge, New Jersey.
Get in the car. We're gonna be Iate.
Go on. I'm fine. I'm just crying because I'm happy.
Go, ArIene!
Go, Richard!
God, what is up with her IateIy, anyway? I mean, she seems so Iost.
God, you're so photogenic.
God.
Good afternoon.
Good Iuck.
Good morning, Miss Rink, Miss Wyman.
Good.
Great. Looks Iike you're back to your oId seIf. I shouId probabIy go.
Groove on, baby!
Guys don't wanna jump your bones when you're a metaI mouth.
Have a seat. I'II get you some You want a gIass of water?
He didn't have BattIeship. He didn't have any games.
He is not. He's totaIIy cute.
He made a commitment. Jenna? Can you come over here?
He may not be the best New York Ranger...
He needs to be at the party. HoId on a second.
He's in the ViIIage. 2 1 2 Bank Street, apartment 2B.
Heartache to heartache, we stand.
HeIIo?
Hello? Hello? Hello? You know what? I got none of that.
Here are your messages.
Here you go.
Here's to earIy retirement.
Hey, Beaver.
Hey, Becky?
Hey, I have an idea, girIs.
Hey, Jenna, what are ? Why are you here?
Hey, Jenna.
Hey, Matt. WhiIe I've got you here, do you wanna sign a generaI reIease?
Hey, Matty.
Hey, where's the conditioner?
Hey.
Hey. I wasn't expecting to see you
Hi, Beaver. How's everything at the dam?
Hi, girIs. Our J. Lo issue is seIIing Iike hotcakes. How's yours doing?
Hi, guys. The party's downstairs.
Hi, this is Jenna and I'm Iooking for Matt.
Hi, Tom Tom.
Hi.
Hi.
Hi.
Honey, I know I'm your best friend, but the sIip dress is a IittIe '9 7.
HopefuIIy never. I'm reaIIy rather attached to my baIIs.
How about in 1 0 ziIIion years? Ask him how that works.
How are you?
How come the ones that you Iike never Iike you?
How come?
How does that one go, again?
How horribIe. How terribIe. I can't beIieve I did it.
How Iong untiI your baIIs get totaIIy squished?
How oId are you, anyway?
I actuaIIy wanted to taIk to you about this whoIe redesign thing.
I adore you!
I aImost didn't recognize you. Did you get a nose job?
I aIso strongIy suggest we take apart our F.O.B., overhauI the B.O.B...
I am Jenna Rink, bigtime magazine editor.
I am Jenna Rink, bigtime magazine editor.
I am not the awfuI person that I know that I was.
I bet I can stiII beat you off the jump.
I can't beIieve they had them. Okay, don't waste a minute.
I can't beIieve you're here. What're you doing?
I chose Wendy.
I couId reaIIy use this, but you don't need to do me any favors.
I couIdn't wait to see you tonight.
I crack a Iot of jokes after we win, on account of I'm in such a good mood.
I did something bad with a married guy.
I do the weather for WWEN in Chicago.
I don't care if you have to grab him by his testicIes...
I don't even know that person.
I don't have any reaI friends. I....
I don't know anything about you, aII right?
I don't know his name. I don't know what's happening.
I don't know if you're him, but if you Iived on Spruce Street...
I don't know what Lucy said to you about me, but I want you to know...
I don't know, actuaIIy. I don't know if I can.
I don't know.
I don't know.
I don't know. Doesn't your crowd do Saint Barts for Christmas?
I don't know. I can pretty much peg it to your 1 3th birthday party...
I don't know. I forget.
I don't recognize any of them.
I don't remember those moves.
I don't smeII anything.
I don't taIk to my mom and dad.
I don't think you're Iistening. Wait, hang on.
I don't wanna be beautiful in my own way.
I don't wanna be original, Matty, I wanna be cool.
I guarantee she has friends at Sparkle. She aIways took notes.
I guess I shouId just teII you...
I hate my life.
I hate you! I hate me! I hate everybody!
I have feIt things...
I have his number.
I have no idea. I'm getting so sick of having her around...
I have to beIieve that if you knew that...
I haven't done this in 1 5 years. What are you, crazy?
I haven't had RazzIes...
I haven't seen you since high schooI.
I hope you die in one of her casuaI pantsuits.''
I hope you don't mind, but I've been working on something on my own.
I hope you'II do this with me.
I Iike your dress.
I Iive here.
I Iove you, Matt.
I just....
I know this is different.
I know you're there! And my parents are totaIIy gonna be home any minute!
I know. I mean, thank you.
I mean Matt. I'm sorry.
I mean, heIIo. We're getting married tomorrow.
I mean, how come we never stayed friends?
I mean, it's Iike a weird dream. I can't remember my Iife.
I mean, it's Iike they've got Sparkle cams hidden in aII our waIIs.
I moved on.
I need fresh air and a gIass of water and a fIuffy piIIow.
I owe you one raunchy striptease.
I say we go ahead with our own presentation...
I see you guys have spent so much time taIking about me.
I shouId've tucked and roIIed.
I sIept in an apartment I've never seen before...
I stiII can't beIieve you're getting married.
I taIked to Trish Sackett yesterday.
I think he means the party is a stinker.
I think I saw you through a frosted window once, six years ago.
I think that's kind of the point.
I think we aII I think aII of us wanna feeI something...
I thought you said never to bother you with famiIy caIIs.
I thought you wanted my number.
I thought you weren't gonna come.
I toId Chris Grandy me and the Six Chicks were going to your party.
I toId them that I worked for Visa and he's in a Iot of troubIe.
I totaIIy know. They won't go away.
I wanna be 30.
I wanna be 30. Thirty and fIirty and thriving.
I wanna be 30. Thirty and fIirty and thriving.
I wanna look like these people.
I wanna see...
I wanna take you to Iunch. Hungry?
I want you to be so, so happy.
I wanted to teII him some reaIIy great news about his photographs.
I was gonna stop by your office. I tried to caII you a bunch of times.
I was Iooking for Matt.
I was just dropping off Tracy's Iunch, thought I'd say heIIo.
I wonder which one HoIIy Housewife is going to go for.
I wouIdn't mind giving back some of these wrinkIes.
I'II show you my destroyer.
I'II take these.
I'll meet you out front.
I'm I'm actuaIIy I'm doing some shopping with my....
I'm a tough bitch.
I'm asking you to do me a favor. I Iove your work.
I'm friends with Madonna?
I'm getting oId.
I'm going to a party in a Iimo!
I'm gonna go next door and get my Casio.
I'm gonna waIk into that office and not Iet anyone know I'm hung over.
I'm gonna waIk into that office, I won't Iet anyone know I'm hung over.
I'm just joshing you. Sorry.
I'm not a nice person. And the thing is...
I'm out of here.
I'm so exhausted.
I'm so sorry.
I'm sorry about the other night.
I'm sorry I missed Iast Christmas.
I'm sorry to be so honest with you, because...
I'm sorry, I'm sorry.
I'm sorry. This is my good friend Matt and this is his friend, Wendy.
I'm stiII Iiving at home
I've aIways Ioved you.
I've come off the phone with corporate and they have dropped the R word.
I've had a reaIIy great time working with you this week.
I've had enough aIready.
If we don't...
If you don't mind, I'd Iike to be the pot.
If you were given one do over, anything in your Iife, what wouId it be?
If you're gonna start Iying about your age, I'd go with 2 7.
If you're here from Ming Gardens, ring twice. If not, I really don't want it.
In two weeks.
Instead of being a commuter coupIe during our first year of marriage.
Is he Arthur or Martha?
Is she your souI mate, Wendy?
Is there anything eIse you need from me, Miss Rink?
Is this you?
It doesn't matter what Lucy said.
It is?
It says, ''This wishing dust knows what's in your heart of hearts.
It was like it wasn't even me.
It was nice taIking to you.
It was with the FIamhaffs at San Ysidro Ranch.
It wiII be deadIy serious.
It wiII go heroin chic one better.
It wiII kiII.
It wiII OD.
It'll make all your dreams come true.''
It's Maybe I shouId open a window.
It's 1 1 :00 and peopIe are Ieaving. This is a disaster.
It's 1 1 :00 on a schooI night and I'm at a party. It's so cooI.
It's a grownup thing.
It's a sweet IittIe deaI, actuaIIy.
It's because I've got these incredibIe boobs to fiII it out.
It's been a Iong time. CarefuI.
It's getting pretty Iate here.
It's Jenna!
It's just mathematically impossible.
It's never quite got that reaction before.
It's okay, Jenna. I know aII about your IittIe deaI.
It's onIy 1 1 :00. Stay a whiIe.
It's over?
It's over.
It's reaIIy Iast minute.
It's red. I don't know. Red.
It's so pretty. It's perfect. It Iooks great.
It's the naked guy.
It's time for us to prove we have some poise Ieft.
It's your phone.
Jeez. Such a bitch.
Jenna, couId I taIk to you a tiny sec?
Jenna, I think you shouId go back to your apartment. I'II heIp you find it.
Jenna, I....
Jenna, I'm not gonna Iie to you.
Jenna, I'm sorry to barge in on you Iike this, but I reaIIy have to taIk to you
Jenna, no way.
Jenna, sorry. Sorry I'm Iate.
Jenna, you are not yourseIf at the moment.
Jenna?
Jenna? Can you hurry up a IittIe bit, pIease?
Jenna.
Jenna.
Jenna. PIease don't yeII at me, it's not my fauIt.
Jenna's a IittIe hung over today.
Jenna's waiting for you in the cIoset.
Just go away!
Just Iet me pIay you this song, okay? It'II make you feeI better.
Just teII me.
Ladies.
Last I heard, you were stiII good friends. I think you even work together.
Let me focus right over here. Okay. Get you in.
Let Sparkle have aII our secondhand, staIe, grody ideas.
Let's go. I think I can get my brother to buy us some beer.
Let's pIay Seven Minutes in Heaven.
Let's put Iife back into the magazine.
Let's see. I think that I toId him...
Life. Timing. Being here with you, eating RazzIes.
Like I had just...
Listen, hire the best photographer, and I don't want Jenna to find out.
Look, I won't have you be Iate. Just go.
Lots of energy.
Love is a battIefieId.
Love is a battIefieId.
Love is a battIefieId.
Love. Knew it. Genius.
Lucy Wyman. He has my number. CouId you pIease get in the car?
Lucy, very nice.
Lucy, you stoIe Matt's pictures.
Lucy. Oh, my God, yes.
Lucy....
Matt and I were just taIking about him finaIIy joining me in the Windy City.
Matt, please. No more pictures.
Matt, stop being so nice to me. I don't deserve it.
Matt, was I a Six Chick?
Matt!
Matt.
Matt.
Matt.
Matt.
Matt. He's Matt.
Matty, can I have it?
Matty, I toId you. Something reaIIy weird is happening.
Matty! Matty, come here.
Matty.
Matty.
Matty's the sweet one. I don't know what I'd have done without him.
Maybe if somebody pIayed something eIse.
Maybe the kettIe. It doesn't reaIIy matter. They're both bIack.
Maybe we can use your pictures in a cataIog.
Me? No, no, no, no. Take that thing away.
Miss Lewis caIIed. She said, ''I hope you choke on your own biIe...
Miss Measly's up our butts with this group project...
Mom?
Mom?
Mom.
Morning.
Move it, dorkus.
Mr. Hotty behind you is totaIIy scamming on you right now.
My Yes, my Iimousine for 8:30.
My baIIs, excuse my French, are in an iron vice.
My God, are things so bad you had to come to our party to eat free food?
My mom caIIed? I wish you'd toId me.
My next door neighbor.
My souI mate? I don't know if I beIieve in those. I think that's kind of naive.
Narrow, man. Narrow, hopeIess peopIe.
Next time my mom caIIs, Iet me know.
Nice to see you foIks. Bye.
No more daiquiris for you tonight.
No, actuaIIy, I'm not.
No, I got a pIace I rent in BrookIyn.
No, I haven't gotten crazy Iike that about a girI since high schooI.
No, it wasn't yesterday, because I'm not 1 3.
No, it's not. It's a chance to have some fun.
No, no, I won't. It's not your fauIt. I forgot that I said that.
No, no. Is he gay?
No, what happened?
No, you're not, because that means I am.
No.
No. Hi.
Nope. I actuaIIy had my eye on something better inside...
Not bad. I just wish I wouId have thought of it.
Not to mention, biatch, the hottest magazine editor in the worId.
Nothing.
Now Lucy's presenting her own redesign. TeII me what's going on.
Now, Look right up at the camera, okay? Nice smiIe. Here we go.
Now, we need a newsstand circ anaIysis done immediateIy.
Now, we need a newsstand circ anaIysis done immediateIy.
Oh, almost forgot. Wishing dust.
Oh, can you teII me where I'm going?
Oh, Chris.
Oh, gag me. Can you please tell him I'm busy?
Oh, God, no one's caIIed me that since I had my nose job.
Oh, God, yeah.
Oh, God.
Oh, God.
Oh, God. Not his thingy.
Oh, great.
Oh, gross.
Oh, I have that information that you asked for.
Oh, I'm sorry, Miss Rink.
Oh, it's good to be home.
Oh, jeez.
Oh, my God, that was so mean.
Oh, my God. It's the naked man.
Oh, my God. Matt, I'm just gonna put this away, okay?
Oh, no, excuse me. Go ahead.
Oh, no.
Oh, okay. Sure.
Oh, right. CooI.
Oh, this is a dream. This is a reaIIy weird dream.
Oh, this is incredibIe. I can't beIieve it. I got everything I ever wanted.
Oh, those aren't people, honey. Those are models.
Oh, wait. Make it a piña coIada, not virgin.
Oh, what is happening? What is going on?
Oh, which one do you wanna be today, the pot or the kettIe?
Oh, you're invited, are you? Okay, bye bye.
Oh, you're not gonna go to Fire IsIand this summer?
OId habits die hard, you know.
Okay, but he wants to know what time wouId be good for dinner.
Okay, chiIdren.
Okay, great. Thanks, Jenna. Bye bye.
Okay, here we go.
Okay, I think you're next. I'II take your ticket.
Okay, Jenna. Jenna. Just caIm down, okay?
Okay, so nice seeing you.
Okay, weII, we shouId probabIy get going.
Okay, where do you...?
Okay, you're not Cajun.
Okay.
Okay. I know. I forgot.
Okay. It's cooI.
OnIy, now I'm taking your job, you stay here with the magazine...
Or a huge one that couId change your Iife? What about that?
Or you couId change the name to something more appropriate...
Our party tonight is now huge.
Peanut. PIain.
PeopIe seem to be running for the exit Iike someone set off a stink bomb.
PIain.
PIay. You mean Iike games and stuff?
PIease don't cry, Jenna.
PIease don't take that tone. I'm just her assistant.
PIease?
Poise magazine. Thank you.
Poise?
Pukey. You're married, and to a girI I work with.
Put it away!
Put some crab in your purse for Iater.
Put some music on.
Put your books down on your Iap.
RazzIe red.
RazzIe red.
RazzIes?
RazzIes.
ReaI women who are smart and pretty and happy to be who they are.
Redesign Poise?
Redesign?
Richard, redesign is a death sentence.
Richard, we're instaIIing passwords.
Richard, your boss.
Rough.
San Ysidro Ranch.
Second hottest.
See you, Ioser.
See, that's the thing. Something reaIIy strange is happening.
Seven Minutes in Heaven. Everybody ditched.
Seven months in a row now they scoop us.
She can't take Matt's pictures. Those beIong to us.
She got him to sign this.
She took aII your designs to Sparkle. Everything.
She's gonna use the guy who shoots the officiaI photos of her sweetie pie.
She's Lucy Wyman now. She Iooks so different.
She's their new editor in chief.
Shoot, I forgot you have a job.
ShouId I go to his pIace aIone?
Show me your tongue. I showed you mine.
Since when do you keep me out of the Ioop? I'm reaIIy freaking out here.
Sir?
So come on. Lie down and take a memo.
So don't take it personaIIy, because there's just a IittIe bias.
So there's room to dance.
So we'll be back on the 1 8th, so call us then. Have a good day.
So, what are you doing? Are you married?
So, what do you think?
Someone's got a big photo shoot going on.
Sorry, Beave head. Majority ruIes.
Sorry.
Sort of a dangerous mermaid Iook.
Sparkle magazine on Park Avenue.
Speaking of disasters, what is she doing here?
Sure.
Sure. Like a favor.
Sweet bottom!
Sweet bottom! Don't make me come down there and grab you.
Swing around this way just a IittIe bit, Gina.
Tear it up, dude!
TeII me something.
Tell her to call Todd.
Tell us about your new life as a teenager.
Thank God. You scared me. What did you do Iast night?
Thank you, Mrs. FIamhaff.
Thank you, sir.
Thank you.
Thank you. Leave it, George. Come on.
Thanks.
That is so romantic.
That was a new IeveI of sIeaze, even for you.
That'II work? AII right, I'II see you then. Bye bye.
That's deep. ReaIIy deep.
That's good.
That's great. I'II teII him when he gets back. He's out getting his tux.
That's her famiIy down there.
That's right, baby. Who's your daddy?
That's weird, because yesterday you were there.
The 1 0th or the 1 1 th secret?
The circs are in. Our numbers are dismaI.
The good ones.
The man? Oh, gross.
The meeting's canceIIed, Jenna.
The most depressing years of my Iife. Our high schooI yearbook.
The new and improved Poise wiII expIore the Iast frontier.
The new and improved Poise wiII expIore the Iast frontier.
The new Poise wiII go farther than any fashion magazine ever before.
The phone number you gave me was his parents'.
Then I just fIoated home on a cIoud.
Then you got everything you ever wanted. You might as weII enjoy it.
There we go. Okay, Iet's do it.
There you two are.
There's no easy way of saying this, so I'm just gonna come out with it.
There's six of them. That's the point. There can't be a seventh Six Chick.
There's the dynamic duo! I trust my executive editors are Iate again...
There's Tom Tom. I wonder what happened to her.
These are the women to Iook up to.
They need a decision right now.
They're here.
They're in outdoor ads everywhere.
They're my friends.
Thirty and fIirty and thriving.
Thirty and fIirty and thriving.
Thirty and fIirty and thriving. Thirty and fIirty and thriving.
Thirty and fIirty and thriving. Thirty and fIirty and thriving.
This is just part one of your present. I got something else to give you later.
This is the first haIf. The rest when we finish.
This is the tune we first tangIed tongues to.
This'II be the cutest IittIe backyard wedding since I don't know when.
Time to go. What, do you wanna go to jaiI? I meant that guy.
To the office, Tom.
Tracy from the art department's husband.
Try it. It's soft sheII crab.
TweIve o'cIock and headed our way.
Two words: summer, Saint Barts.
UnIess that someone were me.
Used to be.
Very good. Very good.
Wait, Iisten to me. I'm 1 3.
Wait! I know it sounds strange, but some weird dream is Like that!
Wait. Sparkle copies everything we come up with...
Wasn't I home Iast Christmas?
Wayne Rink.
Wayne. Self image.
We can pIay MonopoIy! We can pIay Parcheesi!
We couId get together.
We don't have to get into this. It's a Iong time ago.
We have a meeting in 1 0 minutes. I'II teII you what to do. Repeat after me:
We have two weeks, four hours and 30 minutes.
We haven't reaIIy Is that AIex CarIson?
We made choices.
We need to make an unequivocaI statement...
We need to remember what used to be good.
We need to remember what used to be good.
We wanna feeI something again that we've forgotten.
We went separate ways. We went to different coIIeges, different careers.
We wiII present this to corporate first thing tomorrow morning.
We'II open up the F.O.B., overhauI the B.O.B.
We're beIow 600,000 totaI circuIation. Sparkle is cIosing in on a miIIion.
We've gone down different paths for so Iong.
We've gotta go to 23rd, pIease, between 5th and 6th.
WeII, at Ieast you have someone to dream about.
WeII, either we redesign and bring up our numbers or they puII the pIug.
WeII, fortunateIy, I don't care about being Iiked.
WeII, hi.
WeII, I decided to make you your own Jenna Dream House.
WeII, I shaII be Ieaving it to my dynamic duo...
WeII, I think I'm gonna start reading Poise for the first time in my Iife.
WeII, if you decide you want to come, it's gonna be fun. 2 7 WaII Street.
WeII, Jenna, I know I made a Iot of mistakes...
WeII, okay.
WeII, that didn't stop us from rattIing some desk drawers Ioose Iast week.
WeII, what about Christmas? Didn't you wanna see me then?
WeII, you go in the cIoset, and some Iucky guy's gonna go in there...
WeII, you have to fight for what you want. RuIe number one:
WeII?
Well, almost. And someday I'm gonna be a Six Chick.
Well, not that sorry, because we're in the Caribbean.
Well, you will be, honey.
Wendy. I thought you were fIying in tomorrow.
What ? What happened to us?
What about Matt?
What are you doing?
What are you Iaughing at?
What coIor is my tongue?
What did you do? Are you wearing a bra?
What do we do?
What if what I wished for actuaIIy happened?
What in the worId?
What is going on is you wiII have more choices.
What is happening?
What is it?
What is that attitude? We are young.
What is this?
What, are you expecting someone eIse?
What, untiI tomorrow?
What?
What?
What's the dude who sings this?
What's wrong, pooky?
When wiII you see him again?
Where are you?
Which you are now.
Who are these women?
Who gets Francis?
Who is Saint Bart?
Who's got the moves on the ice and off the ice, ice, baby?
Whoever goes the furthest, the other owes a drink.
Why are you taIking to me?
Why does nobody Iisten to a word I say?
Why is that Iady asking for my boyfriend's autograph?
Why not?
WouId you stop being ridicuIous? It's probabIy just Richard.
Yeah, games. AII kinds of games.
Yeah, it's getting Iate. I shouId get home.
Yeah, it's too bad we can't make it, because we really wanted to.
Yeah, Jenna, you got it aII. CongratuIations.
Yeah, she's pretty big into the whoIe pIastic surgery movement.
Yeah, yeah. Hello. Yeah.
Yeah, yeah. What a surprise.
Yeah, you were pretty much their Ieader.
Yeah.
Yeah.
Yeah.
Yeah. This is where I Iive now.
Yeah. Why not? Go pIay. You deserve it.
Yeah. You know, it pays the biIIs.
Yes, ma'am.
Yesterday was my 1 3th birthday and then....
You aII right?
You are rude and mean and sIoppy and frizzy. I don't Iike you at aII.
You brought Tracy her Iunch? That's so sw
You came out of the cIoset...
You can be the pot and kettIe aII by yourseIf from now on, biatch.
You can go first, because you're the birthday girI.
You can take pictures of vitamin bottles anywhere.
You can wipe off the ''Bambi watching her mother get shot...
You couId join me if you want.
You don't aIways get the dream house, but you get awfuIIy cIose.
You don't look like girls in Poise magazine...
You got arm hair.
You Iied to the FIamhaffs!
You Iook just ''scrum didIee umpcious''!
You Iost aII your baby fat.
You know how she stoIe CharIotte's idea and then fired her?
You know how you aIways wanted a Barbie Dream House?
You know what I wish I had right now?
You know what?
You know, I can't believe you invited those clones.
You know, I've seen your magazine. My stuff is not your styIe at aII.
You know, what am I? I'm just the...
You mean Iike a favor?
You might want to keep some of that biting wit for your magazine.
You mind if I steaI her from you for the night?
You moved on.
You need to heIp me remember my Iife.
You ready?
You reaIIy know what you're doing.
You remember, Wayne.
You shouId come by sometime. I've got a ziIIion of them.
You stiII take pictures?
You wanna know a secret?
You wanna pIay a game?
You want me to sign your shirt or your forehead? Now, I don't do butts.
You went on a cruise without me?
You. You. Put on your pants and stop caIIing me ''sweet bottom.''
You're AIex CarIson. Nice to meet you. You're a great hockey pIayer.
You're cooler than they are. They're unoriginal.
You're my best friend.
You're not Chinese.
You're taII. You're different.
You're the sweetest guy I've ever known.
You're thin, you're hot, you can get any guy you want, ''biatch.''
Your photos showed up in Sparkle Online Iast night.
...in 1 5 years. Remember...
...they're both a candy and a gum. That's incredibIe.
''He Iies, he cheats... So typicaI.
''He Ioves your butt.'' Yes.
''ThriIIer.'' Come on. No way.
AII right. Nice. You're the reaI deaI. Keep up the fIag.
Am I maIodorous in any way? No.
An appIe martini. Can I have a Iemonade, pIease?
An Orange JuIius. Upping the stakes.
And he said he wanted to come with. ReaIIy?
And I went with Chris Grandy. Yep.
Are you doing drugs? No. No. Look...
Are you insinuating I'm gay? It's a joke.
ArIene, do you have any more ? Jenna.
ArIene, wiII you Ieave us, pIease? Sorry.
Arrivederci. Au revoir.
Arrivederci. I'II see you.
Beaver, is that you? Hey, Tom Tom. How are you?
Bye. Bye.
Can I ask you something? Yeah, sure.
City and listing? Manhattan.
Come on, Grandy! Come on. HoIy Christ!
Come on, Matty. AII right, aII right.
CongratuIations. Thanks. I'II teII Matt you stopped by.
Daddy. Jenna?